Inbox me for contact/remix enquiries/collab/ghost producing/nudes.

Send me your music and I’ll mix it for you.

Wobbles, Overdrives, Big Leads and stuff like that. That's what we like to mix up.

We're a bunch of kids spread all over Italy producing boucy, ravey and as much fidgety as possible tunes having fun while doin' it. All of us into production, djing, aspiring sound designing and engineering in some kinda way. How do we "tune" like?! Follow us all and you'll see... erhm, we mean... you'll hear. :)

ARTISTS:
Stereoliez, Matteo Lo Valvo, V@LeRiC, Triple Wobble, The "S", Ryko The Drummaker, Rickie Snice, Fresh Foolish, Destroy Gang, Clocker, Twin Stereo, Nobel, Omar Ferrero, MADS, AllDegrees, Dani Galenda, Karasho, Joe Santoro, Phat Pixel, DJ Tokio, Freddy See, Lazarus, Baldo (Italy), Rudemates, Skrtel, The 2000, Aaron Beta, Krylon, Guby, D-Deck, Roberto Molinaro, DJs From Mars, Goingnuts, Tapekiller, Razihel, Mantrastic, Mindbeats, Steffen Aaron, Misclick, Lowryder, Mother Inc, Deface, Delta Labs, Lqd Hrmny, Stiver, Minorstep, Hedron, Hansel Thorn, Thomas Vent, Hard Luck, Countouch, Awesound, Massiw, High Performance


OUR SERVICES:

-ARRANGEMENTS -

Great recordings start and end with the quality of the song. At Head2Toes Studios, we do not use a "one size fits all" mentality when we approach our clients.

Our recordings sound like the artist - not us. They will never sound overly polished or full of things the artist did not intend. They will always have some sort of x-factor to them that makes them unique. This is musical production that serves the purposes of the song. This is how hit songs are produced.

We do not like to charge by the hour. Why? Because at this studio, a production is never done until it is finished. We will never rush the mixing/mastering process simply because the recording ran over. We have had many clients and none of them have ever left here unhappy.




- MIXING -

Mixing is the frequency, panning, and volume calibration process of each sound in order to obtain a homogeneous ensemble, where all the musical instruments, effects, sounds, and voices of a song are comprehensible.

There are several considerations of a final mixing, from the needs of the artist to the objective judgement based upon the genre or comparison of the songs being taken into consideration as a reference. For these reasons the client has to work closely with the sound engineer to obtain the best result possible. To simplify a mixing session, our client should give to us (by web or traditional mail) the separated tracks of the song in singles .wav (44hkz, 16bit) files. All the tracks must start at the same time, and be synchronized in order to open directly in our multi-track mixing system. Please keep in mind that “the best mix starts from a good arrangement”, and the frequency covered by instruments depends on the notes played.




- MASTERING -

The finalization process before cutting or burning of a song is called Mastering, the next step after mixing.

This process is useful for preparing the track appropriately for final media. Sometimes a bad mix can be corrected in the mastering stage, but every case needs to be evaluated individually.




- DIGITAL DISTRIBUTION -

From uploading your songs to accounting the downloads, we will take care of everything.

Anybody can join - you don`t need to have a record label, a company or a record deal.
You can get your money whenever you want to: not biannually, not annually but DAILY. 
Simply request your payout online and anytime you want.
Send your demo NOW and start earning from your music!
Furthermore you can choose on which sales platforms you want to offer your songs e.g. to iTunes, Musicload, MTV, AOL, Beatport, Jamba etc.
Currently we supply 300+ download stores.




- SIAE SCORING (Italian only) -

Devi depositare un pezzo in SIAE ma non sai scrivere la partitura? Ci pensiamo noi!

Scriviamo la partitura melodica del tuo pezzo per il deposito SIAE, anche via mail, inviandoci l'mp3 del brano.

Per soddisfare le esigenze più disparate, siamo anche in grado di scrivere partiture complete di tutto un arrangiamento (ritmica compresa) per l'esecuzione con grande orchestra o per classica band di 4 o 5 elementi.

Carlos Mélange Bio
Sneaking around your job after hours isn't a normal avenue for deejaying success. But when your career has ascended as quickly as Carlos Mélange's, there's no such thing as "normal."
When Mélange, then a 20-year old employee at a local Long Island restaurant, learned of an open deejay spot at a club the manager was opening, he jumped at the chance despite little—okay, zero—experience. "For two weeks straight, I would stay after the place closed and sneak into the DJ booth to teach myself how to mix and blend songs," admits Mélange. "I'd hide in the booth, wait for everyone to leave, and start rocking out."
While getting his first taste of the deejay life, Mélange postponed working the decks in favor of dancing, club promoting and emceeing, the latter his ticket to local fame as the go-to emcee at myriad clubs. "I knew in 2002 when I was emceeing a New Year's Eve gig in front of 3,000 people that I thought 'I want this,'" says Mélange. "I love being on stage and being able to control peoples' emotions. It was such a high and when I started deejaying, it took a hold of me and it wasn’t a question of whether I wanted it or not. It just took over."
Flash forward to 2007, when Mélange gave up all other gigs and focused on deejaying full-time. Despite being a relative newcomer, Mélange has already amassed an enviable résumé, having already rocked successful residencies at Tenjune, SL, Butter, Mixx at Borgata and Miami's Fontainebleau. In March, the fledgling deejay opened and closed for none other than Tiësto, handling the nerve-wracking gig with ease. "When I started, everyone stopped walking towards the door, ran back to the stage and started chanting 'Tiesto, Tiesto' thinking it was him," says Mélange, laughing. "But I started rocking it and kept most of the people there." The next day, the event's Facebook page was flooded with questions along the lines of "Who deejayed after Tiesto?"
With veteran deejays Vice and Chachi as mentors, Mélange's name is now mentioned among people that have been at the craft three and four times longer. For Carlos Mélange, deejaying is not sitting on top of a mountain, decreeing your tastes from on high. It's about constantly interacting with your crowd and ensuring they're as happy to hear you as you are to spin. "I love being able to go to cities and see people I've only known a few months, but feel like I've known my whole life," says Mélange.
In May 2010, Mélange released The Mélange Project: Volume 1, a 70-minute mix of electro, pop and progressive house that combines hidden gems with familiar classics. "If a deejay was spinning at a club and his computer crashed," says Mélange, "I want him to be able to put this mix on at any point and rock a crowd." Eschewing an overreliance of studio trickery and technological gimmickry, The Mélange Project replicates the deejay's enthralling live sets while still showcasing Mélange's expert ear. "I'm not a fan of hearing
a deejay's mix and then hearing him live and going, 'What the hell is that?,'" says Mélange. As one of the only deejays equally adept on a microphone as a turntable, Mélange can rightly lay claim to a skill most deejays can't even begin to garner.
With more residencies and The Mélange Project: Volume 4 in the works, Carlos Melange is only beginning his career as one of the nation's most in-demand deejays. His goal is simple: "I want to make people feel something," says Mélange. "I'm on the cusp of doing extraordinary things and I can't be more excited about life."

CTC Sunday is following