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To be a successful house music producer, you have to make tracks that DJs want to play. And, to be a good DJ, you have to play music that inspires people to move their asses. Simple in theory, but not in execution. Wally Callerio’s inherent ability to do both — and to do both well — has served him justly over the last two decades, establishing him as an artist with talent, vision and staying power in a genre that has navigated tumultuous highs, lows and growing pains in between.   

With over 30 years of experience behind the decks and in the studio under his belt, Callerio has put out a remarkable 250 original tracks and remixes on over 50 labels worldwide. Most recently, his music has been released on such respected heavyweights as Defected, Cajual, Farris Wheel Recordings, Grin Music and Sampled Recordings. In addition, Callerio has earned accolades under his alter ego moniker Poncho Warwick, consistently ranking as a top annual pick for best chillout artist on Beatport.  

In his role as Music Supervisor for “Unconscious Therapy,” a documentary released in April 2016 that chronicles the rise and evolution of house music via the lens of Frankie Knuckles and his fellow innovators, Callerio took on the crucial responsibility of​ ​ licensing and curating the film’s soundtrack.​ ​ He is also a featured artist in the documentary, alongside Mark Farina, Derrick Carter, Masters at Work and a bevy of other house icons.   

Possessed of an entrepreneurial spirit and willingness to embrace change, Callerio has earned and enjoyed enduring success as both an artist and label-owner. Los Angeles-based Dufflebag Recordings, which Callerio launched in 1998, has been churning out deep and funky grooves suffused with soulful vocals since its inception, and the label boasts an impressive roster of artists that includes Demarkus Lewis, Manjane, Alysha Kid, Corduroy Mavericks, JT Donaldson, Natural Rhythm, Ryan Truman and R&B legend Jon B. under his moniker Jah Ques.   

For Callerio, house music still holds just as much untapped potential as it did when he first cut his teeth on the genre in the early nineties — and he’s never been one to rest on his laurels when his passion is at stake and opportunity abounds. “I don’t try to predict the future of house, I try to give it my imagination and push with my music,” Callerio says. “I try to inspire people into making and playing the right stuff.” That drive and openness have kept Callerio prolific, relevant and on top of his game — and better still, are a promise of many good things yet to come.   

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Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

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