A true force in the Psytrance world and beyond it, Yoni Oshrat, better known as Ace Ventura, isn't just a DJ and producer - he's an experience. For over two decades, his infectious energy has ignited dance floors worldwide. From intimate clubs to headlining major festivals, Ace Ventura has captivated audiences with his signature style. His music is characterised by a fusion of hard, pumping dancefloor oriented themes and deeper, groovier influences, always immersed in psychedelia. As a DJ his diverse musical tastes and vast musical knowledge enables him to create unique sonic experiences. In times when lineups consist mostly of short producer sets, Yoni pushes the envelope to play long sets that tell a real story, going back to the origins of DJ culture.

His passion for psytrance extends far beyond music. Alongside Liquid Soul, he co-founded Psy-Nation, a global movement encompassing a monthly radio show/podcast and a travelling party line. This dedication to the genre fosters community and discovery for psytrance enthusiasts everywhere.

While psytrance is his domain, Ace Ventura's musical curiosity extends to downtempo and dub universes.  This deep appreciation for diverse electronic styles adds another layer to his artistry, evident in his acclaimed "Ace Ventura in Dub" sets.

Ace Ventura isn't confined to the booth. Beyond solo ventures, he collaborates on successful projects like Alpha Portal (with Astrix), Alien Art (with Captain Hook), Liquid Ace (with Liquid Soul), and Acid Punks (with Outsiders), each project offering a different sound adventure.

Management: nick@incentivemusic.co.uk
Bookings:  clive@evolutionartists.co.uk
N.America: kevin@circletalentagency.com

Info / Bookings muzikhertz@gmail.com
Owner of @muzikhertz-recordings

Escape has been actively involved in music since the early days of the British underground music scene and can trace his influences right back to the summer of love days around 1988. Inspired by his older brothers and early cassette tapes of Mickey Finn and Top Bizz. He began experimenting with the hip hop, techno and acid house tunes that defined the era. The explosion of hardcore and the early UK rave scene coincided with Escape starting secondary school and he took it upon himself to convert his group of friends at the time with highly sought-after tapes from early pirate stations and legendary live events. On one of his increasingly frequent visits to Pure records, he was dubbed ‘Younga Zone’ by MC Lenni as a nod to his big brother T-Zone who worked behind the counter. This name stuck with him throughout his early DJing days - although at this stage most of his mixing was restricted to after school sessions with his mates rather than major raves or club nights. Things began to change when, escape crossed paths with another artist who would go on to make huge waves in the Midlands scene, DJ Hazard. At this stage, both were young, broke DJs, hungry for success and doing everything they possibly could to make a name for themselves. Bookings were snapped up regardless of size or setup and they were soon playing to crowds of between 5 and 100 people every week – often for little more than the love of the tunes and a taxi fare home. Before long, Escape was to join Hazard on his weekly radio show on Unity FM. Although the show was well received and opened plenty of doors for the duo, it was difficult being the only drum & bass DJs on an otherwise ragga dominated station and this led to Escape looking for other pirates where his musical policy and jungle selection would be more readily accepted. 
With Kool FM Midlands rapidly establishing itself as the leading jungle pirate in the area and rivalling its London counterpart in terms of the exposure it could provide to up and coming DJs it was clear to Escape that this was where he needed to be. Dogged persistence and a refusal to take no for an answer led to a very large phone bill and no less than five separate demos being sent to Kool. Eventually his perseverance paid off with the reward of a Saturday morning slot that a lot of local DJs would have given their right arm for.  Although up to this point, he was still going by the name of Younga Zone, the decision to rebrand himself Dj Escape was made after careful consideration and some sound advice from Joker Records’ Pugwash. As he established himself on Kool FM through hard work, innovative selection and a rapidly expanding following he moved up through the rankings to the prime time 8-10 Sunday evening slot with MC Biggie. Unfortunately, as with so many pirate stations, things came to an abrupt end for Kool in 2002, causing Escape to make the move to Silk FM.

It wasn’t just behind the decks that Escape was making for a name for himself. Getting involved with event promotion in and around the Birmingham area led to more exposure and bookings began to come in thick and fast from around the UK and overseas. He has since supported the success of events stretching from all over the to America.

Escape initially dabbled in the field of label management when he set up 2nd Strike Records and, although the label only had one release (DJ Hazard You Ready/Metallic Blue) due to distribution problems, experience was gained, lessons were learned and Escape set up a brand-new label called Muzik Hertz. The label gave breaks to artists such as Complex, Dj Rusty and P.A. and this wealth of experience has been instrumental in Escape’s journey into production. Influences from this epic 25-year voyage into jungle drum and bass are echoed throughout of every track, with each one paying homage to the sound.

AGENT -http://gramagency.co.uk/

bookings@gramagency.co.uk

Maldini was born in a vat of skill, underneath an Awesome tree, on a full moon, on the one day of the year where nothing bad happened anywhere in the world. Bono, Bob Geldof and Nelson Mandela have all previously cited him (and BCUK) as their main influences, and Maldini's music has been known to heal the dying and sick when all other medical efforts have failed. Following the release of Bad Taste, the birth rate was documented to have risen in at least ten European cities, not to mention several states in the US. The music written by Maldini as BCUK has been proven to be directly attributable to the health of the global economy and the UK's gold bullion reserves. In 2003 he had to take out an injunction against tragic wheelchair chaser Anna Nicole Smith, for her stalking and indecent exposure. It's rumoured that Maldini will become the first lunar real estate owner following his recent reported purchase of a 100 acre plot south of the Sea of Traquility - something he is currently neither confirming or denying". ..



He has been an active electronic musician since 1995. In 1996 was a founder member of the minimal headz group at Radio Tilos, where he spinned ditroit techno and underground house in his weekly show called Eat da Beat. Later he started his own radio program the Totoya Club, playing downtempo and underground hip hop, andorganized the first on air freestyle competitions in Hungary. He had two more own shows at Tilos Radio, the Törzsvendég playing mainly Jazz and a live act show called Városi kosz. He made a radio program 60 Hz Drum and bass for Est Fm.
Since 1997he's been playing with Jazz (Budbudas, Skeg, Skoda) and worldmusic (Anima Sound System, Behsodrom) bands as turntablist.
He started producing his own tunes in 1998, first for Subscope records (protokol droidz kru) and for compliations (Budapest 2000, Future sound of budapest Vol 2) In 1998 He started weekly jam sessions with open micwhere he met the future members of his band, the GIMMESHOT CREW. For the next ten years this band had a major influence on hungarian hip hop dancehall live movement, combining live acts, turntables, MCs and classic instruments.
In 2003 he released the debut LP of singer of GIMMESHOT (Sena- the first one) , being the first release of gimmishot records, and toured with live band Dzihan &amp; Kamien as turntablist. Also in 2002 He finished third and in the following year second best of the hungarian DMC championship.
In 2007 he started for the Hungarian Mtv the weekly live show SWUNG, and in 2008 he did his own series for them called BE MY DJ, presenting the different styles and technics of electronic music along with the biggest names of hungarian underground.
Besides all that, he's been playing percussion instruments in the live jazz-lounge group with a pianist and a double bass player. He also beats the drums in a punk band.
He releases these days with the hungarian chi records and his last piece was a remix for thearea sur records in Argentina.

Major festivals and gigs 1998 - 2009

Big Chill fest. (England)
Glastonbury fest. (England)
Royal Festival Hall (London)
Barbican (London)
Batofar (Paris)
Flex (Vienna)
Porgy &amp; Bess (Vienna)
Roskilde (Denmark)
Melkweg (Netherland)
Babylon (Istambul)
Arena (Vienna)
Volt, Sziget, Balaton Sound, Glu-Glu fest., Coke Club. (Hungary)
etc...



http://www.myspace.com/mangoakamodul

http:// www.beatport.comModul (mango)

http://www.beatportal.com/artists/modul-mango/

http://mtv.co.hu/show.aspx?ShowID=24

mail:djmango@gmail.com

msn:dj_mango@windowslive.com

about the Acid reborn EP

Luke Solomon: "liking the black a lot..although tekno is growing on me ! "
Simian Mobile Disco: "More goodness from Chi!"
Laurent Garnier: "yes yes yes this is right down my street Will play a lot!"
Slam (Orde): "nice jazzy feel!"
KiloWatts: "Love the jazzy in "The Black"... great balance!"
Volum (Jean-Paul Bondy): "The subs on Tekkno are sure to hit hard on big systems. Can't wait to play this one out!"
Pheek: "The Black's jazzy bass does it for me - killer!"
Lemon 8: "Both tracks are excellent and for different occasions. Tekkno is fantastic!"
Matt Tolfrey (Leftroom, Crosstown Rebels, FourTwenty): "Fresh cuts for sure, not heard anything like this for sometime. very impressed"
Russel Deeks (iDJ Mag): "Liking 'The Black' a lot with the jazzy flourishes, but 'Tekkno' is good too!"
Habersham/Komposit: "Excellent Techy Goodness from Modul! Love The Black most of all - support! Love the artwork as well :)"
Cio D'or: "I really like both tracks! very deep, jazzy elements &amp; hypnotique. very cool. thank you!"

more DJ support: Peter Kruder, Phil K, Chris Udoh, Presslaboys, JDS, Transparent Sound, Murray Richardson, Dopamine, DJ Taucher, Brian Ffar, Kevin Beber, ...
some radio support: Radio One (Checz Republic), Sonett77 Radio (Germany), NSB.co.uk, Radio Tilos, MR2 (national radio Hungary), C'Rock Radio, ...

Future Engineers have been producing drum & bass since 1996, with releases on labels such as LTJ Bukem’s Good Looking Records, Blame’s 720 Degrees, Renegade, Partisan, and Vibez.

Transference was launched by Lee in 2010, kicking off with the Future Engineers ‘Ellipse’ EP. The label was established for Lee’s solo material as Future Engineers, but evolved to include various other projects with the likes of Electrosoul System, Sunchase, Operon, Cutworks, Radicall, Dauntless and Fuj.

Csaba V is following