nicedream

nightwalk

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): https://www.naviarrecords.com/membership-and-services/#membership

haiku #572: cool breeze– / cloud shadows / on the green paddies

http://www.naviarrecords.com/about/naviar-haiku/

download all songs

Music for Haiku

The Vision Reels - Aconites (Launaea Immersion) [Huinali Recordings]

Release name - Aconites
Catalog - HNL016
Release Date - 10th of October, 2022
Mastering By - Mattias Fridell, Sweden
Artwork By - Off T (The designer is Jaiver Marimon)
Format - Digital

Support & Buy - https://huinalidub.bandcamp.com/album/aconites-hnl016

The Vision Reels
Artist on Facebook - https://www.facebook.com/Thereelvision
Artist on Soundcloud - https://soundcloud.com/thereelvison
Artist on Instagram - https://www.instagram.com/thevisionreels

Launaea
Artist on Facebook - https://www.facebook.com/launaeamusic
Artist on Soundcloud - https://soundcloud.com/launaea
Artist on Instagram - https://www.instagram.com/launaea

Huinali Recordings
Label on Facebook - https://www.facebook.com/huinalidub
Label on Soundcloud - https://soundcloud.com/huinalidub
Label on Instagram - https://www.instagram.com/huinalidub

The Vision Reels - Aconites (Launaea Immersion) [Huinali Recordings]

'INSIDE LIFE' CD & Digital available > https://ampl.ink/vPY63
Cello: Julián Kancepolski
Analog Mastered by Ian Hawgood · Tokio
Artwork & layout CD by Andy Ruggia · Buenos Aires
"Inside Life immerses the listener into magnificently expressive modern classical realms, tranquilly minimal, yet exquisitely nuanced, abundantly poignant and delicately filigree, where stirringly pensive sadness is masterfully counterpointed with hauntingly embracing stillness, while intensely evocative ambient subtleties are deliberately permeated by yearning haze. A truly fabulous bravura performance by Bruno Sanfilippo and his guests!"  
Bruno is an Argentinian classically trained musician, producer, and composer based in Barcelona who writes for strings, piano, and electronics.  In 1998 he started as a producer for ad21, a personal platform and label. His Piano Textures series, started in 2007, is one of Sanfilippo’s most representative set of recordings, but he has also gained wider recognition in modern music – one of his piano compositions formed the basis for Canadian rapper Drake’s seminal hit, ‘Started From The Bottom’.
www.bruno-sanfilippo.com

Inside Life

Tea Leaves At The Botton Of A Cup

Select your platform

cool breeze–
cloud shadows
on the green paddies

Morikawa Kyoroku (1656-1715) studied with the great Basho for ten months, who was the one who chose his nickname Kyoroku because he excelled in all six (roku) art forms: calligraphy, painting, spear, sword, horse riding and haiku.

Haiku by Morikawa Kyoroku: https://www.lucacenisi.net/2023/02/21/three-haiku-by-morikawa-kyoroku/#more-2277

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF shadowS [naviarhaiku572]

This track was created for the Naviar Haiku group.
572
https://www.naviarrecords.com/naviarhaiku572-cool-breeze/

2024-12-19

Cool Breeze–  (Naviarhaiku 572)

Recorded, mixed & mastered 18 Dec 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

For this I used Live, Live native devices, Dillon Bastan’s Rhythmorphic and Arturia’s Mini V & Prophet-5 V. 

This original version of "Polar Decomposition In Rhode Island" was submitted as part of Naviar Haiku 572, cool breeze.  

cool breeze–
cloud shadows
on the green paddies

by: Morikawa Kyoroku

Morikawa Kyoroku (1656-1715) studied with the great Basho for ten months, who was the one who chose his nickname Kyoroku because he excelled in all six (roku) art forms: calligraphy, painting, spear, sword, horse riding and haiku.

Art photography by Jim Lemanowicz, 30 Apr 2017, Greenpoint, Brooklyn, NY, USA with an Agfa camera using Ilford HP5. 

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

Polar Decomposition In Rhode Island (naviarhaiku572)

19Dec24

My naviarhaiku572 track;
https://naviarlab.tumblr.com/post/770216683274158080/naviarhaiku572-cool-breeze
:D

cloud shadows [naviarhaiku572]

An electronic composition, sounds created using Pure Data.

Cool Cloud Shadows (naviarhaiku572)

a cloud shadow (naviarhaiku572)

Roland JX 3P and acoustic guitar.
Mooer Ocean Machine

Made for the haiku challenge n. 606 https://www.naviarrecords.com/naviarhaiku606-slightly-faint/

hi-res download

slightly faint, yet clear (naviarhaiku606)

made for the Naviar haiku challenge n. 609 https://www.naviarrecords.com/naviarhaiku609-revealing-in-the-dark/

revealing in the dark (naviarhaiku609)

hi res download

not broken (naviarhaiku610)

made for the haiku challenge #611 https://www.naviarrecords.com/naviarhaiku611-half-asleep-eyes/

predawn dream (naviarhaiku611)

made for the haiku challenge #612 https://www.naviarrecords.com/naviarhaiku612-faring-over-the-lake/

a final flight (naviarhaiku612)

Float

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

emergence

Hiroshi Suzuki - Romance

I play what I transcribe:
https://www.dropbox.com/s/wm2h9chudzscn1o/Undercooled.pdf

ryuichi sakamoto undercooled

♫ Stream/Download: https://distrokid.com/hyperfollow/ptr2/sacred-land

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a cloud shadow (naviarhaiku572)

cryxuss