4k video on YouTube here: https://youtu.be/_bfd4_Xazsw

Venture into the decaying bowels of analog memory where obsolete technology pulses with a dark, residual life. "Coaxial Pulse Signal" explores the unsettling fusion of organic and mechanical decay—a forgotten machine's heartbeat echoing through the void. Dive into the haunting remnants of a bygone era, where every frame drips with the eerie tension of a world slipping through the cracks of time.

Coaxial Pulse Signal

CRONENDROME emerges from the shadowy corridors of visceral storytelling and the eerie dissonance of industrial soundscapes, crafting an experience that transcends the boundaries of the flesh and the digital realm. This project is an ode to the narrative of human metamorphosis and the chilling embrace of the machine, marrying distorted realities with the pulsating rhythms of a synthesized nightmare. It is a journey into the macabre, where the corporeal and the mechanical become indistinguishable, and the viewers' deepest anxieties are etched in sound and sight.

Through CRONENDROME's lens, the body becomes a canvas for exploration and transformation, an entity no longer confined to its organic origins. The project's auditory offerings draw from the disquieting quietude and cacophonous roars that underscore our uneasy symbiosis with technology, echoing the dread and fascination of our possible futures.

This is for those who find beauty in the grotesque, who hear music in the cacophony of distorted signals, and who seek reflection in the unsettling dance of body and technology. CRONENDROME exists to keep the flame of this dark, introspective genre alight, ensuring that the pulse of its unnerving legacy continues to resonate with those who are entranced by its enduring spell.

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
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I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Matziz's work is an attempt to translate images into music, to sculpt sound material and play with its textures to extract an emotional essence.

This is about working alchemical formulas through sound, to:
- treat, accompany, heal, inspire...
The sensitive world according to its various needs, which fluctuate at full speed, according to the context of the extremely changing and tumultuous news.

It is one of the facets of the musical work of Mathieu TORRES who is active in several projects (M'Z - Zhorhann - The Diogenes - UBBS - No Skeletons...), inspired by the origins of Techno and the English effervescence of electronic music in the 90's