Part of Afterlife Release

Also find it on Spotify with this link
bitly.ws/CMZ9

Much love Ninjas <3

Deaf Before Dishonor

This experimental track weaves a tapestry of sound by layering a deeply personal narrative over a sampled vinyl recording. The ethereal ambiance is further enriched with digital synthesizers, crafting an atemporal sonic landscape where conventional percussive elements are deliberately absent, allowing the spoken word and melodic textures to transcend temporal boundaries.

Altercation of thought

Tech House · Progressive · Deep Bass · Melodic Electronic

Ruji - Life (Special Edit)

Faithless - We Come One (Flux Pavilion Remix)

Flume - Lose It feat. Vic Mensa
Taken from the new Flume album, Skin

Order the Skin vinyl at http://flu.me

Stream Skin: http://smarturl.it/SkinStream
Spotify: http://smarturl.it/SkinSpotify
YouTube: http://smarturl.it/SkinYouTube
 
Download Skin on iTunes: http://smarturl.it/SkiniTunes
Amazon: http://smarturl.it/SkinAmazon
Google Play: http://smarturl.it/SkinGooglePlay
Beatport: http://smarturl.it/SkinBeatport

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Follow Vic Mesa:
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Website: http://vicmensa.com

Download

Flume - Lose It (feat. Vic Mensa)

Dalin

MirceAdrian- Constelation Demo

OUT NOW: disc.fanlink.to/Alliance5

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Disciple Alliance Vol. 5

[Stream + Download]

Barely Alive & Fox Stevenson - Here We Go

Mental Health

48. Datsik - Cancelled

Here's a stereo reduction of the original 24-channel surround piece.

In this work most of the sounds originate from toys' recordings and any treatment has been accomplished by means of a programming language named SuperCollider. I have tried to come up with a piece that would rely more on an internal pulse than on the transformation of sonic material. I somewhat got tired with the kind of pre-recorded music which is characterised by the desire to explore timbre and space above all, often at the expense of other qualities. "Toys" has been constructed by making use of rhythmic patterns. Starting from large collections of soundfiles I work within a programming language in order to describe a higher-level representation of musical structure and then become a listener to the result. In a way I am more interested in the aggregate sonic outcome than in isolated musical gestures.

The piece was commissioned by ZKM | Institute for Music & Acoustics (Germany). Within 2012 it received the "Prix du Public at Metamorphoses Acousmatic Competition" (Belgium), "First Prize at Musica Nova Electroacoustic Competition" (Czech Republic) and an “Honorable Mention at Città di Udine Composition Competition" (Italy).

Toys

~ untz untz untz 🍜
noodle soup of different genres  ~

did you know, there's also:

Dalin

Cretaker👻