this is amazing, is this available anywhere in 320kbps?

kaj ti ja znam!

my version of THE BOSS. i like likes and love comments.

Diana Ross - The Boss (Cuban Disco Tour Re - Edit)

Brooklyn Dreams - Music Harmony & Rhythm (Cuban Disco Tour Reedit) **WAV FILE VERSION**

my remix of Curtis Mayfield.  I hope you like it. EL D x

Curtis Mayfield - You're So Good To Me (Cuban Disco Tour Remix)

enjoying remixing some great music of Cuba. I hope you enjoy. 

Amant - If There's Love (Cuban Disco Tour Remix)

Produced by Grammy award winning producer Frequency 

https://itunes.apple.com/us/album/dancing-in-the-dark-single/id971314917

info@calmacarmona.com

Dancing In The Dark

96kbps preview clip ** coming soon on  12"  

Do It 2 Nite

✨ Electric Heart – 70s Shimmer & Strings, Vol. 2 ✨
A golden haze of disco soul and cinematic groove. The sound of champagne bubbles, slow spins under mirrored lights, and hearts beating in velvet rhythm. A female-led voyage through lush strings, glittering synths, and the timeless warmth of 70s nostalgia — where hope, love, and soul still dance together under the lights.


5, Sunday Afternoon - 70’s Shimmer & Strings

Artist: Jorun Bombay 
Title: Its Still Great To Be Here/I Want My Candy Girl Back
Format: 7" Vinyl
Cat No: SWR010 
PRE ORDER LINK: http://soundweightrecords.bigcartel.com/

Jorun Bomaby and Soundweight Records return with a Double A sided 45, The master of the Edits and Remixes shows you once again why his releases are in such high demand, with this amazing 45,Mr Krum once again comes correct with the artwork, which is once again based around a certain classic design to fit with the release ... Another Jorun Bomaby Sureshot

PLEASE NOTE: This is a Pre Order, shipping will begin around the 15th of November, if there is any change in this we will contact you via email

SWR010 Jorun Bombay - Its Still Great To Be Here/I want My Candy Girl Back PRE ORDER SAMPLER

Two stonking reggae disco/soul cover versions with oodles of cross over appeal for a variety of dancefloors licensed from the catalogue of Bushays music. Everyone loves a decent cover version right ? Sit still to these beauties and you are obviously tied to your chair.Comes with free sticker. In the DJ box of Red Greg,Hugo from Sofrito,Dom Servini etc

A1. Suzy Brown - Shake Your Body   http://bit.ly/2isHB0N

T-Connection  - Time is Short (Funk Hunk re-edit)

Bill Brown and Al Hall jr met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer billy Wilson.
These studio sessions were don't at Paramount studios Hollywood where Al Hall jr was working for producer Art Smith a&c music.
The main distributor for A&C was Accent records.  So the Soul Injections very first single "Stay off the moon" was released via Accent, as was Bill Browns "Bip Bam"   The group wasn't that pleased with how Accent handle the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included 
 Doug Carn, organ; Kirk Lightsey, keyboards; Mel Bolton,
guitars; Mel Lee, drums; Al Hall jr (trombones),  Willaim 'Bill'Henderson strings.
 The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels.   Later around 1975  Brownstone released a track by Everyday people feat Alexis "world full of people"....A now cult soul 45 ....But wait,  we at Super disco edits have unearthed the original tapes with the very first incarnation of that song and music, different lyric content and sung by Bill Brown.  Not just this you get the instrumental on the b side!!

Bill Brown And The Soul Injection "time after time" unissued soul 1974

Deep Disco Action Produced By Brevil At Washouse Studios, Now Available On Digital Release!

Free Download

Watcha Gonna Do (Brevil's Unbreakable Edit)-Superbreak

The Love You Gave (Instrumental Edit)

Just Keep On Lovin' (Fingerman's Boogie Beatdown) OUT NOW On Discodat

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


RAW SILK - DO IT TO THE MUSIC [SNIPPIT]

This the official account of El Donaldo and his Cuban Disco Tour. 



Curtis Mayfield - You're So Good To Me (Cuban Disco Tour Remix)

Cuban Disco Tour

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