Watch the video for "See, my shadow":
https://smarturl.it/4mdd2x
www.keeavil.com

Constellation is honoured to welcome Kee Avil to the roster.
Her first and phenomenal full-length album is coming in spring 2022.
More info coming in January...

"See, my shadow" 
Music by Kee Avil
Drum samples by Eric Chenaux
Produced by Kee Avil and Zachary Scholes
Recorded and mixed by Zachary Scholes at Concrete Sound Studio in Montréal QC
Mastered by Guy Hébert at Concrete Mastering in Montréal QC

MORE INFO

Kee Avil • "See, my shadow"

Artist: Tõnu Naissoo Electric Trio
Title: Different Directions
Label: Frotee
Catalog: CD - FROCD2. LP - FRO011
Year: 2021
Recorded: 2019

Release date: CD (Estonia) 16.08.2021, LP/CD (Worldwide) April 2022

Accompanied by his synthesizers and two of the best Estonian jazz musicians, bassist Mihkel Mälgand and drummer Ahto Abner, Tõnu Naissoo began recording his album “Different Directions” in the autumn of 2019 at the legendary Linnahall studio that he had booked for that purpose several years in advance. The new tracks he composed for the album flow from jazz-rock to smooth jazz, lingering briefly on the frequency of free jazz.
The popular Estonian jazz pianist Tõnu Naissoo was born in Tallinn, Estonia in 1951. His father Uno Naissoo was a renowned composer and an organizer of jazz festivals, who encouraged Tõnu to take an interest in jazz and improvisation. By the age of 15 he had already begun participating in local jazz orchestra. He performed first time with his trio and presented his jazz music compositions at the international Tallinn Jazz Festival of 1967 in Tallinn. The next year he was given an opportunity to record his own album. Since then he has dedicated himself to jazz music and recorded around 30 albums that have been released in Estonia, Japan and Russia.
“Different Directions” feels like Tõnu Naissoo’s ’missing piece’ album from the 1980s. It will be a worthy addition to Tõnu Naissoo’s and Frotee’s discography.

Different Directions

Blue Rider

Tõnu Naissoo Electric Trio - Different Directions LP FRO011 A1 Blue Rider

Pre-order now available directly from Imprec.com

Tony Rolando's debut release Old Cool Echoes is the kind of tape you flip over and play again and again. His second release, an LP for Important titled Breakin' Is A Memory, will be available in early 2022. A CD titled Shared System will follow.

Imagine if you wished away your surroundings and found yourself in a synthetic landscape where the simplest three color pattern animated an entire horizon. If you could suppress your memory enough to experience the new beauty of it, but not so much that you lost the pieces of yourself that make life worth living, this could be your soundtrack.

For more than a decade, Tony Rolando has composed electricity into musical instruments at Make Noise. When he collaborated with Alessandro Cortini in 2019 to create the Strega instrument, the experience rekindled Tony's love of composing and recording music. On "Old Cool Echoes," Tony follows mutating patterns and slow timbral gradients, allowing them to suggest composition as much as he does, occasionally exploring digital media catacombs and dabbling in the microtonal, all with minimal percussion interruption.


Written and Recorded: December 2020 @ Goldenechos Studios
Mixed: April 2021 @ Goldenechos Studios
Mastered: Joshua Eustis
Cover Art: John Brien
All music © suicide sound songs

Tony Rolando - Sunset Pink At Sunrise - from Old Cool Echoes tape

Image is by Renate Bertlmann. Titled 'Revenge Of The Bride', 2010.

Love and Human Remains, 1993, End Credits Track at 1:30:50.

Silk Entry's No Time To Dress Selections

We’ve reached book IV in Rupert Clervaux’s series of “Zibaldone” audio diaries, at which point we find him telling a different kind of story. 

“The first three all had very specific themes, while this one feels a little bit looser and doesn’t have just one thematic thrust,” he tells me, which maybe explains why listening feels a bit like annotating. I’m underlining, emphasizing, drawing arrows from here to there, highlighting symbols and noting motifs, realising, questioning, eureka-ing. An impressionistic meaning’s been encoded in and we’re lucky to be given the space to play that most poetic and boundless of all mental games: narrativization. 

There are no wrong answers, but Rupert offers some clues either way. If there’s any cipher here it’s “something like a meditation on the concept of ‘depth’––in all its connotative forms.” Think below the surface, (the) underground, yawning oceans, being ‘down in the dirt’, soil, roots, rootlessness, pulling at the dregs, collapse, profundity, stable and unstable horizons, distance, perspective, intuition, not to mention relative opposites: to be shallow, to be above, to be beyond. 

It’s got me thinking of Bresson’s “Bring things together that have as yet never been brought together and did not seem predisposed to be so.” His: “Dig deep where you are. Don't slip off elsewhere.” Rupert has realized these—two favourite goals of mine!—here. 

This is music that catches you at your own periphery, gives pause, has you offering a little “huh” to, asking “I wonder why” to. Again, it’s got me musing on another mindworm, this time from New York publisher and multi-sensory reading room Dispersed Holdings: “Feeling-making-knowing feedback loop; cartography of feeling; water as text, read to know the land beneath and around it, and body as reader.” 

Is it ok to offer up these other contexts out of context? I think so, because Zibaldone IV articulates a similarly swirly tone. Like, we’ve got Rebecca Solnit talking through Kropotkin’s “Mutual Aid” and later calling out to Michael Ruppert a ways away, and “Easy Rider” is playing in the wings. We’ve got Susan Sontag magically contextualizing Mariah Carey with poet Thylias Moss triangulating in order to sketch out (Rupert again) “something a little more interesting than wilful eclecticism or that laboured and patronising kind of pop-savvy.” 

Are we following? Whether yes or no Vanessa Bedoret follows on with a performance of a performance of Moss’s 'Water Road’: to be once or twice removed, via strange transitions, purposeful confusions, and, suddenly, seagulls. We’re on a boat with Ingeborg Bachmann—and how I wish I could actually be! But maybe thanks to this music I can as literature, films, friends, lethargy, coincidences, little mental links, eternal wormholes, lingering notions come together to imagine something better. 

Text by Natalia Panzer 
npanzer.com 

Artwork by Coline Cornélis 

Music by Rupert Clervaux 

with 
Vanessa Bedoret: voice and violin on Thylias Moss #2 
Eben Bull: trumpet and electronics on Mutual Aid and Departure from England 
Isis O’Regan; voice on Departure from England 
Nick Taylor: electronics on Chthonic ’97 
Ben Vince: saxophone and electronics on Chatsworth ’17 

Artwork by Coline Cornélis 

Warm thanks to James Marrs, as always, and Natalia Panzer 

Vanessa recreates and reads an excerpt from ‘Water Road’ by Thylias Moss. Isis reads ‘Departure from England’ by Ingeborg Bachmann (translated by Peter Filkins). This record is dedicated to both poets––with great respect and deep admiration.

04. Does Pop Culture Interest You?

Tony Rolando's debut "Breakin' Is A Memory" could be your soundtrack. This worldbuilding album of electronic music leaves room for the listener to make big personal connections through subtly complex music resembling a sonic mobile which, as it spins, reveals new forms and colors.  

 This is a collection of very human music with a deceptive simplicity and relaxed intensity. The listener gets the feeling that only the instrument designer could play with such flexible expression, unencumbered by the electronic element. These is cleverly assembled music that you want to flip over and play again, like Rolando's recent cassette on Imprec's Cassauna label.

As with all Imprec vinyl releases, great care has been taken to ensure that this is a high quality pressing with low noise floor and loads of sonic detail.   

On "Breakin' is a Memory" Tony Rolando invites the listener on tiny adventures questing insignificant treasures. Minimal percussion only suggests rhythm, allowing your mind to wander the crystalline lattices Tony weaves from handfuls of simple arpeggios. Soft analog bass frequencies make your travels more comfortable and the Strega instrument, a recurring recognizable character, is there to lead when you are too lost. The pace of "Breakin' is a Memory" oscillates from restless roadway motion to meditative exploration. The record closes with a celebratory decimation of the graphic memories of these tiny adventures. Play it again to rekindle them.

For more than a decade, Tony Rolando has composed electricity into musical instruments at Make Noise. When he collaborated with Alessandro Cortini in 2019 to create the Strega instrument, the experience rekindled Tony's love of composing and recording music. In 2021 he released "Old Cool Echoes" with IMPORTANT Records/ Cassauna. A third release of music composed entirely for the Shared System instrument he designed will follow later this year. 


RIYL: Early OPN, Alessandro Cortini, Caterina Barbieri, Tangerine Dream

Tony Rolando - Running Toward An Edge from Breakin' Is A Memory - LP - Available Now

BSLP004 - Metra.Vestlud 'Coalyqsta' LP - OUT OCT. 12

Order: https://bambooshows.bandcamp.com/album/coalyqsta

Have you ever wondered about liquid crystals’ consciousness? We bet you haven’t. Then, are you familiar with the concept of panpsychism, the view that all things have a mind or a mind-like quality? Well, you should be pretty curious about it now, and Bamboo Shows may have some of the answers!

Introducing Metra.Vestlud on the label via his ‘Coalyqsta’ LP, Bamboo Shows is happy to provide you with a vivid sensory experience of other forms of sensibility which are not accessible but understandable for humans.
Pursuing the intriguing aesthetic brought to light through its Vapordub compilation earlier this year, the French imprint is now exploring deeper under the iceberg of contemporary psychedelic music. A ten-track generous blend of 80s-90s mellow new age and crystalline HD sound-design, in the true spirit of the eco-futurism vibe.

Fall shall sound smoother from October 12th with the seventh Bamboo Shows’ release and this crystalline cassette in limited edition, wonderfully illustrated by the underwater, aquatic art of Ida Lissner.

Release Infos:
Order: https://bambooshows.bandcamp.com/album/coalyqsta
Catalog Number: BSLP004
Date of release: Thursday, October 12, 2022
Genres: Psychedelic, Ambient, New Age, Noise, Sound-Design, Fourth-world, Experimental
Limited-edition of 75x C-40 crystalline cassette, including download code.
Public price: 10 € + shipping.

Credits:
Music: Artem Dultsev
Artwork: Ida Lissner
Mastering: Danila Kraev
Design: Loïs Markarian

Order on Bandcamp

Metra.Vestlud - 02. Dotekayu Do The Point Of Feeeling [BSLP004]

Beauty and Brutality

This VA seeks to unveil the immaculate metric, the perfect alchemy of harshness and gentleness, of grace entwined with violence. For beauty and brutality arise at the very conception of narrative: twin, complementary forces of life that awaken novelty, the eternal cosmic dance of creation and destruction.

The music unfolds as testimony: bass lines that strike with raw force, melodies that embrace with tenderness. Each track reminds us that joy and sorrow are carried in the same breath, that collapse and renewal, despair and devotion, walk hand in hand.

The artists offer fragments of their journeys: trials endured, spirits broken and restored, their commitment renewed in sound. This is not only music but witness, a reminder that to love the world as it is, in its wounds and wonders, is the hardest vow.

Beauty and brutality are not enemies, but mirrors, reflecting us back to ourselves, guiding us toward wholeness and awakening.

Let this compilation speak where words fall short: of darkness and light, of heaviness and grace, of the paradox at the heart of existence. A sonic invocation to face the abyss, and to love it anyway.

Compiled by Razael

Artwork - Sacred Symmetry Design

Mastering -

All tracks mastered by Biolab Studio, except -

Track 16 - D.O.C

Track 22 - XianZai


08.Dattatreya meets Casual Frequencies - Holey Mountain(200bpm)

Going Back

Mary Anne Hobbs asked me to create a mix for her program on BBC6 while she was sitting in for Gilles Peterson.
I'm so grateful to her for supporting my music so far with enthusiasm and generosity, giving the fact she's an amazing DJ, music fan and attentive listener.

The track list includes tracks from my last solo album 'ORE'
1- Tribute to Raymond Scott
2- Vano
3- Hi-Jacked Drone (by Machinefabriek and Soccercommittee - Andrea Belfi's remix)
4- Ton (from my last solo record 'ORE')
5- 'East Timor' by Robert Wyatt, played by Hobocombo
6- Nautikon