idiosyncratic

Haus

no046🔊🔊🔊🧜‍♀️

no047🔊🔊🔊⚡️

chill

the other side of the tracks

Dope remix of When A Fire Starts To Burn by Nathan Dalton
Get it for yourself here on BandCamp --> https://nathandalton.bandcamp.com/track/disclosure-when-a-fire-starts-to-burn-nathan-dalton-remix

I DO NOT OWN THIS TRACK - NOR DO I PROFIT OFF IT. THANK YOU

Disclosure - When A Fire Starts To Burn (Nathan Dalton Remix)

BL3SS - Devil

Fresh off the back of her recent DJ Kicks compilation release and an EP for Shall Not Fade in 2021, Cinthie returns to Will Saul’s Aus imprint for her first EP release of 2022, once again delivering her raw, energetic House sound to the world. Title-cut ‘Light A Fire’ leads the way and lays down organic drums, hypnotic vocal lines and choppy stab sequences alongside bumpy bass tones, intricately unfolding synth swells, resonant bleeps, and dynamic delays, resulting in a big sun-drenched anthem to perfectly set the tone. ‘Keeping Strong’ follows next and employs classic House tropes via gritty string stabs, plucked bass notes and dubbed out vocal cuts, running atop skippy, swinging drums for six and a half minutes. ‘Everything’ then rounds out the release, diving deeper this time as Cinthie employs dubbed out chords, weighty subs, crunchy percussion, and cinematic, elongated strings swells, concluding the release with a smooth, emotive feel.

Cinthie 'Light A Fire'

HoneyLuv & Seth Troxler ft. Paul Johnson - Sex & The City EP ft. MK Remixes
BUY: https://fanlink.to/TKG014

Tuskegee Music is proud to present @honeyluvmusic & sethtroxler's Sex & The City EP featuring Paul Johnson and @marckinchen.

Originating with HoneyLuv, made in collaboration with Tuskegee co-founder Seth Troxler, and featuring portions of Paul Johnson’s classic 1998 track ‘So Much’, ’Sex & The City' is HoneyLuv’s homage to one of house music’s greats and an encapsulation of Tuskegee Music’s ethos of honouring the genre’s Black & Hispanic origins. Detroit house legend Marc Kinchen’s interpretations of the track imbues Sex & The City with all the beloved MK touches, from the inimitable drum patterns to the instant-earworm melody.

The release marks the return of the label founded by Seth Troxler & The Martinez Brothers in 2014. In addition to music from its label heads, Tuskegee Music featured artists including Omar-S, Jamal Moss, K' Alexi Shelby, D-Knox and William Djoko before going into hiatus in 2019.  The label’s upcoming schedule will continue to focus on its remit of supporting BIPOC artists, through the elevation of new talent and collaborations with some of house & techno’s most important and influential figures.

HoneyLuv & Seth Troxler ft. Paul Johnson - Sex & The City (MK Remix)

DL/Stream: https://Toolroom.lnk.to/TheStutterTS

Next up on Toolroom is a label debut from London based DJ and Producer, Deeper Purpose, who’s landing with a HUGE Tech House roller, ‘The Stutter’. An artist creating shockwaves across the dance music spectrum, Deeper Purpose is fast becoming a familiar name in the dance sphere having earned a solid reputation as a producer with killer releases on highly regarded imprints such as Off The Grid, Catch & Release and Repopulate Mars.

Not only has he cemented his place as a top producer, but also as a top DJ. Deeper Purpose is regularly tearing up dancefloors across the globe while rubbing shoulders with some of the biggest names in the scene such as Fisher, Chris Lake, Lee Foss, Biscits and Martin Ikin to name a few.

A staple record in all his performances, ‘The Stutter’ has shaken dancefloors all over the World, from EDC Vegas to Club Space Miami, to Ministry Of Sound London and beyond! With more huge moments still to come in 2023 for Deeper Purpose, expect to hear ‘The Stutter’ slamming through speakers near you this summer…

The Stutter

DL/Stream

Deeper Purpose - The Stutter

I Love to Watch You Dance

I Love To Watch You Dance (Club Fever Pt. 3)

My interpolation of the classic 1950's Hokey Pokey!

Shake

SHake

Buy on Beatport

Shake (Radio Edit)

Buy & Stream

PREMIERE: Borka & The Gang - Tem Que Sonhar (Bosq remix) [The Disco Express]

After the hugely successful project debut of 'Play 2 Win’ Dave Lee is back with his Destiny II project with an uptempo boogie synth filled track in the spirit of Leroy Burgess’s 80’s offerings. Featuring broken beat don Kaidi Tatham on keys, The Sunburst Band’s Tony Remy on Vocoder and the powerful vocals of Aria Lyric. Backed up with two speaker shaking remixes from the chart topping Groove Assassin. The main remix is a bouncy yet punchy re-rub showcasing Aria’s vocal prowess where as the Dub version is aimed at the peak time with it’s stabbing Piano riffs, chopped vocals and riffing sax lines.

BUY/STREAM HERE

Destiny II feat. Aria Lyric - I'm Here For This (Groove Assassin Dub) [Snippet]

Cratebug Edit of this classic by Chicago House Music legend Armando. If the download button does not appear for you in the mobile app, just go to https://cratebug.bandcamp.com/ 👊🏼

FREE DOWNLOAD

100% of Dissin You - Armando (Cratebug Edit)

Artist: Adrian Roman
Track: Placido
Label: Essential Part
EP: Flores Plácidas
Release date: 09.05.2025

_

Youtube: https://youtu.be/96BtNiBASS0

premiere | Adrian Roman - Placido | Essential Part

Swagger-laced spoken word over dirty tech house. 128 BPM. Dark, hypnotic, and built for late-night warehouses. Just sweat and sound.

Sweat & Sound

https://www.traxsource.com/title/2467884/my-love-is-4u

Hotmood - My Love Is 4U (Original Mix)

Same To You

Same To You (Bakermat Remix)

Flying Lotus - Crosswerved // Be Spin

i-Donline.com 

Re-edit of the D'angelo track 'Untitled (How Does it Feel)' by super fan and general music man L-Vis 1990. Speaking about his work on the edit,  L-Vis frontman James Connelly commented "As soon as I heard D'angelo was coming back I put on 'Voodoo', booked tickets to see him in Paris then made this edit of one of my very favourite D tracks. So happy to see him back in the game!" You heard it here first.

facebook.com/iDmagazineofficial
twitter.com/iD_magazine
i-Donline.tumblr.com
youtube.com/user/iDmagazineonline

i-D Online: D'angelo, Untitled (How Does it Feel) (L-Vis 1990 Own Way Edit)

Available on Southern Fried Records!

Buy now on Beatport: http://bit.ly/TCWBeatport
Buy now on iTunes: http://bit.ly/TCWiTunes

http://www.facebook.com/lucacandbrigantemusic
soundcloud.com/lucacandbrigante


Luca C & Brigante feat. Robert Owens: Tomorrow Can Wait (Art Department Remix)

Here’s Track Number 90 Of My ElEcTr0 Du0 Mix Series❣️❣️❣️
The Jacksons vs. Manfred Mann’s Earth Band - Can You Feel Blinded By The Light??? (WhiLLThriLLMiX)
🙃🎚🎛🎚⚡️
The Jacksons- Can You Feel It (DJ Aiblo Rework)
Manfred Mann’s Earth Band - Blinded By The Light (MidasTouch/DeeLander ReWork)

The Jacksons vs. Manfred Mann’s Earth Band - Can You Feel Blinded By The Light??? (WhiLLThriLLMiX)

A selection of remixes (minimixen) by Ben Liebrand

Ben Liebrand Miximix 1

Pump up the Volume vs Bad (Ben Liebrand minimix)

Until The Quiet Comes

Getting There (feat. Niki Randa)

Brampton men Charged in Amen Breaking and Entering into local [REDACTED] Diner

Yellow Magic Orchestra (YMO) is a Japanese electronic music band consisting of principal members Haruomi Hosono (bass and keyboards and vocals), Yukihiro Takahashi (drums and lead vocals) and Ryuichi Sakamoto (keyboards and vocals). The band's former "fourth member" was music programmer Hideki Matsutake.Prior to the group's formation, Sakamoto had been experimenting with electronic music equipment at the Tokyo National University of Fine Arts and Music, which he entered in 1970, including synthesizers such as the Buchla, Moog, and ARP.[14] Hosono, following the break-up of his band Happy End in 1972, became involved in the recording of several early electronic rock records, including Yōsui Inoue's folk pop rock album Kōri no Sekai (1973) and Osamu Kitajima's progressive psychedelic rock album Benzaiten (1974), both of which utilized synthesizers, electric guitars, electric bass, and in the latter, electronic drums and rhythm machines.[15][16]

Also around the same time, the band's future "fourth member" Hideki Matsutake was the assistant for the internationally successful electronic musician Isao Tomita. Much of the methods and techniques developed by both Tomita and Matsutake during the early 1970s would later be employed by Yellow Magic Orchestra.[2][17] Other early influences on the band included Kraftwerk and Giorgio Moroder.[1] The former was particularly an influence on Sakamoto, who heard the band in the mid-1970s and later introduced them to his fellow band members.[18] They were impressed with Kraftwerk's "very formalized" style but wanted to avoid imitating their "very German" approach. According to Sakamoto, they were "tired" of Japanese musicians imitating Western and American music at the time and so they wanted to "make something very original from Japan."[18] He described Kraftwerk's music as "theoretical, very focused, simple and minimal and strong," contrasting it with YMO's "very Japanese" approach of fusing many different styles of music like a "bento box."[14] Their alternative template for electronic pop was less minimalistic, made more varying use of synthesizer lines, introduced "fun-loving and breezy" sounds,[19] and placed a strong emphasis on melody.
	
"Firecracker" (1978)
Menu
0:00
A sample of "Firecracker" from the 1978 album Yellow Magic Orchestra. It was combined with the "Computer Game" track into a hit single called "Computer Game". It was later sampled by artists such as Afrika Bambaata and Jennifer Lopez.
Problems listening to this file? See media help.

Sakamoto first worked with Hosono as a member of his live band in 1976, while Takahashi recruited Sakamoto to produce his debut solo recording in 1977 following the split of the Sadistic Mika Band. Hosono invited both to work on his exotica-flavoured album Paraiso, which included electronic songs produced using various electronic equipment such as the Yamaha CS-80 polyphonic synthesizer, Roland and ARP Odyssey synthesizers, the Yamaha CP-30 and Rhodes electric pianos, and electric guitar. The band was named "Harry Hosono and the Yellow Magic Band" and in late 1977 they began recording Paraiso, which was released in 1978.[20] The three worked together again for the 1978 electronic album Pacific, which included an early version of the song "Cosmic Surfin".[21] Hosono and Sakamoto also worked together alongside Hideki Matsutake in early 1978 for Hosono's experimental "electro-exotica" fusion album Cochin Moon, which fused electronic music with Indian music (reminiscent of Ravi Shankar and Bollywood music), including an early "synth raga" song "Hum Ghar Sajan".[22] The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. Hosono also contributed to one of Sakamoto's songs, "Thousand Knives", in the album.[23] Thousand Knives was also notable for its early use of the microprocessor-based Roland MC-8 Microcomposer music sequencer, with Matsutake as its music programmer for the album.[24] Hosono, Sakamoto and Takahashi eventually collaborated again to form the Yellow Magic Orchestra and they began recording their self-titled album at a Shibaura studio in July 1978.[25]

The band was initially conceived as a one-off studio project by Hosono, the other two members being recruited session musicians—the idea was to produce an album fusing orientalist exotica with modern electronics, as a subversion of Orientalism and exoticization, while exploring similar themes such as Asianness. The album would eventually be called Yellow Magic Orchestra, as a satire of Japan's obsession with black magic at the time. The album featured the use of computer technology (along with synthesizers) which, according to Billboard, allowed the group to create a new sound that was not possible until then

YELLOW MAGIC ORCHESTRA FIRECRACKER CHOCIS KYOTO EDIT

Kendrick Lamar - Swimming Pools (Jesse Rose Re-Fix)

Disko Dakka

Disko Dakka (Club Fever Pt. 1)

Download here: https://www.dropbox.com/sh/51k2y40u3qpy5m5/AAArgaT1b1IKBdT3wlYBT7maa?dl=0

Jumpy

Cajmere & Oliver $ feat. Dajae_We Can Make It

Jhene Aiko - "Comfort Inn Ending" (freestyle)

Free Download

A - Maurice - This Is Acid (Prok | Fitch Chicago Edit) FREE DOWNLOAD

LIMP DA PRODUCER - SheLovess.YK Brampton Godz DISS TRACK PART 3BANNED FROM YORKDALE FINALE Sped Up

Dj Booking / Remix Service:
djcratebug@gmail.com

EDITS / REMIXES / DOWNLOADS:
http://www.Deepedits.com
http://www.sellfy.com/deep edits

CRATEBUG DISCOGRAPHY:
http://www.discogs.com/CRATEBUG

FACEBOOK: http://www.facebook.com/cratebug
SOUNDCLOUD: https://soundcloud.com/cratebug​-edits
YOUTUBE:​ http://www.youtube.com/cratebug
TWITTER: http://twitter.com/cratebug​

CRATEBUG (David Macias)
Dj / Producer / Remixer [Chicago]
====================
Djing: 1983 - Present
Producer/Remixer: 2009 - Present