Name: Rainy Friday 10 by GEMBA
Duration: 53 min 34 s
Description: Chris Rau is present, Smallville, Moomin, Marvin Dash, Axel Boman, Lake People, Session Victim, all the greats. Air traffic control exists at all levels

Nice work! Track/artist selections are on point

Chris Rau is present, Smallville, Moomin, Marvin Dash, Axel Boman, Lake People, Session Victim, all the greats. Air traffic control exists at all levels

Rainy Friday 10

MIXES

SUI ZHEN - SANPO 103

DJ ELIOT - SANPO 119

First time back on @nts_live in 4 months. New Stuff from Roman Flügel, Peaking Lights, Call Super remixing Mr Fingers, Objekt, Vakula, Yu Su and Laksa in there alongside all sorts of other bits.

Tracklist 

PEAKING LIGHTS 
Sea Of Sand
THE RISING STORM   
Frozen Laughter
SHIMSHON MIEL   
Nuieba Nueiba
JOYCE HEATH 
I Wouldn't Dream Of It
QUEEN   
Cool Cat
TRANCE 
Wintergarden
ROMAN FLUGEL 
Theme II
BLUE GAS   
Shadows From Nowhere
RÜF DUG   
Head Band Dub
FERN KINNEY   
Baby Let Me Kiss You
I:CUBE   
Etire En Avant
SHITAN 
Disco Shitan (Long Version)
MAGIC MOUVEMENT 
Trouble In The Streets
KIWI 
We Are Here
FRONT 242   
Take One (Re-Built)
MR FINGER 
Crying Over You (Call Super RMX)
OBJEKT 
Secret Snake
DAUWD 
Macadam Therapy (Vakula Remix)
NEVILLE WATSON 
Twin Tub
SIN FALTA   
Noh Mas
HI & SABERHAGEN 
Streszed Out
YU SU 
Untitled
LAKSA 
It Feels Like I've Been Here Before
OTIK 
Actress
STEVE SPACEK 
Gimmi Da Love (The Maghreban Remix)
BREACH   
Nico
SOLAR & BROTHER NEBULA 
S.I.S (Savilles's Jetset Radio Remux)

NTS Radio 04 - [10.10.18]

Recording of Raphaël Top-Secret's set at Dekmantel Selectors 2018.

Dekmantel Selectors 2018

Raphaël Top-Secret at Dekmantel Selectors 2018

Thanks to all who made our final event of 2018. Next party is Friday, February 22nd. Add your email here for an invite: www.bit.ly/blanksf

For more Blank recordings, follow @blanksf.

Dan Harris live At Blank 12 - Oct 26, 2018

Like the track? Click the [Repost] ↻ button so more people can hear it!

Cru Jones @ Kerfuffle, Cambodia 01.16.19 

"I've never seen such raw determination and talent in one kid"

Support the Artist:

SOUNDCLOUD
https://soundcloud.com/blisswave

INSTAGRAM
https://www.instagram.com/rollinwithmycru/

<a href='https://theartistunion.com/tracks/7852ed'>Download for free on The Artist Union</a>

Free Download

CruJones @ Kerfuffle, Cambodia 01.16.19

Broadcast live on WNYU 89.1FM in New York City on August 20th, 2019.
https://soundcloud.com/midland
https://beatsinspace.net/playlists/1004/
http://beatsinspace.bandcamp.com
Support BIS: http://www.patreon.com/beatsinspace
Leave a message on the BIS Hotline: 646-481-8189

1. Cymande - Getting It Back - Janus Records
2. Nuno Canavarro - Blu Terra - Disk Union
3. Chrisma - U (I Dig You) Pt. 1 - Music For Dreams
4. Walls - Voluta - Ecstatic
5. Axel Boman - Paid By the Rhythm - Mule Musique
6. St Vincent - Masseduction (Midland's Mass Seduction Remix) -
7. Hifi Sean feat. Alan Vega - A Kiss Before Dying (Jackie House Remix) - Plastique Recordings
8. Leif - Rumex - TIO Series
9. Tom VR - Achemore - Unreleased
10. Free Love - Bones - Optimo Music
11. Daphni - If - Jialong
12. Otik - Wetlands - Unreleased
13. Yasuaki Shimizu - Find No Word To Say (Midland Edit) -
14. Instru:mental - Pacific Heights - Dark Astral
15. Midland - Frequency FM - Unreleased
16. KMI - Sweet Air - Unreleased

beatsinspace.net

BIS Playlist

BIS Radio Show #1004 Part1 with Midland

@vynehall

Last May, we invited Leon Vynehall to play a rare 'open to close' set at Honey Soundsystem. There are not many selectors that we can trust to not only DEBUT themselves at a HSS party but also take on a room entirely to themselves. His set exceed our expectations and the recording ACTUALLY came out.

Honey fans know we don't release many live-recordings, but when we do they often have a life of their own (see Jennifer Cardini at Burning Man, Silent Servant at Holy Cow, Black Madonna at Deviants, Doc Sleep at the 9 Year Anniversary) 

You can check out the past live-sets here: https://soundcloud.com/honeysoundsystem/sets/recorded-live-at-honey

This set has been on repeat since that May 26th night and after some serious cajoling, Vynehall agreed to release the first couple of hours. Vynehall does not really release live mixes so we know how special this is and thank him for letting us go with it.

The set went on for another 3.5 hours but included some material Vynehall can't have out in the world yet. So... here is an exceptionally good 3.5 hours at one of our traditional Sunday night, holiday weekend, Honey Soundsystem parties in San Francisco.

Honey Soundsystem Potcast

Leon Vynehall @ Honey Soundsystem SF [5-26-2019] (first half of all night set)

@sumactrac founder DJ Plead presents three exclusive and unreleased edits. All proceeds will go to the First Nations Fire Relief Fund, NSW Rural Fire Service and the Victorian Bushfire Disaster Appeal.

These tracks are offered with the intention of giving much needed relief to communities across South East Australia that have been affected by the worst bushfires on record.

1. Massari and Me
2. Mercy
3. X5

For information on the individual funds and ways to directly donate, follow these links:

www.gofundme.com/f/fire-relief-fu…ions-communities
www.rfs.nsw.gov.au/volunteer/suppo…r-local-brigade
www.cfa.vic.gov.au/about/supportin…cfa#donate-cash

Massari for Relief EP [Bush Fire Relief Fundraiser]

DJ Plead - Mercy

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

Rainy Friday 10

GEMBA

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