@t-rob7: don't know. Maybe it's this one: https://www.youtube.com/watch?v=MKGL_ukUuzM

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Globetrotters, time travelers, fun seekers, vinyl diggers, dance lovers… Many are the types of beings that thrive in this sonic culture of ours, finding shelter and happiness in this sensorial and emotional universe fostered by musical communion. And the creatures therein are more than just characters, they comprise the fauna and flora of these aural environments in which we dwell and revel, sustaining it with both their projects and their passion. Take the magnificent French trio known as Bayetë for example, an autonomous ecosystem of discovery and debauchery that strives to create the perfect conditions for our enjoyment of the treasures they find in their excursions across the world. A noble purpose that is so powerful that it does not solely rely on the collective's togetherness to exist, each of its members carry that same seminal drive in everything they do individually. Something we can perfectly perceive in this episode of Gop Cast where Simon, one of its members who recently relocated to São Paulo, manages to encapsulate the eclectic excellence of their musical abundance in a stellar mix of moods, grooves and everything in between.

Gop Cast 080 - Simon (Bayetë)

Right when you thought the 80's had been mostly dug out, the "Night City Life" compilation hits the shelves. 
Ever since we heard his compilation for Spacetalk we were blown away: one of the best curations of early MIDI dancefloor/radio oriented productions we'd heard in a while. Truly refreshing to the human ear, not to mention the heavy research behind it. As such, we've wanted to book Ilan ever since but then COVID happened. Still a wet dream to see him do his thing live but for now here's this amazing bit of aural goodness to get you in the right mindset. 

Ilan is a London-based record collector. He can often be found posting the artwork of 80s vinyl from his collection on Instagram; a patchwork of nostalgia from musical days gone by.

Check him out on IG and listen carefully - your discogs wantlists will never be the same.

H.A.N.D. MIX 027 - Ilan (Night City Life)

Recording of Tako & Relmer's set at Dekmantel Selectors 2022.

Tako & Relmer at Dekmantel Selectors 22

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

SWAYMIX 001 - Telephones

Isle of Wax 016 comes courtesy of Berlin's chewchew (@schuh_schuh). chewchew has delivered us two hours of top notch selections filled to the brim with downtempo chillers, pop oddities, street soul groovers, and house rarities from her diverse collection. Tune in and turn up.

Isle of Wax 016 by chewchew

Raphaël Top-Secret at Solstice 2022

‘Please Don’t Step on My Rainbow,” our latest mixtape and contribution to Jungles cassette series, is an escape into the Wax’o world of assorted balearica, sun-drenched psychedelia, downtempo and contemporary soul. Music both new and old, some rarities and some starterpack jams. Cassette available now via Bandcamp or Jungles webstore!

Jungles Mixtape: 'Please Don't Step on My Rainbow'

Very few musical acts achieve the levels of unanimous acclaim of Autechre. The English duo of Rob Brown and Sean Booth are not an act you simply like; they are an act you love, fawn over and dream about. They’ve got themselves here over the course of the last 28 years, and have done so by amassing a discography that’s about as perfect, influential and accomplished as could ever be possible. A key Warp label act from day one, they have released tens of albums, well over a ten EPs and have featured on a dizzying amount of essential compilations, mixes and remixes in that time. Without their contribution to the IDM canon, its fair to say the modern musical landscape would look very different. 

Rhythmic but experimental, absorbing yet abstract, cerebral and psychedelic, their ever evolving output is up there with the likes of fellow luminaries Boards of Canada and Aphex Twin as some of the most important in all of electronic music. As well as being fine craftsmen in the studio, Autechre are also revered live performers who really manage to conjure up captivating and otherworldly soundtracks that marry heavy bass with ethereal melody. The pair themselves do not care for genre, but suffice it to say that they have mastered everything from hardcore to ambient to glitch and plenty of indescribables in between. 

When the pair recently laid down an impressive set at Dekmantel Festival, we asked if they might be up for a doing an early inspiration mix, whereby they put together a collection of the sort of electro and hip hop tracks that turned them on as youths. At first they hesitated, pointing out that "we don't do strictly retro stuff, it's too corny.” But alas, a few days later, a huge file landed in our inbox… That file is a 4 hour and 18 minute mix that basically encapsulates not just Autechre’s own influences, but also acts as a fine anthology of the greatest electro sounds of all time. Every sub genre imaginable gets touched upon along the way, with nods to forefathers like Kraftwerk, killer cuts from Man Parrish, classics from Newcleus and retro gold from the likes of The Beat Club. It is a thrilling ride and a truly rare treat that reminds us just why we love Autechre, as well as shining a light on a vast genre that often pays second fiddle to house and techno.

Dekmantel Podcast 035 - Autechre

Acid and electro from the docks of Hamburg.

RA.373 Helena Hauff

article : http://goo.gl/rjjdRH

www.inputselector.fr

Input Selector Podcast

IS 298 - ASOK [Scenery, Mistress, Creme Organization, M>O>S]

Infos & Tracklisting ==> http://716lavie.com/716-exclusive-mix-dj-technician-moon-patrolling/

Mathieu De Ridder (@djtechnician070) is an electro producer from The Hague in Holland. He is a purveyor of genuine electro music, that goes from the raw electro bass – including scratches, old school synths and robot male voices – to more funky italo tracks. When it come to electro, Dj Technician and Dj Overdose belong to the same musical school and it is not a coincidence they have just released an EP together on Charlois (@charloisrotterdam), the sub label of Pinkman (@pinkmanrecords), ran by our friend Patrick Marsman (@marsman-dj).

716 Exclusive Mix - DJ Technician - Moon Patrolling

LIVE RECORDING 

CREVETTE RECORDS
FRIDAY 3 MARCH 2017
FUSSE BRUSSELS – MOTION ROOM

ORPHEU THE WIZARD b2b TAKO – ALL NIGHT LONG !

Artwork by Jonas Mergan

Orpheu The Wizard B2B Tako - 6 Hours - CREVETTE RECORDS

A recording of us going one for one on the warm up for Palms Trax at Secretsundaze's final party of 2019. Thanks to Giles, James and the rest of the team for the warmth and support last year  :-) Happy 2020 xx

Tokyo Fantasy warm up Palms Trax @ Secretsundaze

Tornado Wallace recorded live at Platforma Wolff, Bucharest. 17.08.2019.

Tornado Wallace at Platforma Wolff • 17.08.2019

Action Creme-Bunker-Chicago Mix from back in the days when Minimal Techno proved to be the ultimate laxative of human kind. Made strictly from watchamacall those thing? Records?

Orpheu The Wizard B2B Tako - 6 Hours - CREVETTE RECORDS

Crevette Records

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