Special Kind Of Love

Special Kind Of Love (Extended Mix)

🎧 Goutier selects: 1 hour of Session Victim 🎧

A journey into the soulful, groove-driven universe of @sessionvictim, the German duo celebrated for their warm, organic blend of house, funk, and downtempo beats. Their sound fuses dusty samples, live instrumentation, and deep dancefloor energy; always vibrant, always human.

This special 1-hour mixtape channels their signature aesthetic: rolling basslines, soulful cuts, analog textures, and that unmistakable laid-back swing that makes Session Victim so unique.

Mixed by Goutier

selects: 1 hour of Session Victim [House]

Marcel Vogel delivered a standout session at Smudged last week, channeling the spirit of his Lumberjacks in Hell legacy into a deeply personal, vinyl-driven journey. Playing almost entirely from 7-inch singles, he stitched together raw soul, left-field disco, and dusty funk gems with the precision of a true crate-digger. The set felt intimate and explosive at the same time—full of surprise flips, warm grooves, and that unmistakable Vogel touch that turns small records into big moments. A proper lesson in how powerful the 45 can be.

Marcel Vogel @ Smudged 28-11-2025

Do 4 Love (Disco Tech Rework 2025)

⚠⚠__COMMERICAL ANNOUNCEMENT__⚠⚠ 

- Finally happy to announce that we have a brand new and exclusive audio inn t-shirt up for sale. Just like last first one, this one will only be running for a very limited amount of time.
DO NOT S N 0 0 0 U Z E. 

↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓
 ——> WWW.DOCJAYSAUDIOINN.BANDCAMP.COM <——
 ↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑↑

———————————————————————
———————————————————————

All right folks. 
It’s been more than a minute, but sometimes good things just need to marinate.

Doc Jeezy The Breezy also known as Doc Jiggy also know as Doc Jay is finally here once again to put it down for you and yours. 

Fuck building a journey from scratch. No coastal, velvet, beachy slowjams today.
This time we just crank the bass up to the max, kick it off uptempo style and keep it rolling like that from beginning to end regardless if you can handle it or not. 
THREE (!) full hours of deep gliders, messed up crunchers and heavy rollers. 
360 degrees of rejected trends, soon to be and whatever in between. 
Its Doc Jay’s Audio Inn come correct with nothing but them true heaters.

You know the drill. 
Here we go.

* AUDIO INN T-SHIRT *

DOC JAYS AUDIO INN (Season 3 / Episode 2)

> @petalsinsound
> @fortunea

From time to time Fortunea Records gives us the chance to highlight and welcome new faces. And this one is Petals In Sound!

Louise Baldwin is a UK-based producer and DJ. After over a decade of living, working and partying in South East London, she relocated to Crosby in Liverpool. Following a number of years experimenting with music production, she finally found her groove during the 2020 Covid lockdown. In October 2020, she released under her moniker the well-received debut EP 'Palace’ on Boyanza Records, gaining support from the likes of NTS Radio and the Sloth Boogie Radio Show. Many releases on labels such as Closer To Truth, Dirt Crew and Inhale Exhale followed.

Louise playfully attacks the fabric of deep house, pushing and pulling the genre into modern territory with clever and precise production techniques. And now she will release her first vinyl record on the Austrian imprint. The ‚Days‘ EP includes 4 original tracks and a remix by the Vienna-based dj and producer Dzc.. Hypnotic rhythms and well crafted deepness defines this record.

Petals In Sound’s ‚Days’ EP will come out on december 19th. All tracks have been mastered by Patrick Pulsinger. The vinyl is limited to 200 copies and there will be no repress!

PREMIERE: Petals In Sound - Days [FORTUNEA039]

Marcel Vogel - SPIRITUAL GOSPEL MIX 2025 DECEMBER

A seminal, pioneering figure in the 90s and 00s UK tech house scene, a mix from Pure Science is as bucket list as they come. With his first Australia tour over New Years approaching fast, the mysterious tech house luminary reappears from his subterranean science den with a whopping five(!!) hour live set, full of moody unreleased gems and carefully reimagined classics from his genre shaping 30+ year discography.

@purescience

Q. What an incredible journey this mix is! What sounds or feelings did you draw upon when gathering inspiration for the mix, and what listening environments could you imagine it being best enjoyed in?

A. Thank you for your kind words, Myles. I was initially asked to do a couple of hours, but thought, I would do at least four, and start with a good hour of unreleased ambient / downtempo tracks that I have made, that I wouldn’t necessarily play out to a dance floor, and build up the tempo. So to answer your question, I guess I was pulling out tracks that were made at a close tempo, and gradually build up to a Deep House / Techno range. There are loads of unreleased bits, which I will be featuring on upcoming albums. I guess the vibe was to keep it deep, and not to bang it out or play too obvious, and to add a couple of surprises in there, as it is for the Melbourne Deepcast after all.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. I am not playing any records, CDJ’s or harmonicas on this mix.. Lol, Only Ableton Live, Korg ER1 drum machine, Roland System 100 modular (clone), Novation Nova & Evolution uc-33 midi controller.

There is one track that I have only played out once when I was in my teens, and it was written in 1989, when I was 15/16 years old. It’s called Circle, and is on the mix at around 3:43:43 mark (The hypnotic track with the organ).

Q. I know you’ve made special edits of some of your classic Pure Science records for this mix, tell us about how you like to reimagine your music from 20+ years ago, and how your sound has evolved since creating your most iconic records in the late 90s..

A. I’ve been re-recording, mixing, and mastering some of my classic releases, and preparing them for live, i.e. stripping down the parts to the basic form e.g. Kick, Snare, Hats, Claps, Toms, Congas, Percussion, Bass, Keys, Vox, etc, so I can re-arrange the tracks on the fly or break down to my drum machines / synths / recorded modular jams if I feel I want to improvise to the crowd a bit, or I can just concentrate on the blend of tracks, and the selection like a DJ would, and have complete control of the journey..

Q. We’re all very excited to see you play in Melbourne on NYD! Tell us about your hybrid live / DJ setup, is that something you’ve been refining for a while now?

A. I am very excited too, as I have been going through, my old floppy disks going back to 1987, from my old Ensoniq SQ80, as it has just come back from a service, and has had its 10-year internal battery replacement. 
I have been rediscovering tracks that I had totally forgotten about. Specifically a couple of tracks that I love, one is called Moon from 1992, and the other called Tibet from that same era. Both were made a little faster than what I would play out now, and were over 135BPM, but if you slow them down a bit, they just sound chunkier, and PHATer. x  p.s. It’s only hybrid if I DJ too, and I probably won’t have time for that. Live only on this trip. Thank you all for your time, and I hope to see you on the dance floor..

Cratecast 06 - Crate DJ's

Crate