Colder than the moon.

☁️ chilltulpa@gmail.com ☁️

Electronic Music Producer, Dj, Playlister 

Contact: vascodegamay@pm.me

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Introducing Hybrid Flight, a DJ and producer project dedicated to creating emotionally charged dancefloor atmospheres. The aim of him is to transport dancers to a heightened state of emotion through carefully crafted mixes that focus on mood rather than genre.
As a DJ, Hybrid Flight's sets are well-crafted, and they skillfully mix using three decks to create a dynamic and engaging experience for listeners. With a focus on atmosphere and mood, his sets are designed to take dancers on a journey that leaves them feeling energized and emotionally charged.
Hybrid Flight's signature claim is "Emotional Dancefloor Atmosphere," and this encapsulates the project's ethos perfectly. The project is all about creating an emotional connection with the audience, and through their music, Hybrid Flight invites dancers to immerse themselves fully in the moment.
So, lace up your dancing shoes, Hybrid Flight is ready for take off!

A self-taught pianist from the age of 7, Dustin O’Halloran’s personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin’s quiet rise to notoriety and his continued ascension.



Having gained serious recognition with his stunning score to Sofia Coppola’s 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen’s An American Affair (2010) and Drake Doremus’ Sundance-winning Like Crazy (2011),



Dustin has quickly become one of the most recogniseable names in the broad-reaching “post-classical” field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat’s dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O’Halloran’s musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC’s ACME Quartet, Stars Of The Lid’s Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: “it made me realize how important it is to find players that truly understand what you do and to create a language with them,” writes Dustin.



Dustin’s rock background - primarily with Bella Union’s “dream-pop” outfit Devics – has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part,  Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin’s work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked - Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin’s synaesthesia, a condition he first noticed around the time of his performance at New York’s Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin’s expressiveness is beyond compare.



Lumiere will be Dustin’s third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920’s Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin’s ambitions and designs developed. The path, of course, would eventually lead him to Lumiere’s majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work’s primary timbre without losing any of the affection for the instrument that bore his first two records.



A sublime solo live album - entitled Vorleben – will be released by FatCat / 130701 in June.

Compositeur / Arrangeur / Violoniste

contact :  contact@studiombc.fr

Salut, moi c'est Krystin passionné par la musiques depuis toujours.. 

Au sens large et noble du terme... 

Compte pas sur moi 😉.. 

Je ne fais pas dans la critique intellectuelle..
Honnêtement je m'efforcerai de transmettre ma sensibilité musicale.. 

À travers mes tapes et surtout via mon Soundcloud.. 

Merci aux Artistes..

Ce définir en quelques mots j'avoue c'est extrêmement difficile... 

Alors je le fais via  mes sélections 😊. 

En plus de l'invitation au voyager.

Au delà des limites et bien plus encore.

Bienvenu dans la galaxie musicale. 

FFS

LA roots, Austin is home. I run a DJ company, do audio engineering on side, and make electronic music with every extra minute of my free time.

Toured Cali, AZ, and TX. Teamed up with Bassrush so a few seasons playing at Exchange, LA

I'd like to think I'm "experimental" with my sound but in reality I'm just 
playing with sounds and piecing it together.

My toxic trait is that I hate doing this alone. I love to collab, so hit me up and let's make something cool.

Cyriouch is following