Independent record label founded by Myn in Melbourne Australia and currently based in Paris, @public-system-recordings works at promoting an alternative and anti-conformist kind of music, always pushing the limits between wild rhythms, haunted melodies and corrosive soundscapes, somewhere between rage and elegy.
Listen to Public System Recordings every 4th Friday of the month, from 22h to 00h [CET] on rinse.fr

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Public System Recordings invite VEREKER - 23 Avril 2021

PREMIERE COMME DES LARMES – CDL

PREMIERE CDL \\ Új Bála - Tetves [Jollies] (2021)

Artist » Új Bála - https://soundcloud.com/j-b-la-1

Ep Name »  Hideg Sors

Label » Jollies - https://soundcloud.com/jollies_records

Brooklyn/New York - USA

Format: CASSETE + Digital Album

Release date:  August 26, 2021 

BUY HERE  >>>  https://jollies.bandcamp.com/


Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_

#premiere
#cdl
#noise
#jollies
#electro
#commedeslarmes
#ujbala
#electronicmusic
#usa
#industrial
#techno
#leftifield
#newyork
#brooklyn
#jolliesrecords

Hideg Sors

PREMIERE CDL \\ Új Bála - Tetves [Jollies] (2021)

JOLLIES

Welcome to Cultivated Sound mix and feature session CSS075 with Montreal-based producer and DJ, Pulsum. We invite you to listen to a special one-hour noise and ambient dj set, transmission sounds from space, and then sitting us to church. Pulsum delivers a wide range of frequencies while moving with electricity, listen deeply with us.

Read and Listen here: https://cultivatedsound.com/075-PULSUM

Cultivated Sound Sessions - CSS075: Pulsum [DJ SET]

Pulsum

LEACHATE PHASES

BUY RECORD

TINNITUSTIMULUS - B3. Lph21 (PLIB009.5)

Halloween shouldn't be on Monday, nor should it be on Thursday. It should be celebrated on Saturday or Friday. This is the opinion of Grey People and his guest this month, J.S. Alvarez. (Purveyor of Chicago party that sometimes doesn't take place on the weekend, Research & Development) Both sets are dedicated to Halloween being on the weekend and not any other day.

Beyond Repair w. Grey People Guest Imir Gency [28.10.2021]

Played & Recorded at Burnout Regula by Bassinä

Bassinä | Portes Noires - Radio Bollwerk - 23.10.2021

Decomposition is a mix series by Dead Channel. Fig. 5 comes from JS Alvarez of Research & Development. Tracklist below:

@jsalvarez
@researchndevelopment

Carter Tutti Void - T 3.6
Internacional Electrical Rhythms - Azaka
Kuniyuki - Shout (12 inch version)
Spiritflesh - Mortuary
Nick Klein - Tail Eating
Future DZ - Bongo 2cc
Assalti Industriali - Sei Minuti E Ventitré Secondi
Privacy - No Way Back
Bill Converse feat. Carlos Souffront - WATB
Kliner - Tamtara
In Sotto Voce - Track 2
Untold - Overdrive
Ximena, Ali X, Palomo - Pastillitas (Cabaret Nocturne Remix)
Subjected - Steel
Cadans - 3 Milian
Globull - Untitled
Max Durante - Machine World
Factory Floor - Two Different Ways (Perc Remix)
DSX & Sid Lamar - Rain and Sweat
Ansome - Haylard Hitch
houz' mon - 101 rx. dm 112
Juzer - Busy Bees
Post Scriptum - You Won’t Find Me
HKKPTR - Reglos
Darien - Hit it
Scalameriya - Tainted Voltage

Decomposition - Fig. 5: JS Alvarez

Acidic Male

Working as a visual artist and writer, Puck Schot once felt the need to express a more masculine voice within her poetry. Curious about electronic music, she started making experiments around 2019 with the Korg MS-20, poetry on violence and distorted drum samples as Acidic Male. In that same year, she started collaborating with RJM Vanderheyden as 'Vot'ress' as well, combining harsh noise with nature sounds and Shakespearean texts. Since then, she had a high interest in industrial sounds, hypnotic drum patterns and experimental vocals. Having her performer name as a revenge title, she searches to “other” herself into the position of a manipulator, perpetrating the listener through the duality of softness and harshness within violent sounds and poetry. Yet, typically what is left is merely a penetration of herself as the subject, exposing her confessions, memories and hauntology. She is simply ripping in two, in front of an audience.

SoundCloud : https://soundcloud.com/acidicmale
Bandcamp : https://acidicmale.bandcamp.com/



Tracklist 
tracklist : Iron Sight - I Had A Name
Scopophilia - Worthless Bitch
Le Syndicat - Sex And Vomit
Collin Gorman Veiland - Venture In Motionless Lashes
Thoom - Roadkill
Mutant Beat Dance - From Another Source
Plural - Sweet Nothings
UVB76 & Air LQD - Cypher
Rude 66 - People Money 
Raja Kirik - Raja Edan
LFO - Tied Up
MÆDON - Alchemy
Cheb Terro VS DJ Die Soon - Abtal Al Digital
Halv Drøm - Slum Vatic
Himukalt - Hysterical
Franziska Lantz - Meshe
Machine Woman - Last Night I Told You To Watch Shame
The Midnight Tantrum - Oranje Ant Steak
Sparkwave - Tubless
S. English - Will The Sky Turn Red

DUSK182 By Acidic Male

The haiku that guided this;

Winter waterfall
a rock untouched
by sunrise or sunset
(Naviar haiku challenge 607, details here: https://www.naviarrecords.com/haiku-music-challenge ),

has an obvious staring point, "Winter Waterfall" the track has finished up quite experimental.


Waterfall = white noise.
So I started with a noise source in Voltage Modular and created an evolving sequence that processed the noise output through a spectral filter bank using two instances of the WC-96 Spectral Processor from DMT Audio. I then created a rhythmic element by feeding that output through an LFO controlled envelope, passing the output on to Quadelay from Waverley Instruments. 

With the noise elements in place I added some pulses using basic VM modules then moved on. Having used a couple of tweaked Dreamsynth presets last week I decided it was time to take the deep dive and learn how to patch Dreamsynth from scratch. Dreamsynth (https://cherryaudio.com/products/dreamsynth) is deep, almost modular. I made a patch for the chord sequence; yes I know it's a bit weird but I liked it in isolation while developing the DS patch so kept it all be it sequenced, converted to MIDI and passed out from VM. While experimenting I found that if I played in a low register I got a rumbly semi random texture so I split that off and tweaked it a bit to represent the rock, triggered by a separate sequence in VM. The final element is a drone layer made from DMT Audio's "West Coast" modules (Uncertainty and Harmonic Oscillator), left over from an early experiment and passed through a band pass filter modulated by reused control, voltages from the noise sequencing. 

With all the elements in place I made two changes before recording, I added a small amount of ShimmerVerb from Eventide to the chord sequence and replaced the pure white noise that I'd planned to use at the beginning with a sample of a real waterfall from freesound (Staying close to waterfall by trader_one -- https://freesound.org/s/670515/ -- License: Creative Commons 0), because I wanted a touch of gurgling water.

With everything in place; opening waterfall, mapped physical controls, multitrack recording and no real plan. I hit record and improvised, one take, longer than I'd expected.
I'll own up to doing a lot of mastering to make the dispirit elements gel but didn't add anything significant.

Winter Waterfall - (naviarhaiku - 607)

OP 7 Klanglandschaft 2

Another Place Underground

a hybrid between a collective and label in Brooklyn, New York, to cultivate music as sound and to introduce new music breaking genres.

submissions and bookings: cultivatedsound@gmail.com