Stellar line-up of releases from Cuneiform next month, daaaayum

great drummer, composer and member of the great Soft Machine, Robert Wyatt has always been a guarantee for great music

Also in Spanish !?! didn't know this from RoWy

Love the Vocals and lovely English accent 🌻

PURCHASE '68' by Robert Wyatt @
AMAZON (digital & physical): http://www.amazon.com/68-Robert-Wyatt/dp/B00EI63LJY
ITUNES (digital): https://itunes.apple.com/us/album/68/id687598452
BANDCAMP (hi-fi digital): http://cuneiformrecords.bandcamp.com/album/68
WAYSIDE (physical-ships worldwide): http://waysidemusic.com/Music-Products/Wyatt--Robert---68__Rune-spc-375.aspx

"After a half a dozen listens I am convinced this is of the very best archival releases EVER.
The creativity was pouring out of RW at that time and the freedom he had doing these demos reveal a sense of freshness that is really exciting – also there is a feeling of warm intimacy like we get to be the fly on RW's studio wall in 1968 - the interview is amazing too. Do not miss this."
–Udi Koomram, engineer.

"Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities."
–Aymeric Leroy, author and historian of the 'Canterbury Scene'.

"A stunning archival release that sheds new light on early Soft Machine. A must-have for Softs fans"
–Sid Smith, journalist

For over 45 years, Robert Wyatt has been a major, creative force in music, having had a major impact on the beginnings of both psychedelic rock and jazz/rock in the UK with Soft Machine, to his eventual long solo career as a unique singer/songwriter.

In September, 1968, the Soft Machine had just finished their second, exhaustive tour of the USA supporting the Jimi Hendrix Experience. At the conclusion of the tour, vocalist/drummer/multi-instrumentalist Robert stayed, working on recordings in Hollywood and New York City. Upon Robert's return to England to re-start the Soft Machine in December, 1968, these documents lay forgotten. Two of them were eventually found and issued, but half of these recordings were unreleased and thought lost forever...

Now, for the first time, all four of the recordings Robert made in '68 are collected together and released, all carefully worked on and presented in the best possible sound quality – and the recorded sound here is surprisingly excellent overall!

This release is fully authorized by Robert and the liners include an in-depth interview with Robert about his recollections of this period, with insights into his songwriting process, recording procedures and previously untold anecdotes of this period of his work and life.

There are four tracks. Two of the demos are shorter songs. Of these, one of them was a track Robert used to play with the Wilde Flowers, Brian Hopper's Slow Walkin' Talk, while the other features music that would later be re-worked by Robert and appear on the 1st album by Matching Mole!

The bulk of the material - the two long suites - were later re-recorded by the Soft Machine; Rivmic Melodies later became the basis of side one on Volume II (1969) and Moon In June showed up as Robert's showcase on Third (1970). The two side-long epics are particularly worth noting how they present, even in this very early stage of his career, Wyatt's seamless integration of song fragments and instrumental passages within a unified whole, his stream-of-consciousness, often self-referential lyrics interspersed with witty asides (soon to become a defining characteristic of the 'Canterbury scene'), matched by Wyatt's equally idiosyncratic singing.
These tracks serve as a template for the post-psychedelic Soft Machine's career as founders of European jazz/rock and the entire release is a precursor to Robert's post-band, solo career.

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Robert Wyatt, "Rivmic Melodies" [excerpt] from '68' (Cuneiform Records)

Order 'Collected Pieces II' at: https://ghostly.com/products/collected-pieces-ii
Or at the retailer of your choice: https://ghostly.ffm.to/mary-lattimore-collected-pieces-ii

Collected Pieces II

Mary Lattimore - For Scott Kelly, Returned to Earth

🎸 **Track Title:** Tribute to the Tribute  
🎤 **Genre:** Parody Rock  
🎶 **Artist:** LoveNotesAiMusic.com

Get ready to rock with "Tribute to the Tribute," a hilarious and epic parody of Tenacious D's classic "Tribute." This song tells the story of a late-night coding session that turns into the ultimate musical duel against the gods of rock themselves, Tenacious D. 

**Verse 1:**  
"I was tweaking some code, late at night,
Trying to make the greatest song take flight.
Then through the screen, in a blinding light,
Came Jack Black, ready to fight."

**Pre-Chorus:**  
"He boomed, 'Heard your spiel, crystal clear,
That your AI can bring the cheer.
Let’s test if your tune can steer,
Or if you'll cower in fear.'"

**Chorus:**  
"Look deep in my eyes, and you'll see,
Two plus one, equals glee.
Tonight's the night, let's set it free,
Let's prove who's king, you versus me."

**Verse 2:**  
"With AI and guitar, we made our stand,
Rocked the digital land.
Jack strummed, KG kept time in hand,
In this fierce duel, our music grand."

**Bridge:**  
"And lo, my brethren, a miracle unfolds,
Our songs entwine, the legends foretold.
From bits and bytes to rock's hallowed holds,
A tribute anew, our saga retold."

**Chorus:**  
"THIS! Is not Jack Black, THIS! Is the tribute to the Tribute to the Greatest Song Ever!
THIS! Is not Jack Black, THIS! Is the tribute to the Tribute to the Greatest Song Ever!
THIS! Is not Jack Black, THIS! Is the tribute to the Tribute to the Greatest Song Ever!"

**Themes:**  
- Humorous homage to Tenacious D
- The epic clash of human creativity and AI
- Rock and parody at its finest

Join us for a rollicking good time, and relive the greatest musical duel in rock history! 🤘🎸 #ParodyRock #Tribute #EpicDuel #RockOn #LoveNotesAiMusic 

Tribute To The Tribute Of The Greatest Song In The World

Crustation - Down Down

The first music to be shared from #N/A - the forthcoming new studio album from NISENNENMONDAI, recorded with legendary dub producer ADRIAN SHERWOOD in Tokyo, and released outside Japan on his On-U Sound label.

#N/A (literally, Nisennenmondai with Adrian Sherwood) is a new studio album which sees the cult Japanese trio filtering their epic motorik jams through the mixing desk of the legendary dub producer.

Nisennenmondai are three girls from Tokyo, Sayaka Himeno (drums), Yuri Zaikawa (bass) and Masako Takada (guitar), who have been playing instrumental music together since 1999. From their initial beginnings as a noisy no wave band openly referencing influences such as Sonic Youth, DNA and This Heat, they have since honed and streamlined their sound into a more minimalistic pulse with an emphasis on the hypnotic possibilities of repetition, creating a sound that can be likened to ‘organic techno’.

Much beloved by other musicians including Battles, Prefuse 73 and Chris & Cosey (Throbbing Gristle), in recent years they have made more connections to dance culture, in particular with their 2015 collaboration live and on record with electronic producer Shackleton.

Recording their new album with Sherwood has resulted in them sounding bigger than ever before, with a greater emphasis on small rhythmic details and subtle dub touches, reminiscent in places of the classic Basic Channel sound.

This international edition of the album includes 2 bonus ‘live dub mixes’. Whilst Adrian showed considerable restraint in his production job on the studio album, on a subsequent live date at Tokyo’s Unit club he was recorded deploying a wild array of FX tricks, dropping in splashes of cavernous reverb and space echo delay to the performance of two pieces from the band’s previous album N’.

www.smarturl.it/nisennenmondai-onu


Nisennenmondai - #3

Hiroshi Yoshimura - Something Blue.

An acoustic cover I did of a Boards of Canada track, Melissa Juice off of "Twoism"

Boards of Canada-melissa juice(helios cover)

Ametsub / Repeatedly

the sixth and final movement of maurice ravel's "le tombeau de couperin," written in memory of captain joseph de marliave, who died fighting in world war I with the french army. 

this piece was originally written for solo piano but here i have adapted it for four analog synthesizers.

Toccata (Sixth Movement from Ravel's Le Tombeau de Couperin)

CPO CD - Steve Reich - Eight Lines

26 Mixes for Cash Disc 1

Let My Fish Loose [Aphex Twin Remix]

Cuneiform Records is an independent record label releasing adventurous, boundary-bursting music by artists from around the world. Founded in 1984.

Robert Wyatt, "Rivmic Melodies" [excerpt] from '68' (Cuneiform Records)

Cuneiform Records

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