Name: Cromlech Vortex - Zombinement Confit by Cromlech Vortex
Duration: 5 min 8 s
Description: https://cromlechvortex.bandcamp.com/track/zombinement-confit

Great track, it's right down my street, good production 👍

Verging on the excitingly experimental twisting and turning through unexpected episodes touching jazz, avant-garde, psychedelia and with a great sense of humour...

Rad!!! Wired for string fire!  Love the intensity!!! >>> <3 <3 <3

Cool, powerful track with great unexpected sound choices!

Du gros Rock qui tâche avec double grosse caisse ça fait du bien et les riffs de guitare sont tops. Quelle variété de styles, bravo

https://cromlechvortex.bandcamp.com/track/zombinement-confit

Cromlech Vortex - Zombinement Confit

Canned Heat really caught my attention with this. I was completely unprepared for "On The Road Again". Previously to its release in 1968, I'd erroneously classified "The Blues" as slow and dreary stuff, done by trad jazz bands. 

"On The Road Again" was an education for me: "Vamos a ver!" That should be my motto.

"On The Road Again" achieved No. 8 in the UK Hit Parade and, thank goodness, that was enough to justify several TV appearances, which got me hooked on blues and more off-the-radar music for a whole lifetime.

I've done something a bit free and new with the song, which I hope you will forgive; maybe like? 

Please let me know. I thrive on your comments.

On The Road Again (after Canned Heat)

My Time

幽玄

Flowers bloom

Long distance love

... kind of ambitious*** idea/draft :-) ... and definitely no easy listening :-) ... the breath instruments are multilayered improvisation, with flute and breath controller. The orchestral strings were set via midi notes. Also the keys, which mark the root notes from time to time.
Somehow it is a balancing act between improvising on the one hand, and having a kind of concept in mind of "atonality" and a certain mood. --- Yesterday I read something about indigenous tribes between the Amazon and Orinoco and the nature of their stories: "The Yanomami are afraid of fixed forms, of defined material and of stories with a clear beginning and end and chronological course." Maybe that also applies to me ;-)    ***Everything is done by ear and without theory.

cluster

HEE Haw:Ho Ho

guitars and bass: d kivi
drum and synth programming: d kivi
mixing and mastering: d kivi

artwork licensed from Adobe Stock

digital dystopia v1-3-9c-5d-6 (10-17-25).mp3
v1-3-5d (10-10-25).wav
digital dystopia v1-3-9c-5 (10-10-25) 96-24.wav
digital dystopia v1-3-16 (10-8-25) 96-24.wav

digital dystopia v2

...the desert & the mountains - on an endless road of sand

Glue Sniffer

Americas

After a rainy start to the summer of 2019 the sun started to show, I was hacing a practice and this came out. It joins the list of my acoustic/chillout songs. Thanks for listening

The Hounds of Baskerville

Carry on

Carry On

Dark comedy, fusion expérimentale, chanson à texte²... Humour absurde holistique, métaphysique sorbique, géliturbation poétique, horreur et bonhomie.

Je me fous complètement de savoir quel est le style de ma musique tant que les morceaux que je fais sont bons. Quand un morceau est bon, je le garde. Un morceau bon est un morceau qui : 
_ est original
_ déconcerte au début, et puis ensuite, provoque quelque chose qui fait qu'on ne peut plus s'en passer.
- n'est jamais démonstratif ou académique. (on se fait chier avec des morceaux comme ça.)

Dark comedy, experimental fusion, song lyrics²... Holistic absurd humor, Sorbic metaphysics, poetic geliturbation, horror, and bonhomie.

I couldn't care less about the style of my music as long as the songs I make are good. When a song is good, I keep it. A good song is one that:
_ is original
_ disconcerts at first, and then provokes something that makes you can't live without it.
_ is never demonstrative or academic. (We get bored with songs like that.)

Cromlech Vortex - Zombinement Confit

Cromlech Vortex

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