you offer alot of advice but it sounds like you are not following it. imho!

https://soundcloud.com/gruvnited/sets/top-vox-project?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing this is 10 yrs before my stroke.

Decent vocal performance; good but not great, I'd say. No offense. The mix could've been a lot better. The vocals really overwhelm the guitar and beat, when those elements should be what gets the listener's attention and draw them into the song. In other words: the guitar and beat needed to be louder to be heard, then have a vocals at volume where it's enough to make they can be heard as well. But not so loud that they take attention away from the other instruments and become the only thing that sticks out in the mix. Sorry to go off on a tangent there. Again, no offense intented to you, Finn or Ghxstty. Interesting sound, though, I'll give you that. I liked the guitar chord progression and melody. The hand claps were nice addition to the beat and were very catchy.

idk what you're saying but it sounds cool!

nice beat, flow. the vocals are not bad, it only requires more practice to nail the execution. nice work though!

I like the beat it's nice you gotta keep up the grind u going far

In The Old Days

Fleas - Acoustic Demo

Go wilding go get yours
You were owed more than you know
Hanging on the beach
Scoring winter breeze
Push me 
Then I can do even more

No signs of self-destruction
No cost
No overreaction
We are living a dream

If you want greatness 
Accept yourself
Past misfortunes 
Wise up well
Calm unbothered 
Raising hell
Flush that cockroach 
Down the drain

We are 
We up for a treat

Go wilding go get yours
You deserve 
Way more than you know

The Reminder

No Cost

Guilty Touch

QUANDO ELA CHEGOU WHEN SHE ARRIVED

Original composition.... Alejandro Gonzalez M.

Perfidiae

Sweet (You Don't Love Me anymore)

The Utopian future of Star Trek grew out of the idealism of the sixties: a world with no money, no borders and looking not unlike the United Nations…. Looking around now makes me wonder whether we’ll ever get there…

we took the trees
and let them grow again
we took our time
let it run slow again
we took the rivers
and let them flow again
we took this world
no matter where you are
we took this world
and made utopia

We took the hills
Let them grow wild again
Looked at this world
Just like a child again
each leaf and blade
we’re all beguiled again
we took this world
no matter where you are
we took this world
and made utopia

and if we should fail
come lay it at my door…
like we ever failed before…
like we never failed
we failed before…
…
we took the air
and made it clear again
all fog and fear
is disappeared again
with each exchange
we all grow near again
we took this world
no matter where you are
we took this world
and made utopia

we took your world
no matter who you are
we took your world
Made our utopia

UTOPIA

This is a song I made a while ago and I wanted to reupload this on Soundcloud. I tried getting the mix to sound better because well it's an old song and it needed some updating, but I only got so far, I'm not the best at mixing :)

 Eventually me and ghxstty: another Soundclouder here teamed up to finalize the mix in this one and I've gotta say: it's sounding pretty dope now

link to Ghxstty's Soundcloud profile:
https://soundcloud.com/ghxstty

You can also find this song on Youtube:
youtu.be/jFB_qZZhDhg

Jealousy:

INTRO:
After a dreadful Friday,
it's time to head forth my way
where will I go now
and what will I do,

VERSE 1:
While the fresh air of trees surrounds me
"He should be happy shouldn't he?"
whispering lies I once had fill me up
OOOHH!

INTERLUDE

VERSE 2:
sitting down, I wonder
why this peace makes me bothered
suddenly anger flows out
as I explode

CHORUS (short):
Jealousy, feeding on me
is this really all life's cracked up to be?
My loving tears, fall in a stream
is this really all life's cracked up to be?

VERSE 3:
as I look through you I see
love from you and from me
yet our worlds still remain so
spread apart
I guess I'll wait here, right now
waiting for signs of fallout
so I'll be closer once more
eternally all free

CHORUS (long):
Jealousy, feeding on me
is this really all life's cracked up to be?
My loving tears, fall in a stream
is this really all life's cracked up to be?
crawling in bed in the morning
seeing the kiss unfolding
two lips crashing 'nto each other
what I am after
Jealousy, feeding on me
is this really all life's cracked up to be?

INSTRUMENTAL BRIDGE

CHORUS (long):
Jealousy, feeding on me
is this really all life's cracked up to be?
My loving tears, fall in a stream
is this really all life's cracked up to be?
crawling in bed in the morning
seeing the kiss unfolding
two lips crashing 'nto each other
what I am after
Jealousy, feeding on me
is this really all life's cracked up to be?

outro: NOO!

Jealousy (mixing done with Ghxstty )

Home is where you make it,
Life is how you take it,
Love you can't forsake it,

Whatever - Lose Lose

Suite for String Orchestra
Duration: 15'
For More Information: https://robertpaterson.com/suite-for-string-orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?main_page=advanced_search_result&search_in_description=1&keyword=%22suite+for+string+orchestra%22

PROGRAM NOTE
Unlike some of my previous works, Suite for String Orchestra is not inspired by an over-arching programmatic theme. Although there are some technical and motivic relationships between some of the movements—particularly the first and fifth—the movements are generally unrelated and are meant to be noticeably distinct. It is in five short movements and is intentionally written in an “old-fashioned,” somewhat archaic style. I initially played around with the idea of titling this work Old-fashioned Suite or Old Time Suite, but there seems to be a sufficient sprinkling of “new fangled ideas” in this work to make these alternative titles seem inadequate.

The first movement, Allegro vivace, is written in a “mid-20th century American” style. My model for a few of the sections in this movement is the evocative, German phrase Sturm und Drang, which literally translated means “storm and stress.”

In the second movement, Trapped waltz, I imagine an ethereal, yet cognizant waltz floating above the stratosphere, looking for a place to rest, but hobbled and shackled by a pounding rock and roll drumset. I see this as a metaphor for the various dances throughout history that have come and gone but are continually vying for attention in contemporary culture. The movement fades out at the end, as if the waltz is eternally looking for a place to settle down. Admittedly, I was somewhat inspired by the collage works of Charles Ives.

The third movement, Nocturne, begins slowly and sadly, and I imagine the pulse in the beginning as similar to the gentle breathing of someone who is asleep. The middle of the movement is much more intense and violent, and the end is as soft and calm as the beginning. The first chair violin and the first chair violoncello have brief solos in this movement.

Although material from the middle of the fourth movement, Balinese scherzo, is derived from a Balinese scale, the beginning is somewhat chromatic and the ending is essentially based on the E-major scale. This movement is distinctive in that the orchestra is asked to play pizzicato almost the entire time.

The fifth movement, Finale: allegro moderato, is the movement that is most reminiscent of the first movement. The ending combines material from the beginning of both the first and fifth movements.

Suite For String Orchestra - IV. Balinese scherzo

I'm a Belgian songwriter that has had a slow-burning love for music ever since I was 11. Let's just say that I heard Bohemian Rhapsody being used in a vacation advertisement, and after some searching of my own (AKA asking my mother), I found the song. The rest they say, is history.

Jealousy (mixing done with Ghxstty )

Finn, The Kreator

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