Name: CR#019 - Jess Sneddon by Crumpler Radio
Duration: 1 h 4 min 50 s
Description: I feel most at home playing a warm up or side room set. This mix is downtempo-focused, with some ambient dub and vaguely gothic undertones - Jess Sneddon

https://soundcloud.com/heapvienna
https://soundcloud.com/rufdug

Provided by: Heap & Ruf Dug [02.03.24]

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.
More info and music: https://kioskradio.com

music for café w/ Lolo Batten @ Kiosk Radio 09.04.2024

fergus

Deeper explorations in dub, echo and reverb bless the airwaves of these digital shores paying respect to Jah and the sound birthed in Jamaica. Not the usual reggae fare, more of a deviant interpretation one can only find on The Other Side. A psychedelic canvas where many sounds from the past, present and future intertwine and take us to new heights.

More info and tracklist here: lyl.live/episode/the-other-side-79

The Other Side 80, Lyl Radio 30/04/24

I feel most at home playing a warm up or side room set. This mix is downtempo-focused, with some ambient dub and vaguely gothic undertones - Jess Sneddon

CR#019 - Jess Sneddon

Continuing the series is Mancunian producer, dj and music teacher Tom Burford who just released his LP 'Elevations' with us as Contours (@contoursmusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Tom. You just returned from a big hike, how was it?

TC: Hey! Yeah, we were able to get out on some beautiful hikes around the Anaga national park in the north of Tenerife. It’s a stunning landscape and a nice change from the overbearing grey we get in Manchester for half the year. 

MFM: Does nature play an important role in your life and music?

JC: Definitely in life, and then I guess that just seeps into my music. I grew up in a pretty rural part of Cumbria. It was very beautiful landscape but with very little to do from an entertainment perspective, so getting out in the landscape or jamming with friends always felt like the two most freeing things to do. 

MFM: About jamming with friends... Your new album Elevations includes a lot of collaborations with other musicians, of which you did the recordings yourself. Can you highlight one special moment from those recording sessions?

TC: When recording Pots, I had initially written and recorded the percussion and synth parts at home and hit up Abraham to see if he wanted to add some Trumpet parts. He is based in London and so he recorded initial takes remotely and sent them through. They sounded great, but I really wanted to transform and process his parts for the track to manipulate them into sounding more synth like at points. Doing, that without him in the space felt like there was dialogue missing. In the end I went down to London and we recorded and dubbed them out in the same space at the Rhythm Section studio (shouts to Mali on engineering duties). Being able to respond to his playing and him in turn being able to respond to the dubbing of his parts felt like it was able to capture some really special elements.  

MFM: The A side of your new LP has Elevations 1, 2 and 3. Was it intentional for these tracks to end up separately or did they used to be one larger piece?

TC: When I started writing Elevations 1, 2 and 3 it just began as a series of jams and recording sessions in my flat bouncing ideas back and forth between myself, Beka, Abel and Simmy. These sessions were always just me and one other collaborator at a time, partly down to schedules, the size of the flat, but also the chance to not have to rush the process and to really dig into how we worked together. I continued building out the same project over multiple sessions so that I could have access to all the material collated in one place. Specific sections and ideas started to come together, but I liked the idea of them forging part of a wider piece. I’d previously worked in a largely self-contained track basis but had been listening to a lot of pieces like Six Marimbas, Music for 18 musicians and Tehillim by Steve Reich that build over a long period and loved the scope this gave to get completely lost in the music. I love the hypnotic nature created when polyrhythms morph over each other for a long enough period, shifting emphasis and eventually melting away.  

MFM: What can you tell about the mix you've made?

TC: I wanted to create a mix that was able to showcase the variety of sounds that influence me, both as a DJ and Producer. I love listening to mixes and radio at home and the best club experiences I’ve had have always been when a DJ is able to surprise you and really take you on a journey. The album makes heavy use of strings through the violin and cello, but also the Guzheng, a Chinese Zither and the Clàrsach a Celtic Harp. The initial three tracks of the mix focus on these sounds before skirting into more percussive and jazz focused influences and then into some deeper acid-tinged downtempo tracks and sub heavy club sounds. Hopefully this mix takes people on a journey and is something for people to get lost in.

MFM Mix 051: Contours

May 5th 2024 for the 2nd iteration of Avon Moot @noodsradio

Noods Radio - Moot Broadcast

NEW MIXX! And what a midtempo spectacle. 

Helsinki-based dj & producer DENZEL https://soundcloud.com/denzelmyman jumped in the HRD booth one Friday night, equipped with an FX unit and an inspired selection of heavy midtempo jams. 

Running underground clubs & festivals keeps the man busy, but he is a selector at heart – and you can hear that. The outcome here is trippy in the best possible way – bordering psychedelic at times. Effects are dubby, rhythms are chuggy and the tempos stay south of 110 throughout.

Press play & tune in!

https://www.instagram.com/ddenzeel

#18 /// DENZEL /// Trippy, chuggy, dubby midtempo extravaganza 🪐

CASSETTE: https://inverted-audio.store/products/ramjac-corporation-bibec-studio-extracts-1994-1995 
PHOTOS: https://inverted-audio.com/ramjac-corporation-reel-to-reel-inverted-audio-record-store

Earlier this month, UK-based acid house legend @ramjac performed a live reel-to-reel session at Inverted Audio Record Store in Peckham alongside the release of an exclusive cassette ‘Bibec Studio Extracts 1994 – 1995’ featuring five archive productions.

Marking our first ever live set at Inverted Audio Record Store, Ramjac did not disappoint, bringing a wealth of reels, analog equipment and raw experience, resulting in an enthralling performance of acid breakbeat and house music, plus an unheard version of Ramjac's cult classic 'Cameroon Massif!'.

We'd like to extend a big thank you to everyone that made it down to the record store, especially those that travelled all the way from Switzerland and the Czech Republic. Big up to Paul Chivers aka Ramjac Corporation for driving all the way from Somerset to perform in London. It's not often you get to witness a reel-to-reel set, this was a totally unique and spectacular live performance.

Our next in-store event will take place on Saturday 18th May (5-8pm) with London-based record label @baroquesunburst featuring strictly vinyl DJ sets from co-founders Big Hands, Soreab and special guests. We’ll have vinyl copies from Baroque Sunburst's discography on sale and free beer from Brixton Brewery.

NEXT IN-STORE: https://inverted-audio.store/blogs/news/in-store-baroque-sunburst

Inverted Audio Record Store

Ramjac Corporation (live reel-to-reel) // Inverted Audio In-Store

35 Min out of a 1,5 h LIVE Set at Pudel, Hamburg Easter 2024.
New formation : Dresvn + Robotron1000 = Dresvn1000.

Dresvn1000 live at Pudel

A long awaited two hour triiip to the deep with the primo heads from Daisy records. 

ID Requests ~

Also peep their immaculately curated online store - > https://www.daisyrecords.com.au

1800 triiip - Daisy Records - Mix 69

This is CRUMPLER RADIO, Streaming from Melbourne every week.

CR#019 - Jess Sneddon

Crumpler Radio

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