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DOWNCAST DETERMINATION…GRINDING GUITARS…
CREATION’S TEARS’ FUTURE MAY NOT BE QUITE AS GLOOMY AS THEIR PAST.
Steve Beebee – KERRANG! (UK)

A STRIKING DEBUT! CREATION’S TEARS MAKE QUITE AN ENTRANCE.
Natasha Scharf – METAL HAMMER (UK)

I JUST HEARD IT AND I HAD TO PLAY IT.
Rory McConnell – BBC RADIO 1 (UK)

EFFECTIVE AND AFFECTING…MAKE A NOTE OF THE NAME.
Malcolm Dome – CLASSIC ROCK (UK)

THESE HEROES OF THE DOUR MAKE A COMPULSIVE ARGUMENT IN FAVOUR OF ALL THINGS DOOM AND GLOOM WITH THEIR GLOSSY, MELODIC MELANCHOLY.
Giles Moorhouse – ROCKSOUND (UK)

THIS IRISH QUARTET MAY HAVE THE PEDIGREE TO ATTAIN THE HEIGHTS OF
THE ACTS THAT INFLUENCED THEM!
Ross Barker – POWERPLAY (UK)

THE ENTIRE ALBUM DISPLAYS ENERGY AND PASSION.
METHODS TO END IT ALL IS A COLLECTION OF MUSICAL GEMS.
Dirk Zimmermann – LEGACY (GERMANY)

A RATHER EXCELLENT DEBUT...SOUNDS AMAZING…A REAL PROFESSIONAL PIECE OF WORK.
DEFINITELY PICK UP A COPY OF THIS…IT’S WORTH YOUR WHILE.
James Loveday – BBC RADIO 1 INTRODUCING (UK)

PLEASINGLY DIVERSE AND TOTALLY DEVOID OF THE SACCHARINE SYNTHS WHICH SWAMP ALL TOO MANY ALBUMS OF THE GENRE. ASIDE FROM BEING AN EXCELLENT GUITARIST, REYNOLDS ACQUITS HIMSELF ADMIRABLY AT THE MIC –
CREATION’S TEARS HAVE HIT THE GROUND RUNNING.
Greg Moffitt – DECIBEL (USA)

IN A GENRE OFTEN IMITATED, CREATION’S TEARS HAVE BROUGHT A FRESH TWIST, THE RIGHT INGREDIENTS AND THE EXECUTION TO DO THE GENRE JUSTICE. A VERY PROMISING DEBUT.
Joy Lasher - TERRORIZER (UK)

Singer/guitarist Brian Eddie Reynolds has a strong voice which adds to the tragic, emotive feel of these songs while at the same time the uplifting melodies of the guitars caress the listener and draw you in with powerful hooks. Considering that the songwriting here was strong enough to tempt Lee Morris (ex Paradise Lost) into returning to work on a metal album, that should tell you why this release is worthy of much more than the “ex members of such an act” tag.
(8 Powerpoints) - Ross Barker – POWERPLAY MAGAZINE #128 (UK)

Impossible to knock something like this. Totally worth checking out… professionalism right down to the packaging. Reynolds displays a keen sense of melody and is wise enough not to pick from the British Goth metal tree as much as he should. Instead, he employs simple song constructs that are usually driving (“Another Collison”), slow and somber (“Creation’s Tears,” which features Cradle of Filth’s Sarah Jezebel Deva) and radio-friendly (“Parody Paradigm”). It’s morose and more morose, but not that kind of morose. There’s some sunlight. And it’s accessible. Accessibly morose. Methods To End It All is a winner across the board.
(8 / 10) – David E Gehlke – BLISTERING.COM (USA / CANADA)

Creation's Tears' debut album is a fresh breeze with strong songs and memorable melodies in the vein on Anathema & Paradise Lost. Haunting and beautiful!"
Jens Bogren, (Producer: Opeth, Katatonia, Soilwork, Amon Amarth etc) (SWE)

Vigorous, vital, strong and fresh! The songs are as strong as an ox; accurately arranged and free from ballast. Driving riffs, powerful choruses, no kitsch, no nonsense.
(8 / 10) – Diggi – HEAVY-METAL.DE (GERMANY)

Creation’s Tears give you a melodic metal treat that will appeal to wide array of people who have two things in common; an appreciation of great heavy metal and the ability to take in the deeper aspects of this band's lyrical content. Some bands do fit into a certain category but this is not one of them. The haunting guitar work of Reynolds is riveting while his gravely voice brings out just the right amount of sorrow. Methods To End It All is easily one of the picks for the annual best of list. This is one that you have to set aside what you read about it and find out for yourself. You will be glad you did!
(4 / 5) Scott Ward – SEAOFTRANQUILITY.ORG (USA)

Don’t count Creation’s Tears into the clone department. Beautiful melodic gothic rock/metal. Creation’s Tears’ Methods To End It All is a very good opinion on how gothic rock/metal should be played, with emotion, melody and desired amounts of heaviness. A good option for everyone in the scene with both an open mind and ear.
(8/10) METALSTORM.NET (EE)

In the ten years Metalireland has been going, I’ve yet to see an unsigned band reach for quite so much as this. The effort is staggering. I admit to being quite breathtaken with what Creation’s Tears have done on here...Superbly, maturely written...The quality of their songwriting, and the quality of their execution, means that the right ears should at least hear it...Those right ears should start with every metaller in Ireland
(4.1 / 5) Ciaran Tracey – METALIRELAND.COM (UK / IRELAND)

“Methods to End it All” is a superb debut from Creation’s Tears, and it definitely warrants a listen from any metal fan out there. With “Methods to End it All”, Creation’s Tears has put together both a Prog and Gothic Metal based album. The musicianship on this album is one thing, which no matter what mood I’m in, is enjoyable throughout. Brian Eddie Reynolds does a spectacular job with the guitars all throughout the album, especially in “I Fail.” One thing that I like about “Methods to End it All” is that it never gets boring. It shows that Creation’s Tears has a lot of talent and originality.
(4 / 5) Brian Block – SEAOFTRANQUILITY.ORG (USA)

Unlike the many of the frontrunning masses of the gothic metal genre, Creation's Tears choose to maintain their identity by not using keyboards, orchestras or an abundance of effects loops. Our fave tracks: I Fail, Creation’s Tears and The Last Tear Is Cried For Romance.
(5 / 5) Tracy Ball – alt NOIR Magazine (USA)

Methods To End It All is consistent and there are NO bad songs on it. It will appeal to a wide audience! I can't compare this band to anyone!" –
David Castillo (Producer / Engineer: Katatonia, Eluveitie, Opeth, Bloodbath, INME, Klimt 1918) (SWE)

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