electronic musician / record store owner
http://gregdavis.bandcamp.com
http://autumnrecordsvt.com

Welcome...
To Inner Space. Enter the journey through The first EP Album From The Inner Space Visitors. Dropping May 8th 2015. Philosophical hip hop. Its 2pac infused with Nas to make a modern urban sound that takes your hearing senses on an out of body experience into oneself, a place we like to call The Inner Space. 
Conscious Hip Hop with out trying to judge and/or correct, rather aiming to raise awareness and just enjoy life... They say "Knowledge is power" and "Happiness is a choice"... This EP Album Consists of 6 Tracks. Ranging from titles like "DPG(devils playground)", truthful and dark, to, a more positive and optimistic track, entitled "Have A Dream".
 The Inner Space Visitors is a group from the (818)Sanfernando Valley consisting of 3 members. Renegade and Camacho Da Werd, as lyricists, with Roar, composing instrumentals, combine their passionate skills to bring you "Welcome... To Inner Space Vol.1".

Sarah has a style of unrelenting, up-tempo Techno.  Her Dance-Floor friendly and decidedly dark Techno has earned her many plaudits in her well deserved career. Originally based in L.A., Sarah quickly established her own night, Fallen Angel and two residencies with L.A. Structures and PANIC. Her skills behind the decks are matched by her sunny disposition and positive attitude. At the end of 2018 she made the bold to move to relocate to Berlin and immediately landed a monthly residency at Der Weis Haus. Another regular gig quickly followed at VOID, also landing gigs at KitKat and Griessmuehle and the frequent trips to play for Urban Divas, Anologue Division, and Energetica in Croatia came soon after. Sarah connects with a crowd as soon as her sets start. Her take no prisoners attitude makes the dance floor pay attention.
With releases on Decoy, De-Konstruct, Technodrome, Physical Techno Recordings and Shout Records, Sarah is primed to show you what she can do in the studio. Her influences include; Dax J, Perc, I Hate Models, DJ OGI, Patrick DSP, Diarmaid O' Meara, Marika Rossa, Paula Temple, and Rebekah.

Co-owner of Midnight Shift records @midnight-shift. Resident at @rasaspace Singapore.

Debbie plays shades of house, acid, downtempo, ambient and meditative sets at the intersection of music and pure sound - with performances at Berghain Halle, Goldengate, Greissmuehle, Organik Festival & Korner (Taiwan), Eclipse Festival (Sulawesi), Mauritius and Maldives among others.

Debbie has previously contributed mixes for Patterns Radio, Hör Radio and Soydivision. Debbie has also offered light and sound baths at No Bounds Festival (UK), installed sound art at Eufonia Festival (DE) and contributed an original composition for Nusasonic Radio (hosted by CTM Festival).

She once ran the FFF Girl DJ Bootcamp in Singapore with over 60 students, and is Asia's first participant at the Red Bull Music Academy (Seattle).

Email:
debbie [at] mnshift.net

We make musical instruments: Organelle, ETC video synthesizer.
Music is the Best!

Originally from Tokyo, and now based in London, Anchorsong AKA Masaaki Yoshida is a highly-fêted producer, and solo live act, renowned for crafting immersive and rhythmic releases.

Anchorsong has become globally recognised for his unique live shows, which spectators have described as “like watching a painter drawing on a white canvas”. He creates electronic music entirely live using an MPC2500 and keyboard, right in front of the audience. While he mainly performs solo, he frequently augments this setup with a string quartet, for a genuinely spellbinding show.
 Early on in his career, Anchorsong wowed the crowds at SXSW and found himself the subject of increased attention, going on to make several appearances on BBC Radio 1 with radio play from Rob Da Bank and a live Maida Vale session for Huw Stephens’ In New Music We Trust show in early 2010. Having put out three successful EPs in Japan, all of which were released as double packs containing a CD and a live DVD, Anchorsong’s international debut, ‘The Lost & Found EP’ was released on his own label, Case Study.
 Anchorsong signed to Tru Thoughts and released his single “Ghost Touch/Plum Rain” later that year, followed by his highly anticipated debut full-length album ‘Chapters’. He signed the seismic “Mawa” EP to BBE Recordings for a limited edition clear 10” vinyl release, taking a more element-laden, cut and paste approach with a renewed musical vision.

Masaaki dug deep into the roots of 70s African music on ‘Ceremonial’, while taking inspiration from 70s and 80s Bollywood film soundtracks and traditional Indian percussion on ‘Cohesion’ – a psychedelic, danceable and free-spirited listen that blurs rhythm and melody.

Praised by the likes of Gilles Peterson (BBC 6Music/Worldwide FM), Karizma, Osunlade, Huw Stephens (BBC Radio 1) and Craig Smith, Anchorsong has commanded support from BBC 6Music, being playlisted with his hit singles “Testimony” and “Expo”, ‘Ceremonial’ being hailed as Album of the Year (2016, 5th spot), and ‘Cohesion’ named Album of Day (2018). The unabashedly talented musician has achieved heavy press coverage from the likes of XLR8R, Clash, Magnetic Magazine, Pop Matters, Bandcamp Daily, NME Japan and Rolling Stone Japan, with print reviews from Q Magazine, DJ Mag, and Songlines (which named it as their ‘Top of the World’ album), and airplay across BBC Radio 1, BBC 1Xtra, BBC Asian Network, Worldwide FM, Radio X, FIP and KCRW.

‘Mirage’ is the fourth album from Anchorsong, a record that evokes hazy soundscapes constructed with wind instrumentals, choirs, and global sonic particles. Building on Anchorsong’s long-standing tradition of “borderless music”, ‘Mirage’ fuses intricate rhythms with minimal yet immersive lush interplays of sound to create an auditory odyssey. ‘Mirage’ marks a departure from Anchorsong’s previous two albums – ‘Ceremonial’ and ‘Cohesion’ – specific geographical references. Instead, the album which was half-written during lockdown and when nobody could travel, shows Masaaki internalise his global influences and worldview to conjure a “vague landscape that only exists in my mind”.

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