LDS Est.2011 - From original Loft proto Disco to more esoteric Cosmic & Acid infused sounds.

Bookings: thelondondiscosociety@gmail.com

Bookings worldwide:
marco@futurism.agency
Management:
management@adriatique.ch

www.djcamijones.com

nooghty / Pikes Ibiza / more

Michael Gray is a DJ and Music Producer, and is also one half of 'Full Intention'. His huge hit “The Weekend” is still loved and played today.
Michael is world #1 Artist on Traxsource for 2024. His record label is called Sultra. Recent releases have been on Glitterbox and his new label Sultra, with songs such as “Fly Away, “Invincible, In my World, You're gonna make me love somebody else & You got to remember.''
Michael recently released his 2nd album called "Optimism" to great critical acclaim.
He DJ's for nights such as Glitterbox, Downtown Disco & his own night ‘Sultra' and has a Saturday night show on Mi Soul Radio (last Saturday of every month at 7pm) and LIVE STREAM's on twitch.tv every 3rd Thursday at 7pm.

DJ Bookings - ed@arcade-talent.com

Instagram:djmichaelgrayofficial
Facebook: djmichaelgrayofficial
TikTok: djmichaelgrayofficial

Paradise Lost is a wee rum & cocktail bar named after Milton’s epic poem about temptation in the Garden of Eden. We run through winter, come and get Lost.
Paradise Lost is part of a secret sect connected to the Royal Order of Ancient Privateers. R.O.A.P. 

We are pirates, we drink rum.

First really got into dance music back in 1991 with a visit to a club night in Sheffield called Techno City with the Music Maker as the resident - pure Techno and hardcore back then! Used to go around the country to different nights including Shelley's in Stoke, Eclipse in Coventry, Brixton Acadmy, Hacienda and the Ministry of Sound following the likes of Carl Cox, Stu Allen, Grooverider, and Doc Scott etc.

Then a trip to Ibiza in 1993 got me into the house scene visiting Amnesia, KU club, Es Paradise, Pacha and Space - absolutely loved it! Spent many a summer in the 90's out there :D

Used to to have a few good club nights in Sheffield including, the Music Factory, Love to be, Bed and the legendary  Gatecrasher! 

Have always wanted to get back into putting mixes together, however never really seemed to have the time again so got myself a mixer and some decks and tried to see what I could do ;)

Anyway hope you enjoy my mixes and please let me know what you think - all feedback is appreciated. 

Catch me every Saturday at 4.00pm (London time) on www.ibizaliveradio.com for THE HOUSE EFFECT house session ; )


Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Bookings: 
simon@primarytalent.com
laetitia@primarytalent.com

MGMT: 
james@purplewall.com
abi@hannahwants.com

Chris Richardson is following