“I was obsessed with comedy writing as a kid,” said Nicholas Stoller. “I remember watching Saturday Night Live and not wanting to be the actors, but wanting to write the sketches. I don’t even know how I knew that was a job.”

As a screenwriter, Stoller has credits for Fun with Dick and Jane, Yes Man, Get Him to the Greek, The Muppets, Sex Tape, The Carmichael Show, Night School and Bros, many of which he also Directed, including Neighbors and Forgetting Sarah Marshall. 

“I’m excited Bros is going to be theatrically released, but a weird thing happened a few years ago where [studios] were like, ‘Comedies don’t work in theaters.’ Which is not true. Judd [Apatow] always says, ‘If The Hangover came out this weekend, it would make a billion dollars.’”

For whatever reason, studios just stopped making as many theatrical comedies. They’ve instead gone to television, limited series, and leaned in to action comedies for a broader, global appeal. “I love going to see comedy in the movie theater. You get to have that experience with an audience, laughing and reacting.”

“People say it’s a business first, but it’s not run like a business. If anyone thought about it like a business, there’s a huge hole in the comedy department.”

Subscribe for video interviews on YouTube: www.youtube.com/c/CreativePrinciples?sub_confirmation=1 

If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

Ep367 - Nicholas Stoller, Screenwriter ‘Bros,’ ‘Sex Tape,’ & ‘Yes Man’

In ‘Day of the Dead: Bloodline,’ “A small group of military personnel and survivalists dwell in an underground bunker as they seek to find a cure in a world overrun by zombies.” In this interview, Director Hector Hernandez Vicens discusses the masters of suspense, his love for George Romero, what makes a film truly scary, and the importance of character.

Ep 27 - Hector Hernandez Vicens, Director ‘Day Of The Dead Bloodline’

Jonathan Ames is becoming a television staple, writing comedic television with depth. The New York native first made his presence known as a novelist and essay writer, before moving his self-deprecating stories into the realm of television.

On his first show, ‘Bored to Death,’ Jason Schwartzman played a novelist also named Jonathan Ames, who began an unlicensed detective agency, alongside his friend Ray (Zach Galifianakis) and mentor George (Ted Danson). The show lasted three seasons on HBO and still has a positive cult following online.

In his newest creation, ‘Blunt Talk,’ Patrick Stewart stars as Walter Blunt. The show follows a British newscaster who recently moved to Los Angeles with an alcoholic, eccentric manservant named Harry. The duo try to navigate showbusiness, news, and the ins and outs of life behind-the-scenes of a talk show.

Ames also wrote the book ‘You Were Never Really Here,’ which was just turned into an award-winning drama starring Joaquin Phoenix. 

We spoke with Jonathan about the unlikely inspiration for his new show, writing about friendships, his rules of screenwriting, and ideas for a film of Bored to Death. In addition, the print interview for this conversation is available on Creative Screenwriting’s website. 

Stay up-to-date on other creative advice at www.creativeprinciples.live

Ep81 - Jonathan Ames, Screenwriter ‘Blunt Talk’ & ‘Bored To Death’

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Mona Wonderlick - Niña ** FREE DOWNLOAD **

Welcome to Creative Principles, I'm your host Brock Swinson. Here I'll be speaking with writers, directors, actors, musicians and more. We'll discuss the habits, routines, and methods of a creative life.

Ep81 - Jonathan Ames, Screenwriter ‘Blunt Talk’ & ‘Bored To Death’

Creative Principles Podcast

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