Ecovillage - When I Was A Boy ft. X.Y.R.

Undercurrents

For A While

A retrospective of artworks by Danish artist øjeRum (Paw Grabowski) exploring the complex relationship of humans and plants. Extending far back into our joint evolutionary history our deep relationship with, and understanding of, plants has enabled us to harness their nutritional, medicinal, and aesthetic benefits. Plants are central to our well-being, not only as food, but also as key components of our cultures, religions, and medicines. Through a unique hand collage technique, this series delves deeply into man’s connection to the natural world. It is a surrealist herbarium that intertwines bodies, minds and nervous systems through the vastness of plants, vines and flowers species. The major global challenges we face also impact our relationship with plants; we must protect their biodiversity, which holds vital information and solutions that can help us to cope with these problems. Plants are the life line that sustain humans and animals, and this book is an homage to our shared history.
Hardcover book, thread-sewn binding. 176mmm x 254mm. 144 pages on Munken Polar 150 g/m2 paper. Scratch free mat laminate cover. Includes CD in paper sleeve. 2 Tracks. running time 60min. Limited Edition of 500 copies. ISBN: 9782957938209

Stigma

øjeRum - Stigma I - Excerpt

Android of Absence

Falling Through Graves And Houses

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In the Lens, Solo Andata’s fourth full-length album, was born from recordings found in the interstices of decades-old hard drives, lost email threads from disused accounts, and forgotten samples recorded on cassette dictaphones. These fragments were combined and re-worked with newer elements to create an album very much in the spirit of the band’s debut Fyris Swan (Hefty Records, 2006), an album touched by both folk and jazz and swathed in a dusty, narcotic haze.
Solo Andata’s Kane Ikin and Paul Fiocco have always pushed aside the digital studio in favor of a more haphazard and hands-on workshop vibe to their productions. They prefer near-broken acoustic instruments, cheap microphones and, as can be witnessed by their live performances, tend to turn anything they can get their hands on into a beautiful sound-making object.

While there is a raw and guileless nature to the duo’s sound it is precisely this that makes their music so powerful amidst the over-produced cliches of much modern music. The beauty of their work is how simple instruments and objects can be physically manipulated into creating such rich, layered sound. Dark, swaying, almost-looped melodies from piano, woodwinds and horns wrap themselves in smoky obscurity around remnants of percussion and warm beds of noise and the world around us.

In The Lens is very much a late-night record, reflected in the rain-soaked cover imagery, dripping with half-forgotten memories. Jittery yet calming, rhythmic, yet unhurried, it leads you down its dark corridors to a soft resting space. Ikin and Fiocco have created a new story around the chemistry of their creations that were taking place during the early days of their musical explorations.

In The Lens

Separate Lovers

this is a very similar patch as Untitled VI, except that now there are three voices instead of one: SMR, piston honda (which is also in the rosie efx loop from time to time, which is a bad habit/crutch that i lean on way too often) and e350. SMR is droning and fluttering into clouds, while the piston honda and e350 are both hitting an optomix before going into rings for some reverb. there is also a field recording churning in the background inside the disting, which i am randomly and manually controlling the playback speed on. 

i could listen to this for hours (and did)

Untitled VII

This year London has experienced several weekends of the hottest summer and that moved the Australian sound artist Kate Carr, whose practice is centred on articulating the relationship between people and place through sound, to point her microphone at the city. This volume is based on her recordings during a particularly hot long weekend in a corner of very busy intersection in London, where she resides now. In Heatwave, Carr is interested in both the serious and also the more prosaic aspects of soundscapes related to climate change. She investigated the throbbing summer music from her neighborhood, people’s efforts to keep cool, and the uneasiness which accompanies these everyday activities in this moment of environmental crisis. The way these pieces construct and compensate, with all the tangible sounds that fold into larger moods via multiple instruments, exemplifies her acumen in creating sonic stories that reflect our multi-layered experience of reality.

Humidity - from Heatwave out now via Hasana Editions

Terrace dweller

_ph011 Jordan Christoff - Плаващ

Label focusing on Ambient, Experimental and Industrial Soundscapes 

Also offering Art Books & Occult Publications from select independent publishers 

http://www.cycliclaw.com

Imprints; 
Cavsas https://cavsas.bandcamp.com
Aesthetical https://aesthetical.bandcamp.com

øjeRum - Stigma I - Excerpt

Cyclic Law

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