springbreak v49

From S T A L L O : https://goto8o.bandcamp.com/album/s-t-a-l-l-o-data097

The Baldi Stunk

exiler

Puff and Pass

IF ya like the track consider following, liking, reposting!

Harmonically Layered Hash to please the ears. Basically experimenting with hash in new ways. And relying solely on hash to guide the track beginning to end. Definitely learned some new tricks from this track, and am better at layering those bits of audio as a result.

Hash = little bits of audio, often formant-y. Not acid ;) It's kind of like acid though, the different textures makes it feel different and similar.

A different mix (improved basically) will be included instead on the second release, which will just be a collection of tracks free to DL (pay for what you think it's worth) on Bandcamp (will happen after main album comes out).

So basically there will be 2 releases. A main album, and a compilation type deal. Both will be full length, by my estimates. I've been saying and saying that a release will come out since January, but hopefully when 2 full albums come out it'll make sense why it's taking so long.



Fractal Hash

Cymply The Best 93-01

Cut the Midrange, Drop the Bass

Dissociation | Every action is driven by overwhelming subconscious mechanisms | Every track is the scan of a specific and microscopic emotional frame | Temporal coordinates of the analyzed mnemonic partition: [ W S 0 1 1 7 _ A ]


Stream / purchase: https://hide.bandcamp.com/album/w-s-0-1-1-7-a

Produced by Marco Zanella / Ankubu during 2018
Mixed by Marco Verardo [ @yourohmstudio ] 
Mastered by Tommers [ @yourohmstudio ] 
Artwork and design by @alexortiga (SY/IN)

Mnemonic State

http://shop.raster-noton.net/?pid=269

»the title ›and IV (inertia)‹ refers to a fictionalized successor of the baksan neutrino telescope in the caucasus region. at first, it has been an idea for a novel, based on the consideration that it is impossible to deal with the topic of a ›lebensraum‹ like berlin without being hit by stylization – so I had to experiment with strategies of fiction.«

with »and IV (inertia)«, grischa lichtenberger presents his first full length record on raster-noton after his participation in the unun-series. for his musical production, he uses field recordings of his environment which are manipulated and broken down to their bare nakedness until only fragments are left. apart from analogue sources, he also uses digital sound data which is likewise turned and twisted until the boundaries between analogue and digital are blurred.

the arrangement of these atomic elements results in a rather rough and brute, machine-like cut-up sound with an outstanding dynamic – almost none. it seems like that the 21 tracks only consist of a minimal set of elements, but which are rearranged in a virtuous manner and with a high degree of variation. broken beats and dribbling basses allude to downbeat tunes, let one stumble because of their arhythmicity, to eventually take up the underlying groove again. equally, there are fierce and harsh technoid elements. and towards the second part of the record, there is also room for new developments where more introverted and airy songs take over.

lichtenberger’s musical production on »and IV (inertia)« goes in line with his general artistic work, which also comprises other artistic genres such as installations and paintings. there is a mental attitude behind all this, and while the music sounds abstract, one may still identify his personal note. In this way, »and IV (inertia)« is the extension of a concept he already started with his »~treibgut« ep (r-n112), »to define aspects of legitimation for an artistic work in engagement with the concreteness of one’s living situation.«

grischa lichtenberger. 1110_01_lv_1b. taken from grischa lichtenberger. and IV (inertia)

Dongs

Part two of three - collecting almost forgotten production starting late 2015 mixed with a few present sketches.

TEN TIMES TEN (⅔)

Track 00 - [Intro] shouts and sends from Flufflord
www.instagram.com/flufflord/

Track 07 - Shouts and advice from UZ Criminel 8.0.3, Leipzig.
www.youtube.com/watch?v=hdplqTEmscE

Art Direction by Luka Lavrenci.
www.instagram.com/luka.lavrenci/

All tracks written, composed and recorded by Alza54 & Glasswayss in Leipzig, Berlin and Kelbra between 2016 and early 2020.

Ten Times Ten (⅔)

[Ampakine93] Pressur

Nouvelle Machine

hello, my name is cylob, and i make electronic music

Cut the Midrange, Drop the Bass

cylob

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