dls3

Future Echoes

Future Echoes (Extended Mix)

Blade Runners

Blade Runners (Extended Mix)

For Create Music’s next outing, Lange teams up with Swiss DJ and producer, Bodo Kaiser. ‘Being Human’ is a bass-driven adventure with a rich pad-filled breakdown featuring a haunting choral line, some 808 action, and a little randomness thrown in.

Lange X Bodo Kaiser - Being Human (Extended Mix)

Lange X Bodo Kaiser - Being Human

Venaccio continues his run of electrifying melodic productions with a pacey 138bpm destroyer! But this is no ordinary generic 138 trance, it has a different feel, an edge very unique to the Denver-based producer. 'The Explorer' is the follow up to the very well received 'Apollo'. Straight off the bat, you can tell this one's going to be an epic, powerful Trance trip. The bass is slamming, the atmosphere haunting and devilish, and it doesn't take long before we reach the incredible breakdown which starts with a warm, purposeful, synth arpeggio. The real magic hits you when the chords change; this is a truly adrenaline-inducing moment and the breakdown builds and builds until finally, the track smashes into oblivion when the bass and percussion return. You are now an explorer, how do you feel?

Venaccio - The Explorer

Rafael Osmo continues his prolific production run with the dark, psy-influenced 'Airtight'.  It's an intriguing track with an infectious driving psy bass and an FX-overloaded intro. The breakdown introduces some great moody old school pads before the riff takes over and you're lead to the full drop. E&G deliver a brilliant alternative mix with slightly less pace but equal energy. They opt for an offbeat bass which will get any club bouncing. Again the FX and stabs keep the mood on the dark side until the riff lifts proceedings. The mix keeps you hanging on during the breakdown build to great effect before an alarm siren alerts you to an epic, cheeky offbeat bass drop. Ooh yes please.

Rafael Osmo - Airtight

Rafael Osmo - Airtight (E&G Remix)

Laura May makes her debut on Create with 'Acid Orchestra'; a really fresh tune with a retro feel. With grooved percussion, lazy chord stabs and the occasional funky acid blurb you will find yourself locked into the groove in no time. The breakdown, in sharp contrast, is triumphantly melodic and crescendos with fizzy arpeggios and melancholic strings. The drop takes you back into a tech groove with some immediate stabs adding urgency. The percussion continues to build with more grooved elements and a big ride before a reprise of the original groove and chord stabs that got you hooked in the first place. 'Acid Orchestra' is something fresh and unique. Dare we say it, Creative?

Laura May - Acid Orchestra

The uber-talented Ukrainian producer-duo are back. The track is curiously called 'Sorry, Not For Us' and with a title like that we couldn't possibly turn it down! The production is typically solid as expected from this pair. The scene is set in the intro with dark growling bass and stabs, along with a vocal and bright chord stabs that hint of a more melancholic section to follow. The breakdown reveals all, with soft chords and half beat drums underpinning a synth topline intermingling with the vocal adlib. The stabs come back in full effect into the drop and the track builds once more. This one's for us, Creators.

Iversoon & Alex Daf - Sorry, Not For Us

Dark Matter is back on Strobe, this time with a double hitter! For the lead track, he's joined by Erika K for their collab called 'When Souls Collide'. It's an emotive Power trancer, with heavy stab blasts and driving bass from the off. The power gives way to a delicate string sequence in the breakdown, followed by an emotive arp melody that lifts the track to the drop. On the flip-side, Dark Matter goes solo with 'What It Used To Be', a more underground, moody track which gives a nod back to what trance used to be about; a deeper darker trip. Multi bass layers bubble below tight and atmospheric percussion, entwined with haunting synth lines and there are hints of Goa trance. The breakdown introduces an eerie vocal and pads from which arps rise. After the drop, the track builds and builds culminating in an explosion of bright synth lines. 2 very different tracks showing the diversity of our genre.

Dark Matter - What It Used To Be

Download or listen: magikmuzik.choons.at/elbimbo

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El Bimbo

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Bobina - El Bimbo (Extended Mix) [OUT NOW!]

Nikhil Prakash is back on the ever faithful InfraProgressive imprint with his latest summer smash; 'Madja',

Continuing to impress and grow his fan base at scale, Nikhil's unique sound and on point production skill once again are at the forefront of his latest single. Effortlessly cutting through any set as a stand out track, 'Madja' will certainly tick all the right boxes thanks to its infectious groove, summer inspired melody and big room warmth.

Nikhil delivers the goods once more and does not disappoint.

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.infrasonicrecordings.com'>InfraProgressive</a>

Nikhil Prakash - Madja [InfraProgressive] OUT NOW!

'Evil Tribe' are four producers from across Russia and Ukraine debuting on Create with the hugely menacing 'Blacklist'.

The bass takes no prisoners and you're taken on a one-way ticket to an equally menacing synth riff in the breakdown. Pitch mayhem signifies the end of the breakdown before a groovy tech drop continues this sheer workout. 'Blacklist' really couldn't be more energetic, you've been warned!

Evil Tribe - Blacklist

Markus Schulz presents Dakota & Koen Groeneveld - Mota-Mota (Talla 2XLC Remix)

Download here: https://coldharbour.choons.at/motamota-remixes

With his performance at EDC Vegas still dominating #TheNineSkies rearview, Markus Schulz expands the program with two new adaptions of ‘Mota-Mota’. Talla 2XLC and Arkham Knights are the artists charged with taking Dakota & Koen Groeneveld’s techno leviathan further down the bunny hole.    
Extra crunch to the percussion, added impetus to her tempo, greater stalk to the bass and even more menacing murk to its mainline! Who dares twist ‘Mota-Mota’ into something even moodier, dirtier and more industrial?! That be those Arkham Knights brothers, whose Reconstruction revision checks all the above boxes… and breaks a few rules into the bargain. 

In their 9/10 review, ‘2 techno 4 U?’ was the question DJ Mag leveled at ‘Mota-Mota’s “dense, delicious dance macabre” original. If that resonates, then Talla 2XLC’s redesign should tip the scales for you. With his mix, the German quartermaster instinctively pivots the track onto trance ground. That said, we’re still talking ‘Mota-Mota’, so don’t be expecting angels, rainbows or whatnot! Driven by riding hi-hats and hard claps, Talla quickens both pace and pulse, drawing out its drop, adding reverb emphasis to its FX, and just before its midnight arrives, allowing a judicious shaft or two of melody to break through.   Two new mixes, neither to be taken lightly. Chose your weapon. 

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Markus Schulz presents Dakota & Koen Groeneveld - Mota-Mota (Talla 2XLC Prog Remix)

A new record label from international artist, Lange. Expect a grooved techno-edged output ranging from the progressive to aggressive.

Dark Matter - What It Used To Be

Create Music

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