THAT :: CONCERT CHAMPÊTRE
Unpopular Classics (Poulenc)
Live at QUEERING SOUND, 06 June 2021
Rhizome DC, Washington DC USA

THAT :: JS Adams + Christopher Mathews-Larsen
RECORDING :: Steve Sanford
MIX :: JS ADAMS

THAT :: CONCERT CHAMPÊTRE :: LIVE

Am7 CHORDS! MOTORIK BEATS! CICADAS! BUZZSAWS! KAZOOS!

LIVE @ QUEERING SOUND 2021 :: 13 JUNE 2021 :: RHIZOME DC :: WDC

CK BARLOW :: SAMPLER / ELECTRONICS
CHRISTOPHER MATHEWS-LARSEN :: GUITAR / DRUM PROGRAMMING / AZTEC DEATH WHISTLE
JS ADAMS :: PROCESSING + EFFECTS / FIELD RECORDINGS / LOOPS / AZTEC DEATH WHISTLE / AUDIO PLAYBACK
JEFF BARSKY :: GUITAR
JOSH MAXWELL :: BASS
+
AUDIENCE PARTICIPATION :: KAZOOS
AUDIENCE COORDINATOR :: CHRIS VIDELL

RECORDING :: STEVE SANDERS

ONE CHORD PONIES :: A LIFE OF INDETERMINATE REWARD

DECONSTRUCTION/RE-ADAPTATION OF LA VOIX HUMAINE (THE HUMAN VOICE), AN OPERA BY FRANCIS POULENC BASED ON THE ONE-ACT PLAY BY JEAN COCTEAU. HELLO? HELLO!

LIVE @ QUEERING SOUND 2021 :: 15 JUNE 2021 :: RHIZOME DC :: WDC

[ live performers ] 
CK BARLOW :: SAMPLER / ELECTRONICS
CHRISTOPHER MATHEWS-LARSEN :: GUITAR
JS ADAMS :: PROCESSING + EFFECTS / FIELD RECORDINGS + LOOPS / SAMPLES / CALIFONE + PREPARED VINYL / AUDIO PLAYBACK
JEFF BARSKY :: GUITAR
JOSH MAXWELL :: BASS

[ digital contributitors ]
BLEEDINGBLACKWOOD . {AN} EEL . JASSIE RIOS . ROSHI NASEHI . SARAH O’HALLORAN . KATIE MACYSHYN 

RECORDING :: STEVE SANDERS
MIX :: JS ADAMS

LA VOIX HUMAINE :: 13 JUNE 2021 :: LIVE

Buy it here
https://cuneiformrecords.bandcamp.com/album/other-worlds

Andrew Niven – drums, percussion, synth, sequencers
Eric Klerks – bass, 8-string guitar, synthbass
Max Kutner – electric and acoustic guitar

with
Mike Keneally ¬– keyboards, guitar, samples
Jonathan Sindelman – keyboards, organ
Daniel Rosenboom – trumpet
Jessica Lurie – baritone sax
Gregg Bendian ¬– vibes

Produced by Mike Keneally and Android Trio

Concentric Lines

ANDROID TRIO "Concentric Lines" from "Other Worlds" (Cuneiform Records)

From our upcoming release "Somnambulist" coming out on Cuneiform records January 20th! Preorder is available now here: https://cuneiformrecords.bandcamp.com/album/somnambulist

The Kandinsky Effect  - Somnambulist

X (Part 1)

"The coolest of Britains young jazz bands." 
– Daily Telegraph

"...they’re still evolving, pushing boundaries and moving jazz forward." 
– Mojo

Empirical has become one of Europe’s top jazz ensembles by creating a bracing sound rife with roiling emotion. The quartet builds on the extroverted improvisational ethos of the 1960s New Thing, embracing oblique harmonies, translucent textures and jagged, quick shifting rhythms. Featuring Nathaniel Facey (alto saxophone), Shaney Forbes (drums), Lewis Wright (vibraphone) and Tom Farmer (bass), Connection is the fifth Empirical album, the first to feature only the quartet with no guests, and the first released outside of their home base of England. It captures the ensemble at its most pure and potent.

“Each of our previous albums was an experiment, where we included various guests from a string quartet to a pianist to bass clarinet,” Farmer says. “This time we went into a great sounding studio with just the four of us. It’s an accurate representation of what we’re doing now, what our gigs sound like. This is our expression.”

Following the release of its eponymous debut album in 2007, Empirical quickly established itself as a creatively charged crew unafraid to explore jazz’s wild and wooly left field. They threw down the gauntlet with their acclaimed second album, 2009’s Out ‘n’ In, which offered a highly personal salute to Eric Dolphy.
 
“We were working really well, taking it really seriously,” Farmer, who joined at that time along with Wright, says. “I’d never met guys who took it so seriously. The process of studying together is really what brought us together, and we just carried on doing it.”
In many ways Connection is a similarly bold statement, a program of original music that unfolds with the kind of intuitive narrative momentum generated by a great set. 

The band’s interactive group approach is built on Farmer and Forbes highly kinetic rhythm section tandem, while Facey possesses an instantly recognizable alto tone. But in many ways Wright’s vibes define the group’s sound. From the moment he joined the band, he catalyzed a new way of writing and arranging material. “We all loved the transparency,” Farmer says. “You can hear exactly what everyone’s playing. Lewis is quite a unique player. He gets this warmth on an instrument that can sound quite harsh and metallic. I love having all this room on the bottom, without having to think about a pianist’s left hand.”

After the release of the band’s third album Elements of Truth, Empirical won the inaugural Golubovich Jazz Scholars fellowship at Trinity Laban Conservatoire of Music and Dance. The residency at the prestigious conservatory led to the band’s collaboration with the all-women string ensemble Benyounes Quartet, who were featured on Empirical’s fourth album Tabula Rasa. The ambitious, often spiritually-tinged project featured some of the band’s most beautiful and complex writing. Following that satisfying musical detour, it’s no surprise that Connection finds the quartet getting back to basics. Recorded after a week-long run at Foyles Bookshop London, the album captures the raw energy, brash ideas, and volatile group sound that Empirical has built upon the vast territory opened by jazz’s mid-1960s explorers. 

Empirical, "The Two-Edged Sword" from 'Connection' (out 2/5/2016 on Cuneiform Records)

Gyp The Blood

Nice Day for a Lynching-Kenneth Patchen

The bloodhounds look like sad old judges
In a strange court. They point their noses
At the Negro jerking in their noose;
His feet spread crowlike above these
Honorable men who laugh as he chokes.

I don’t know this black man.
I don’t know these white men.

But I know that one of my hands
Is black, and one white. I know that
One part of me is being strangled, 
While another part horribly laughs.

Until it changes, 
I shall be forever killing; and be killed.

Recorded by The Claudia Quintet +1 with Special Guest-Kurt Elling


The Bloodhounds

Recorded at Avatar Studios NYC May 2012 (Katherine Miller)
Mastered at Pinch Recording NYC May 2020 (E. Scott Lindner)

Personnel:
Matt Steckler - alto/soprano sax, flute
Curtis Hasselbring - trombone
Todd Neufeld - guitars
Dave Ambrosio - bass
Satoshi Takeishi - drums & percussion

01 Night Cravings - Master A 44

Cuneiform Records is an independent record label releasing adventurous, boundary-bursting music by artists from around the world. Founded in 1984.