chilled

Soul Funk Disco

AFRO DISCO

New private playlist

Deep house

Loophole by Etta Bond x Raf Riley

Taken from their EP - Meds

iTunes: smarturl.it/MedsBuy
Spotify: smarturl.it/MedsStream

Etta Bond: 
twitter.com/ettabond
facebook.com/ettabond 
instagram.com/ettabond

OddChild Music:
www.oddchildmusic.com

Etta Bond x Raf Riley - Loophole

Jimmy Hendrix cover recorded at Shays Studio

Jimmy Hendrix - Red House

Ed Sheeran <3

Support me by giving it a <3 on hypem:
http://hypem.com/track/20w6w/Ed+Sheeran+-+I+See+Fire+(Kygo+Remix)

Kygo
https://www.facebook.com/kygoofficial/
http://www.instagram.com/kygomusic 
http://www.twitter.com/kygomusic 
https://www.youtube.com/user/KygoOfficialVEVO/ 
http://kygomusic.com  

Ed Sheeran - I See Fire (Kygo Remix)

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

Super happy to announce that Volume 4 has been taken over by duo Klingande. Enjoy this one and thanks for all the love!

Klingande:

https://www.facebook.com/Klingande

https://twitter.com/KlingandeMusic

For Tracklist :

http://thissongissick.com/blog/2014/world-premiere-thomas-jack-presents-tropical-house-vol-4-klingande-mix/#sthash.fXPw8MdA.dpbs

Spotify: Thomas Jack presents Tropical House (updated weekly playlist)
https://play.spotify.com/user/topsify/playlist/4I7QcinrIXqUm99uRBAukR


Thomas Jack Presents: Klingande - Tropical House Vol.4

Sam Feldt & Kav Verhouzer present Hot Skin. Available on iTunes now: https://itun.es/i6BJ5gn

Also available on Spotify: http://spoti.fi/1su9YUS

Available on iTunes on November 17th

Join Sam Feldt:
@samfeldt
https://www.facebook.com/officialsamfeldt
https://twitter.com/SamFeldtMusic

Join Kav Verhouzer:
@kavverhouzer
https://www.facebook.com/KavVerhouzer
https://twitter.com/KavVerhouzer


Buy on iTunes

Sam Feldt & Kav Verhouzer - Hot Skin (Original Mix)[OUT NOW]

Astraglide - Just Cruizin - AMBS016

Sugarstarr ft. Alexander - Hey Sunshine (Antonio Giacca Remix)

Release:
Download on beatport: https://goo.gl/n7Dj3A
Download on iTunes: https://goo.gl/qjSCbE
Listen on Spotify: 
 
More Info:
http://soundcloud.com/antoniogiacca
http://www.facebook.com/antoniogiacca
http://www.facebook.com/EnormousTunes
http://soundcloud.com/EnormousTunes
http://soundcloud.com/sugarstarr
http://www.facebook.com/sugarstarr
@EnormousTunes

DOWNLOAD HERE!

Sugarstarr ft. Alexander - Hey Sunshine (Antonio Giacca Remix)

@Jojeemusic
Produced by @MickeyValen

https://www.facebook.com/jojeemusic
https://twitter.com/jojeemusic
https://instagram.com/jojeemusic

Lyrics: 
Skippin’ down to what we always were
You're a curse lying in a fatal storm
I, I, I don't give a…
Rippin’ all the pages that we've turned
Books don't write the lives we've worn
I, I, I don't give a…

We're behind closed doors
We're behind closed doors
And I know you want me
We're behind closed doors
We're behind closed doors
And I know you want me
I, I, I don't give a…
I, I, I don't give a…

Movin’ round to what we've never heard
You’re the verse caught up in my broken chords
I, I, I don't give a…
Pushin’ bills towards what we're always worth
Crooks won't tell us what is in the perfect form
I, I, I don't give a…

We're behind closed doors
We're behind closed doors
And I know you want me
We're behind closed doors
We're behind closed doors
And I know you want me
I, I, I don't give a…
I, I, I don't give a…

Pull me down,
Pull me down,
Keep me feelin’
Like there's no ceilin’ (4x)

Low Key

I Don't Give A

Free Download

Recording from my second Glastonbury 2015 appearance in the Beat Hotel 28.06.15.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GLASTONBURY BEAT HOTEL 28.06.15 (greg wilson live mix)

Recording from my final appearance at the Garden Festival in Croatia earlier this month when I played the Main Stage on the Friday night. The Garden, of course, was a gathering close to my heart - I'd appeared there every year from 2007 onwards, enjoying many memorable nights and days in Zadar, Tisno and on the Adriatic. Best wishes to Charlotte, Gail, Eddie & Nick and the crew behind the Garden, as well as Dave Harvey, who takes over the event next year, re-branding as Love International, and hopefully building from the solid legacy now in place.

Thanks for all the fun, love and good vibes I've experienced throughout these past 9 summers.

greg

Check out my label's music at: https://superweirdsubstance.bandcamp.com

GARDEN FESTIVAL MAIN STAGE TISNO CROATIA 03.07.15 (greg wilson live mix)

iTunes: Smarturl.it/NoReasonRemixes
Subscribe to Fool's Gold! smarturl.it/FGTV

From Outside Lands to iPhone ads, Giraffage is everywhere. His debut Fool’s Gold EP No Reason WiFi’ed glistening melodies and candy-painted basslines direct to your heart. Now it’s time for the new No Reason Remixes to get to work on the rest of your body, thanks to reconfigured versions from some of the coolest and most inventive names in dance and electronic music. GTA, Shash’U, Lindsay Lowend, Promnite, Maxo, Spazzkid and Qrion all put their spin on No Reason originals, pinballing from heavy-duty festival jams and club-ready explosions to juked out video game soundtracks and full-on IDM instrumentals. The matrix has never been this live!

iTunes: Smarturl.it/NoReasonRemixes

Follow @Giraffage!
twitter.com/Giraffage
facebook.com/Giraffage
instagram.com/giraffage

@promnitebeats
twitter.com/promnitetracks
facebook.com/Promniteqt
instagram.com/promnitebeats

Giraffage - Chocolate (Promnite Remix)

Today’s Free Music Monday is from MTA Records new House & Bass duo Catchment. After remixing Shadow Child’s ‘Timeless’ track for his label Food Music and the Klaxons ‘There is No Other Time’, they have kindly given us this housey roller ‘Feel It’ to give to you today, ahead of their debut release on MTA… Turn it up loud!

https://www.facebook.com/catchmentmusic
https://twitter.com/CatchmentMusic
https://soundcloud.com/catchment

FMM: Catchment - Feel It

Recording from Friday afternoon appearance on The Port stage at Bestival, Isle Of Wight 11.09.15.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

BESTIVAL THE PORT 11.09.15 (greg wilson live mix)

Superbreak

Moustache Boogie 03 "Disco Edition" - Superbreak

PHNCST230 - Hugo Mendez

À l'occasion d'une soirée spéciale Afrique, on a invité quelques copains pour une sorte de Takeover qui sent bon le soleil et la danse. Rewind !

All sets › http://www.lemellotron.com/show/afro-special-evening-w-maboul-basmati-davjazz-turnbalism-alt-mawimbi-robin-atw

Robin (Around The World) • Afro Special • LeMellotron.com

Maboul Basmati & Davjazz • Afro Special • LeMellotron.com

Mighty Dollar

Vol. 1 - Beatwell

Midnight Riot Records RADIO SHOW..JAMES ROD RULING THE AIRWAVES ON Real House Radio WITH YAM WHO? 

---------------TRACKLIST--------------
1-Joutro Mundo-Directors Cuts
2-Mr.Absolutt-Serious Groove
3-Rayko-Fuji kiss
4-Joutro Mundo-Boogie Down
5-Saucy Lady-Magic Dust(Ourra Remix)
6-Joutro Mundo-Atlantis
7-James Rod-Ozila Boogies
8-Joutro Mundo-Not Chicago
9-Re-Loved by Seamus Haji Öde to walter¨
10-Chewy Rubs-Youre so fine
11-James Rod-Atlantis move
12-Shit Hot Soundsystem-Get Down
13-James Rod-Fliying in me mind
14-Shit Hot Soundsystem-My Life

<a href="https://theartistunion.com/tracks/5186ac" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

JAMES ROD@MIDNIGHT RIOT RADIO MIXTAPE!!!FREE DOWNLOAD!!!

Recorded Live At 'Avinos Bar' Paros Greece

Superbreak's Afro Boogie Disco-Live Set

Live recording of my DJ set from Rotary Disco's first birthday party in Sydney (2 x technics, 2 x CDJs, and Pioneer DJM900 mixer - not a Rotary!), on Friday 15 July. Was a great night! Hope you dig it X

Live at Rotary Disco, Sydney (15 July, 2016)

My Ain't No Big Thing radio show (http://djshmeejay.com/aint-no-big-thing-radio-show/), broadcast on the 2nd and 4th Thursday monthly at 8pm (gmt) / 11pm (EST) at http://BoxFrequency.FM. As well as it's syndicated on iTunes at: https://itunes.apple.com/us/podcast/aint-no-big-thing-radio-show/id1106603822

This episode I host Martin Hayes!
https://soundcloud.com/martinhayes
https://facebook.com/MartinHayes001/

Write up: https://djshmeejay.com/2016/07/29/martin-hayes-and-dj-shmeejay-aint-no-big-thing-radio-show-2016-7-28/

If you want a copy of just Martin Hayes's set you can grab it here:
https://www.dropbox.com/s/xak2ry2yglnae4q/Martin%20Hayes%27%20Guest%20Mix%20For%20Ain%27t%20No%20Big%20Thing.mp3?dl=0

Next show is a Canadian treat

Roseus musica,

folO Olof



Ain't No Big Thing

Martin Hayes

Martin Hayes & dj ShmeeJay - Ain't No Big Thing - 2016-07-28

SUPERBREAK'S GUEST MIX FOR BLACK ATHINA RADIO-SUPERBREAK

Download here: 
http://izem.me/mixtapes/blog/ritmos-de-lisboa-mixtape-for-tsugi-magazine-september-2016

More infos here:
http://www.tsugi.fr/magazines/2016/09/22/ville-mixtape-izem-nous-parle-lisbonne-en-musique-19523

// TRACKLIST
Octa Push - Intro Fogo [Combatentes] 
Batida - Pobre e Rico (DJ Satélite Remix) [Soundway] 
Dotorado Pro - Afro-Indian [Enchufada] 
RitmoPhile - Fim do lugar [Bootleg] 
Dj Lilocox - La Party [Príncipe Discos] 
DJ N.K. - Batucada Hot [Generation Bass] 
Deejay NinOo Deejay Anderson - Corridas [Parte 2] [unreleased] 
DJ Firmeza - Coelho 2025 [Príncipe Discos] 
DJ Satellite - Malembe Na Soukouss [Offering Recordings] 
Konono N°1 & Batida - Um Nzonzing [Crammed Discs] 
AF Diaphra - Sine Of The Times [Bazzerk]

Ritmos de Lisboa Mixtape for Tsugi Magazine (September 2016)

CRATECAST 08-Cratecast DJ'S

Bob Marley And The Wailers Hommage Mix Ton 2011

To tie-in with the re-launch of my Electrofunkroots resource I'm going to be uploading some audio content that was either recorded in the early 80's, or looks back on the era.

I hope you check out the To tie-in with the re-launch of my Electrofunkroots resource I'm going to be uploading some audio content that was either recorded in the early 80's, or looks back on the era.

I hope you check out the redesigned revitalized website, we've added loads of new stuff, and will continue to do so on a regular basis - your feedback would be very much appreciated: 
http://www.electrofunkroots.co.uk website, we've added loads of new stuff, and will continue to do so on a regular basis - your feedback would be very much appreciated: 
http://www.electrofunkroots.co.uk/mixes/the_best_of_82.html 

There's also a blog post, which gives you the full lowdown - Redesigned Revitalized: 
http://www.gregwilson.co.uk/2012/01/redesigned-revitalized/ 

Greg Wilson - January 2012

THE BEST OF 82: THE YEAR'S BIGGEST UNDERGROUND CLUB TUNES
In May 1982 I began putting together regular mixes for Mike Shaft’s Piccadilly Radio Soul Show, ‘T.C.O.B’ (Taking Care Of Business). The original mixes were as live, but as the year went on I began to utilise edits to a greater extent, using the station’s editing booths to try out some basic ideas. By the end of the year I’d bought my own equipment, so I could make the mixes from home, including two Technics SL1200 turntables and a Revox B77 reel-to-reel. Apart from allowing me to master the mixes and, of course, experiment further with editing, the simple dub effects on the mix were done via the Revox (which, as I’ve previously said elsewhere, was the best piece of equipment I ever bought).

Listening back to ‘The Best Of 82’, the first end of year mix broadcast by the station, I can’t help but cringe at the naivety of it, not to mention the general sloppiness! However, when this went out over the airwaves in December 1982 it would become part of local radio folklore. At the time you’d have thought I’d created a masterpiece judging from all the acclaim it received! It probably took me about 2-3 hours to put together, which, at that point, would have been the longest amount of time I’d ever spent on a mix, and it included 52 different tracks, some of which were just brief snippets. 

All of the tracks, as the title suggests, were major floorfillers at my venues during 1982. Apart from Wigan Pier and Legend in Manchester, which hosted the North’s top black music nights of the period, I also had two other successful weekly sessions during the second half of ’82 – Thursday nights at The Stars Bar in Huddersfield and Fridays at The Exit in Manchester. Apart from this I made guest appearances at the top All-Dayer events in the North and Midlands.

Copied from the original ¼” master, ‘The Best Of ‘82’ was one of the few mixes I managed to salvage from Piccadilly. However, due to damage at the end of the tape I had to fade-out before the final track, which was the US mix of 'Ease Your Mind' by Touchdown.

Also see The Best Of 83: http://soundcloud.com/gregwilson/the-best-of-83-by-greg-wilson

Check out my label's music at: https://superweirdsubstance.bandcamp.com