OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Making Beats & Rhymes since 1995
C2C ・ Hocus Pocus・On And On
・・・・・・
Management :
yann@onandon-records.com

Label :
http://www.onandon-records.com

New single out now // Dopamine
https://weval.lnk.to/dopamineSO


Critically-acclaimed Dutch act Weval (AKA Harm Coolen and Merijn Scholte Albers) arrive on Ninja Tune’s Technicolour imprint with their new EP Changed For The Better. The duo hail from Amsterdam, where they have been cultivating a unique sound that balances high energy electronic funk and emotive synth arrangements with bold, beautifully composed melodies and songwriting. The duo recently embarked on a mission to rediscover themselves and what truly drives them, in a process of liberation from self-imposed constraints. Their creative process was reinvigorated with an uninhibited approach and Changed For The Better represents Weval unfiltered, accepting themselves for who they truly are. It’s sincere and heartfelt and unashamedly positive.

Bookings: naomi@earth-agency.com (EU / RoW) / sgoodgold@teamwass.com
Management: mb@285.group / am@285.group

Boards of Canada is a Scottish electronic music duo comprised of brothers Mike Sandison (b. 1 June 1970) and Marcus Eoin (b. 21 July 1971). 

They have released a number of works, most notably Music Has the Right to Children and Geogaddi, with little advertising and few interviews. Their sound has frequently made reference to sounds of the 1970s and the 1980s. It recalls, amongst other things, the warm, scratchy, artificial sounds of 1970s television, and indeed, band members Michael and Marcus admit to being inspired by the documentary films of the National Film Board of Canada, from which the group's name comes.

Jeff McIlwain has been producing his diverse, melodic strain of abstract electronic music as Lusine for a decade-and-a-half. Originally a Texas native, McIlwain moved to the West Coast in the late '90s to study electronic music and sound design at CalArts. It was during this time in L.A. that he would meet Shad T. Scott, who subsequently put out Lusine's self-titled debut on his Isophlux imprint. McIlwain relocated to his current home of Seattle in late 2002 and began steadily releasing his music on Ghostly International. He has also contributed tracks to various compilations and remix releases from Mute, !K7, Kompakt, Asthmatic Kitty, and Shitkatapult.

As Lusine, McIlwain has performed throughout the US and abroad, including sets at London's esteemed Fabric nightclub, Tokyo's Unit, Berlin's Watergate, and Melbourne's Electric Owl. Recent tour dates include appearances with electronic luminaries like Tipper and Blockhead, as well as playing at 2016's Further Future festival with a live drummer (Trent Moorman).

In addition to his Lusine productions, McIlwain has been involved with various film projects that include The Sitter (Jonah Hill, 2011) and two other David Gordon Green movies, Snow Angels (featuring Kate Beckinsale and Sam Rockwell, 2007) and Joe (Nicolas Cage, Tye Sheridan, 2013) with music writing partner David Wingo. McIlwain is also currently collaborating with Wingo on the film score for Meredith Danluck's upcoming State Like Sleep. Following Lusine's acclaimed The Waiting Room from 2013 and 2014's Arterial EP (which was accompanied by a groundbreaking video from Christophe Thockler), comes the new full-length, Sensorimotor, released in March of 2017 on Ghostly International.

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