A cover song.
Family Session (with my daughter & my wife)
With respect to John Denver "Take Me Home, Country Roads".
Thanks for listening.
I hope you like this.

Take Me Home, Country Roads (Family Session) [John Denver cover]

I am delighted to have a opportunity to Collaborate with Liam from Default Sensor and Finn Eces on this track. Liam as well as playing bass on the track has been a constant source of Inspiration and Friendship since last March when we all got Lockdown and began finding other ways of communicating with each other. Liam is an amazing songwriter and musician please you can listen to more of his music @Default_Sensor and Finn as well as having an great voice is also a great songwriter and musician hear more of his music @Finn_Eces i want to thank both Liam and Finn for their huge contribution to The Evolution of Men. Finn Sang all backing vocals on the song and gave great advice on Mixing. Many thanks Guys.

the song itself is about Our Evolution as Mankind we are evolving in one way but are we being blind by Financial considerations, are we forgetting about the Planet that we are borrowing from our children and future generations Evolution should be the solution to our continuing Pollution but can we see this....Hope you enjoy the song anyway ..

Evolution Of Man  (Collaboration with Default Sensor and Finn Eces )

Lyrics:

Ascending in unison.
Suspended from above.
A wrinkle in time. 
It’s the final design. 
They synchronize the love.  
Are we still human?
Zeros and ones.      


I see it all the time, no I don’t want to think about it.
Hear it all the time, there’s no need to laugh about it.
Life in the hive, on the ion rise, it’s a frivolous ride.     
See the sun shine visions to me.
Eye in mind, from the soul divine. 
Where we all reside. 
Up in the great divide. 
Diminished light. 
Where we’re hypnotized. 
So to the dark we’re tantalized.

ARTISTS: Maxwell Warren McKibban, Victor D. Alba, Rahzhi Phi KB, Ginger Rust, Spencer Labelle, Omar Morales
WRITERS: Maxwell Warren McKibban, Victor D. Alba, Rahzhi Phi KB, Brayan Mendez, Omar Morales
PUBLISHING COMPANY: Ohmni Publishing
PRODUCED BY: Maxwell Warren McKibban
RECORDED BY: Maxwell Warren McKibban, Victor D. Alba, Rahzhi Phi KB, Gingerr Rust, Flow State Studios, Los Angeles, CA

INSTRUMENTATION BY:
Lead Vocals- Gingerr Rust                                                                                                        
     Backup Vocals- Maxwell Warren McKibban                                                                                   
     Auxiliary Vocals- Spencer Labelle, Omar Morales                                                                 
     Solo Guitar- Maxwell Warren McKibban                                                                               
     Lead Guitar- Maxwell Warren McKibban 
Rhythm Guitar– Maxwell Warren McKibban
Bass Guitar- Maxwell Warren McKibban
Drums- Maxwell Warren McKibban
Midi Orchestration– Maxwell Warren McKibban                                                             
Keyboard- Maxwell Warren McKibban 
Synthesizers- Maxwell Warren McKibban, Victor D. Alba                                                      
          Circuit Bent Baby Head- Maxwell Warren McKibban                                                         
Mouth Harp- Maxwell Warren McKibban                                                                                      
           Circuit Bent Drum Machine- Maxwell Warren McKibban


SOUND DESIGN: Maxwell Warren McKibban, Victor D. Alba 
MIXED BY: Maxwell Warren McKibban Flow State Studios, Los Angeles, CA
MASTERED BY: Maxwell Warren McKibban Flow State Studios, Los Angeles, CA

SAMPLES:
“Best of Full Metal Jacket- Boot Camp/Basic Training”, bigdaddy4212, Youtube.
“Speaking in Tongues Compiliation”, Truth In Genesis, Youtube.
“Timothy Leary- Turn on Tune in Drop out- Part 1”, HeXeN, Youtube.
“1_01: The Sweedish Rhapsody”, TheConetArchive, Disk 1, Track 1, Youtube.
“Strange Behavior From Encrypted Military RTTY Signal at 9.083”, Kurt Rowlett, Youtube.

COVER BY:
Maxwell McKibban
PHOTO BY:
Jackson Zhao

Zeros and Ones

iTunes

Wherever the soul goes

Song made in 2012.
Remix January 2021.

Music Studio 2 (19 tracks)

Native MS2 Instruments
Forum Xewton instruments
Digital D1
Synthmaster One
Synth One (Audiokit)

After two years working with my software I was able to make a composition like this one that I present today in 2012. It was never released on Soundcloud, so several original MS2 instruments have been replaced using some of the technology that I use today.

Many comments that people who listen to my music leave me say that I have a great influence from Vangelis ... and it is true. In fact, this theme is inspired after seeing again, I don't know how many times, Blade Runner and it is possibly where that influence is more clearly noticed.

I dedicate the topic to May Masuya, who was kind enough to say goodbye to me when I left this platform (SC) almost two months ago, for the delicacy of her music and for the collection of positive comments that I will always keep.

The time travel is over. Soon new Tracks.

Happy New Year to everyone.

Wherever the soul goes

everybody thought they had it in the bag
thought they had a chicken but they just had a chegg
everyone was standing 'round lookin' real smart
chooky looked right at them 'n said just have a heart

wasn't in the bag at all

everybody thought they had it in the bag
thought they had a chicken but they just had a chegg
tried to catch that chicky but she ran in circles
faster than a speeding locomotive, i'm told

everybody thought they was gonna get an easy meal
but chicken and his friends they let him have it all
by the time they were done there was nothing but a pile of meat and bones
or so they say

https://www.youtube.com/watch?v=jY4Q14X0GCs

chook's revenge

What's Wrong? (2 Rightly/Aine Parkes)

What a joy it is to live in this modern world where one can reach part way around the globe to collaborate with a fellow musician whose work you admire. I've admired Dag Olav Hermundstad's music from the first time I listened. His music often calls one of my favorite albums to mind "Nilsson Sings Newman". The same sharp songwriting and wit combined with an unfailing pop sense. Although in Dag's case he contributes both. I'm sure most of you are well aware of Dag's music but let me recommend this personal favorite https://soundcloud.com/dag-olav-hermundstad/15-minutes-would-also-do

I Will Follow You (featuring Dag Olav Hermundstad)

Poker Face

Seeing as light is fading from the centre of your eyes
And the blog that I been posting 
Don’t change your face design
I find I got no knowledge of the ways inside your mind
Any feelings you have gathered are hidden by disguise

How will I know you
How do I get there
What will I feel inside
Will I be nowhere 
I’ve never seen or felt some kind of sign
But I’m wishin’ for that magic kind of ride
How will I know you
How do I get there
What will I feel inside
Will you be elsewhere
I’m seeing but I may as well be blind
Your poker face is killing me inside

I’m so ever hopeful I got sensors in my teeth
If you favour me with meeting eyes I’m flushing red as beet
And dissecting every phrase of yours and liberating nothing
I got to get to you or else I’ll shrink away to stuffing

POKER FACE

A memory of Autumn, and more innocent times

Seasons

Autumn

music . Tot. @user-288513022 & @tot-beat
instrumental is here: https://soundcloud.com/user-288513022/sweet-volt
lyrics, vocals & their mix, cover design . Mariam Zohra D : Myrh

WORKIN OVERTIME
sittin’ on a barrel that was hard to find
and i’d been working overtime

sitting on a barrel - i see people holding hands…

hard to find… it was hard to find
- holding holding holding
it was hard to…

oh, hard to find - i miss you

all i want - working - i miss you so
i miss you so

sittin on a barrel that was hard to find
and i’d been working overtime
working working working

tapping tip tap your wheels and barrels
i miss you
working
i miss you
tip tapping your wheels
tip tap tip tapping on your wheels and barrels
on your wheels and barrels


tip tapping tip tapping
hey! hey!
tap in! tap in! i miss you i miss you i miss you

Workin Overtime | Tot. & Myrh

I had the great privilege of working with and producing another Carlos Vivanco track. His musical prowess is astonishing to me. @carlosvivanco-1

Painting: The Sea (1887) by Jan Toorop. Original from The Rijksmuseum. Digitally enhanced.

chook's revenge

Cw