Disintegrating Sand - EP

Disintegrating Sand

Flaminia's first solo release on 47 features four mesmerizing techno rollers.

London-based artist Flaminia makes her solo 47 debut with four sophisticated techno tracks that perfectly balance brooding intensity with dreamlike atmospherics. A producer with EPs on Samurai Music, VSK Series and her own label, Metempsychosis Records, Flaminia builds on her canon of previous work with 47033, adding to the label roster's growing arsenal of expertly honed dance floor releases.

On the A-side, two four-to-the floor heavyweights—"Pure" and "Burn Loudly"—offset bone-shaking kicks with plangent melodies that make these tracks uplifting despite their ferocity. The B-side takes a darker turn; "Back To Zero" is an icy broken beat that shines in its stuttering rhythmic complexity, while the closer, "Dissolved," is just as foreboding: synths scrape and shatter like shards of glass against a spare and crunchy kick while Flaminia's voice reverberates in the background. The entire package will be available for purchase on December 9th, 2022.

47033

B1 FLAMINIA / BACK TO ZERO [47033]

► Bandcamp: https://cutt.ly/qwgC9EcM

Industrial Music Producer Geistform Releases New Album "Resonancia”. Renowned industrial musicproducer Geistform has released a brand new album titled "Resonancia", featuring 11 mesmerizing tracksthat explore the boundaries of industrial minimalism. The album is undoubtedly their best work to dateand is reminiscent of legendary bands such as Pansonic, as well as other experimental industrial musicpioneers, blending together elements of noise, electronica, and minimalism to create a sound that isuniquely Geistform. "Resonancia" is an exploration of sound and texture, and it takes listeners on a journeythrough haunting soundscapes and intricate rhythms that evoke feelings of both dread and fascination. 

Geistform's distinct style shines through in every track. From the opening track “Ciclos Por Segundo” tothe haunting “Metaobjeto”, Resonancia is a captivating listening experience. Geistform has been creatingunique and innovative music for over the years, and "Resonancia" is a testimony to his artistic prowess. 

By exploring the possibilities of industrial music and raw minimalism, Geistform has created an album that challenges fearless listeners and it showcases Geistform's ability to push the boundaries of the genre
while still remaining faithful to its roots.

Resonancia LP

Online Store

30DEXOLP-002: Geistform - Resonancia LP

"Les cieux s'étaient embrasés, une lueur rougeoyante enveloppait la Terre comme une funeste étreinte. Les étoiles vacillaient dans un dernier ballet céleste, leur lumière mourante éteinte par l'ombre grandissante. Sur la surface de la planète, les océans rugissaient en une symphonie de vagues déchaînées, engloutissant peu à peu les côtes jadis prospères.

Les villes jetaient leurs dernières lueurs avant de sombrer dans les ténèbres éternelles. Les gratte-ciels, autrefois symboles de la grandeur humaine, se dressaient comme des carcasses géantes dans un paysage apocalyptique. Des nuages toxiques dansaient dans l'air, emportant avec eux les vestiges de la civilisation.

Le crépuscule de l'humanité approchait, orchestré par une force mystérieuse venue des confins de l'espace. Des éclairs d'énergie déchiraient le firmament, créant des failles dans la réalité elle-même. Les continents tremblaient, se fissurant sous l'effet de forces invisibles.

Les derniers survivants erraient dans des terres dévastées, cherchant désespérément un abri qui n'existait plus. La nature, libérée de sa prison de béton et d'acier, reprenait possession du monde. Des plantes mutantes s'épanouissaient là où les rues avaient été tracées, déformant la réalité jusqu'à l'absurde.

Au loin, une ombre massive émergeait des ténèbres cosmiques, une entité indicible dévorant tout sur son passage. C'était le crépuscule final, la fin de toute chose connue. Les échos des lamentations humaines se mêlaient aux cris des éléments déchaînés dans une symphonie funèbre.

Et puis, dans un ultime soupir, la Terre cessa d'exister. La réalité elle-même s'effaça, laissant derrière elle un vide abyssal. Le cosmos reprenait son calme, comme si la Terre n'avait jamais été qu'un simple rêve dans l'infini univers."

[INTERVISION030]

Mastered by Paulie Jan at Agit Prop Studio
Mastered by Jeremy at La Villa
Distributed by Intervision
Follow Intervision - https://www.instagram.com/intervision_label/

Katran - No Return

Hyggja - Nėra EP [LTCR004]
Format: Digital & Cassete
Artists: Hyggja aka Undveld
Mastering: Violent
Cover Art: Noise And Lies
Cover Design: Violent

Poem by About Pat Fleming: 
I peek through blinds that are tightly drawn,
Shocked by the glow of the breaking dawn.
I shun the brilliance of another day.
Enslaved and entombed, I stay hidden away.


Artist Links
https://undveld.bandcamp.com/
https://www.instagram.com/undveld__
https://soundcloud.com/undveld

Release Date:
09 October 2024

Ne​̇​ra

Pre-Order

Hyggja - Nėra EP [LTCR004]

Lightvessel Transmission #15

Dive into another galaxy of Mark Oni's musical universe! 
 
Most people know Mark's decade-spanning legacy in the edgier parts of the electronic music scene, most notably his membership in the industrial band Konstruktivists and his merits to the techno community as Codex Empire. Many of his other projects, such as Mitra Mitra, Antechamber, Ghost Actor, or his psychedelic rock explorations on the highly- acclaimed Sulatron Records, demonstrate a musical versatility that few artists can match. 
 
This endless creativity likely finds fertile ground in Mark's passion as a record collector. Mark shares his passion as a collector by frequently playing post-punk, synth-pop, and minimal-synth vinyl sets. He has even managed to give this passion for collecting vinyl an artistic expression with his label Schalko, most recently with his MSFl#13 project, which is a homage to the DIY label philosophy and took vinyl-collector-fetishism to the extreme, much to the despair of the Discogs-community.
 
https://www.discogs.com/de/release/30642631-Unknown-Artist-MSFl13
 
What is perhaps known to a smaller number of his fans is that he is furthermore an aficionado of afrobeat and afro-funk, calling a remarkable vinyl collection his own. The Lightvessel is pleased to shed some light on this beautiful part of Mark's musical universe with this fantastic mix.

Lightvessel Transmissions #15: Mark Oni (aka Codex Empire and many more)

Incendie - Blue Circles

Dirty, Gnarly, Broken
Nathaniel's new Album is a flesh twister

Available tonight on Bandcamp at https://crestfallenelectronics.bandcamp.com/album/sadistic-criminal-fake-show

As an ever-repeating cycle Crestfallen mark its return with an album by Nathaniel that highlights the electronic punk roots of the label.

Crashing beats, occult sythesizers, distorted guitars, wavy bass. 
A gloomy eerie soundscape.

"Sadistic Criminal Fake Show" is a reprise of the formerly concept Dead By Overdose.

A sound manifesto that invites self-criticism and disillusionment, in a world full of tension, driven by the volume of numbers, but also full of hope for those who dare to go against the current.

Against cultural impoverishment.


Nathaniel - Sadistic Criminal Fake Show // (Snippets)

originally released february 2nd 2024, now on soundcloud (august 2025)

https://countrysideraveartprojectrecords.bandcamp.com/album/ossidi

For our first tape, the Icon of Sin presents to you 8 post-industrial society techno-electro tracks perfect for the Neo-Feudalist workhouse!

Undoubtably our bleakest release yet, they’ll really get you going (to work past a reasonable retirement age) in their grim and grey grooves, baby!

Futuristic and technologically led past the point of return, drowning in a muddy ancient river; the album conjures a world of firing pistons, frightened people and automated production lines.
The downtempo doomsday soundscapes are at once Detroit Electro, London Hardcore, Norwegian Black Metal and (dare I say it) Berlin Techno.

Here's a blurb from the icon himself:

“I wrote this album over a short period of time (about one week) in 2021. At the time I was living in Hackney central, in a relatively small and cold flat next to the loud Mare Street. I was going through a particularly dark and hopeless period of time due to isolation and post lockdown depression.
The windows of the flat were paper thin, vibrating loudly, too often. I had a lots of sleepless nights, which resulted in this record. I worked in a bottling line at the time, the industrial and repetitive, almost dehumanising environment definitely influenced this album.

The music was written fully on my Octatrack (apart for the track “Benders” which was performed with my modular rack). Everything has been recorded in one take as it comes out from the machine, with minimal mixing and mastering and no post production.
The sonic palette features a couple eurorack modules, sampling from Italian television and whatnot; but most importantly a lot of field recording of machineries I found in the factory I was working at, as well as random captures of environments around me - including Hackney’s busy streets - all mangled and arranged in the Octatrack.

Enjoy!” - Matteo, 2024

C.R.A.P.013/C.R.A.P T.001 
credits
released February 2, 2024

The Icon of Sin - Bottom of the Sea

Make it stop

Dark, aggressive, and built for late night drives or hype edits

Nathaniel - Sadistic Criminal Fake Show // (Snippets)

CRESTFALLEN