Name: LYL Radio: Tanzen und Denken 6 by Rupert Clervaux
Duration: 1 h
Description: https://lyl.live/episode/tanzen-und-denken-1

evocative at the same time as powerful mix. brilliant, loving it

Taken from forthcoming album 'Only Love From Now On' - out 25th Feb via Smalltown Supersound. 
Pre-order here: 
https://carmenvillain.bandcamp.com/album/only-love-from-now-on

Written and produced by Carmen Villain.
Mastered by Beau Thomas.

Subtle Bodies

distortions, inversions of all this chamber made music to replace nightlong shakings between white or red horrors, fermented words; an imperfection being committed, beneath helpless intoxication, searching for a safe side of distance, libera, dreadful mourning. a spark of hope to all, bearing in mind a massive silence to be stopped by cheering from all around. 

when russia invaded ukraine it altered everything. writing music in these troubled days, during these historical events has become more sublimated than it has ever been; habitual leisure has been replaced by volunteering, the territorial defense of hometown, or the front line in the army. despite everything, music remains a significant part of our lives and continues to be the voice of history, communication, time, and memory. 

all revenues go to the ukrainian charities and defense forces.

cover designed by ratx.cc 
mastered by all options

dj snork - 6aron 247

f ch

Extract from 'Image Langage' (SP140)
Out June, 24th 2022 on 2xLPs, CD, digital download.

Order: https://feliciaatkinson.bandcamp.com/album/image-langage

—
Opening the window, I look at the light, it connects me to something more vast.

Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when you leave the house, and vice-versa. Each threatens—or is it offers, kindly, even promises?—to dissolve the other. Recognizing the normalization of home studios these days, she revisited twentieth-century women artists who variously chose, and were chosen by, their homes as a place to work: the desert retreats of Agnes Martin and Georgia O’Keefe, the life and death of Sylvia Plath. Building a record is like building a house: a structure in which one can encounter oneself, each room a song with its own function in the project of everyday life.

At times listening to Image Language is immediate, something like visiting a house by the sea, sharing the same ground, being invited to witness Atkinson’s acts of seeing, hearing, and reading in a sonic double of the places they occurred. In an aching moment of clarity in “The Lake is Speaking,” a pair of voices emerge out of the primordial murk of piano and organ, accompanying the listener to the edge of a reflective pool that makes a mirror of the cosmos. “I open my feet to fresh dirt, and the wet grass. I hold your hand. You hold his hand. In the distance without any distance. The comets, the stars.” At other times, listening to Image Language is more like being in a theater, the composition a tangle of flickering forms and media that illuminate as best they can the darkness from which we experience it. On “Pieces of Sylvia,” a noirish orchestra drones and clatters beneath and around a montage of vocal images, stretching the listener across time, space, subjectivities. Atkinson says that Image Language is like the fake title of a fake Godard film. There is indeed something cinematic about Atkinson’s work—not cinematic in the sense that it sounds like the score for someone else’s film, but cinematic in the sense that it produces its own images and language and narratives, a kind of deliberate, dimensional world-building in sound.

Image Language is built from instruments recorded as if field recordings, sound-images of instruments conjured from a keyboard, instruments Atkinson treats like characters, what she calls “a fantasy of an orchestra that doesn’t exist.” And then, speaking of Godard, there are the monologues, operating as both experimental-cinematic device and a literary style of narration. Voice can be a writerly anchor or a wisp of a textural presence. Atkinson’s capacious and slippery speech plunges into and out of the compositional depths, shifting shapes, channeling the voices of any number of beings, subjectivities, or elements of her surroundings—not unlike her midi keyboard, able to speak as a vast array of instruments.

Image Language is an environmental record, in the vastest sense of the world. It is about getting lost in places imagined and real; it registers, too, the dizzying feeling of moving between such sites. It puts forth a concept of self that is hopelessly entangled with the rest of the world, born of both the ache of distance and the warmth of proximity.

— Thea Ballard, 02.2022

Image Language

Becoming a stone

FELICIA ATKINSON 'Becoming a Stone' (SP140)

Detox № 6 - Piper Spray & Lena Tsibizova

Eyot Tapes – Paradise Lost
(Debut release)

Artist: Eyot Tapes @eyottapes
Title: Paradise Lost
Format: C45 cassette / 7" single, DL
Catalog: Muscut 26C
Release date: January 6, 2023
File under: Electronica, Experimental

Inspired by films he grew up watching and a passion for vintage recording equipment, Eyot Tapes has crafted ten pieces of music recording only to cassettes, using cassette loops, spring reverbs, tape delays and a modular synthesiser. Weaving in and out of different moods, with ‘Edgar Rice Burroughs’ stories never far from his mind, he takes you on a trip through an off world, tropical fantasy.


Tracklist
1. Open The Book
2. Jungle Tapes
3. Rock Shelter
4. Mama Gone
5. Grog
6. Geothermal
7. Path of Snakes
8. Ajor
9. Lagoon 
10. Volcano S 
11. Labyrinth (tape only)

All tracks written, mixed and recorded throughout the Summer of 2022 by Alexander Green
Mastering by Gennadiy Boychenko
Artwork by (DN) daynight.info
Muscut, 2023

Paradise Lost

Ajor

Buy / Pre-order 7"

Eyot Tapes - Ajor (Muscut 26, 2023)

Beau Wanzer - Warm Waterboarding (iDEAL205 12"EP)

Ghostride The Drift - B1

"a distinct new shade of modern, adult, atmospheric emotion and feminine pressure"

Answering a need for sincerity and intimacy in overwhelming times, Berlin's @perila makes her striking solo debut with a blush-worthy suite of sonic erotica, ASMR and sensuous ambient environments...

Tracklist:

A1. Natʼs Poems (with Nat Marcus) 
A2. Mouth Full Of Tahini

B1. Sweat (with Inger Wold Lund) 
B2. XY Object Of Desire 
B3. Message From Another Table

Digital Bonus: Wet

Edition of 300 copies.
Mastered by Lawrence English at Negative Space, cut at D&M Berlin.
Release Date: 18/07/2019

Perila - Irer Dent (sferic004) [Preview]

Entten presents Nits de la Tramuntana episode 5 on @radio-relativa.
(www.radiorelativa.eu)

Guest: @perila

1rst part (0-30'): Perila
2nd part (30-60'): entten

Perila shows on Berlin Community Radio: www.mixcloud.com/BCR_Radio/playlists/perila/

Nits de la Tramuntana #5 w/ Perila (11/11/2019)

https://lyl.live/episode/tanzen-und-denken-1

LYL Radio: Tanzen und Denken 6

Rupert Clervaux

Recent comments

Human Makes You Sick

Guille Ito

DJ Voices

DJ Voices

Related tracks