VINYL_HOUSE_TRANCE_BREAKS_ ELECTRO

I started DJing with my best friends in a construction trailer when I was 16. It began with playing around on a serato controller. Quickly we got hooked and bought two reloop CDJs. Through an local collective named Effect-Crew (big shoutout!) back in the days we stepped into nightlife, supporting their partys, getting first experiences with vinyl-DJing. We good even more hooked and started to collect records, bought turnies and joined more partys. Robert Johnson probably had the most impact in that time on us. 

During the past 15 years I collected records, played on smaller events and at home with friends. That is where I see myself mostly as a „bedroom-DJ“

2 b continued

''Imagination'' is out now! 🙏🏻
fk.fanlink.to/imagination

There is no doubt, artists generate – especially in our scene - hypes occur again and again. Be it a good track or an unforgettable DJ-Set. However, these come and go as quickly as they have emerged. And there is also something happening in this scene, which is quite apparent: It happens relatively fast. In Germany, the motherland of the electronic music, an artist has seldom managed to infringe at the same time upon such widely spread generations and masses. It is not by coincidence, that ideas like „German Techno Master“ (DJ Mag) or countless first grade placings originate in the process of the scene votings. Meanwhile one can also hardly keep up counting his fanclubs, who welcome him with frenetic exultation spreading across the entire republic and far beyond.

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