Composed for and premiered by Quatuor Bozzini as part of the 2022 Composer’s Kitchen in partnership with nyMusikk Norway.

Premiered 28 October 2022 at Conservatoire de Musique de Montreal, QC, and 1 November 2022 at Tøyen kirke, Oslo, Norway.

flora is a portrait in sound of my late grandmother, my interpretation in music of her voice on a vinyl recording from when she was just 21 years old. 

It is a deeply meaningful experience for me to share space with her voice in this way. I am grateful to Quatuor Bozzini for playing an integral part in the development of this piece and handling this material with such care.

flora (2022)

my version of Martin Arnold's version of the Border ballad Tam Lin.
Performed on October 29th 2023 at Highline Brewing.
Presented as a part of Bug Incision Presents series.

rebecca bruton - voice and guitar

recorded by Brad Hawkins
photo by Elyse Bouvier

Tam Lin

Janet Sit - Still Night (2015)

In The Air Tonight Drum Fill for 1 Hour 10 Minutes except it's tripled and one is played .1% faster and one is played .1% slower

In The Air Tonight Drum Fill for 1 hour 10 minutes at 99.9%, 100%, and 100.1% speed

composed by Martin Arnold (2013)
performed by:
Martin Arnold: whistling (vocoding processed recordings) and tenor banjo (gating processed recordings)

Annie's Lammie

Préludes pour deux pianos en quarts de ton de Ivan Wyschnegradsky

Version du duo XAMP (extraits). 

Concert au Festival Messiaen, 31 juillet 2018

Préludes 1, 16, 3, 5

Wyschnegradsky - Quarter tones preludes (extracts, by XAMP)

Set:
The Locusts in the Field
Marrow
At The Bit
Oh Sinner
Quaker Gun
Cecilia
Oh Jubilation

Recorded Live from the board at HAVN
https://havnode.tumblr.com/
https://www.facebook.com/havnode

Sarah Good and the Bads record release show
https://havnrecords.bandcamp.com/album/the-glorious-disgorged
https://www.facebook.com/Sarahgoood/

Live At HAVN, June 14th, 2019

Recorded live performance by Alissa Cheung and Ewald Cheung
Jul 14, 2019 Winspear Centre Studio
Edmonton, AB

Cheung - Zwischentoene (2015)

playlist:

programme 1

Jose Maceda
"Ugnayan"
from Ugnayan
(Tzadik)

Adam Bohman
"1st August 2009.Adam Talking"
from The Period before the Birthday
(Self released)

Micheline Coulombe Saint-Marcoux
"Sequences"
from Anthology of Canadian Music
(Radio Canada International)

Group Vranisht
"Fuat Bahani"
from Folk Music of Albania
(Topic Records)

François-Bernard Mâche
"Angelus"
from L'Anonnce faite à Marie
(Jade)

Bernard Fort
The Danube Delta by Night
from Nocturnes du Monde
(Frémeaux & Associés)

Jerry Hunt
Transform (Stream) : Monople
from Ground : Five Mechanic Convention Streams
(O.O.Discs)

Ilan Volkov - At Home  01

1. Introduction
2. Les augures claveciniers: Danses des sautereaux
3. Jeu de luth
4. Rosaces printanières
5. Jeux des registres couplés
6. Cortège de l'épinette
7. Danse du clavier

Rite of Spring all recorded on a spinet (and samples on a MIDI keyboard for notes out of range)

Sacre du printemps: Premier tableau - L'adoration du clavier

Christina Volpini is a composer whose music has been described as “focused intently on the subtle sounds that fall between the cracks” (Ludwig Van Toronto) and “very nuanced, rustling and whispering” (Neomemoire). Informed by the ephemerality and spontaneity of natural sonic environments, her work explores gradual unfolding through time, found objects, sonic spatialization, instrumental textures and liminal spaces. Her music develops through collaborative creative processes with pieces crafted for specific spaces and performers. 

Christina has been commissioned by Esprit Orchestra, Array Ensemble, Continuum Contemporary Music, Caution Tape Music Collective, and Duo AIRS with performances in Toronto, Montréal, Ottawa, Vancouver, Edmonton, New York and throughout the U.S. east coast. She has collaborated with artists including Jumblies Theatre, Echéa Quartet, guitarist Rob MacDonald and Ensemble Bakarlari, among others. Her work has been featured by organizations including the Banff Centre for Arts and Creativity, Soundstreams and The Music Gallery, and supported by the Canada Council for the Arts, Ontario Arts Council, and Social Sciences and Humanities Research Council.

flora (2022)

christina volpini

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