nice om te horen hoe je weer die oude techno sfeer hebt weten te vangen in jouw eigen sound van nu


F-on @ the Sheep Room [the Healing Forces] -19/05/2022-

F-on @ The Healing Forces (19/05/2022)

In our latest installment of the "Delayed with..." podcast series, we proudly feature the exceptional talents of Samuel Van Dijk, a renowned Dutch electronic music artist celebrated under various monikers such as VC-118A, Mohlao, and Multicast Dynamics. Van Dijk's musical journey has been nothing short of remarkable, earning him immense respect and admiration not only from fans but also from fellow producers within the electronic music scene. His diverse creative palette knows no bounds, effortlessly innovating across genres, whether it's the techno-infused electro of VC-118A, the atmospheric, dub techno landscapes of Mohlao, or the cosmic, isolationist ambient sounds of Multicast Dynamics.

Fresh off the heels of his fifth album, "Waves of Change," recently released on the marvelous Delsin Records, the Dutch maestro treats us to a recording from his August DJ set at Helsinki's Postbar. Clocking in at two hours, VC-118A's set is an unrelenting techno odyssey that propels us on an intergalactic voyage, with the ultimate destination being the far reaches of outer space. Buckle up for a thrilling journey through the shadowy realms of techno as VC-118A steers the ship with unwavering precision and boundless creativity.


https://soundcloud.com/mohlao
https://www.instagram.com/vc118a/
https://chaindata.bandcamp.com

www.itsdelayed.com
www.instagram.com/_____delayed/
www.facebook.com/itsdelayed

Buy album

Delayed with... VC-118A

Actress' highlight reel needs little exposition. Darren J. Cunningham has been a prominent yet inscrutable figure in electronic music since the late 2000s, typically flickering to life from the margins before receding into the shadows. Beloved albums like R.I.P., Karma & Desire and Splazsh may switch up the template, but the Actress hallmarks of haze, murk and showstopping beauty remain.

As you'll see in the interview below, he's a man of few words—that's in character for him. What's characteristic, too, is a taste for surprises. Ahead of the release of tenth studio album Statik on esteemed Norwegian label Smalltown Supersound next month, here's the "Дарен Дж. Каннінгем RA Mix"—a tapestry of 100 percent original and exclusive Actress music you won't find anywhere else. Flowing between pensive, rugged and stargazing moods across an album's worth of unaired tracks, Actress' first time stepping up on the RA Podcast was clearly worth the wait.

@actress1

Read more at https://ra.co/podcast/938

RA podcast

RA.938 Actress

We are honoured to welcome one of the most remarkable minds of modern electronic music... Samuel van Dijk, aka Multicast Dynamics.
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Artist Support:

https://soundcloud.com/multicastdynamics
https://soundcloud.com/mohlao
https://languageofcolours.bandcamp.com/music
https://chaindata.bandcamp.com/
https://www.patreon.com/chaindata
https://www.instagram.com/vc118a/
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Artwork by Clayton Ciolac
https://www.instagram.com/cccccclaytonciolac/

The Observatory - Multicast Dynamics

@forest-drive-west performed on the second day of #Mostra24 at Castell de Montjuïc.

+ + + + + + + + + + + + + + + + + + + + +

Forest Drive West is the alias of producer Joe Baker from Plaistow, East London. His music has created a stir across the UK underground and beyond, with stripped-down, atmospheric and hypnotic techno tracks contrasting with his heavier, jungle-influenced sounds – all with a connecting thread that explores intricate rhythms and inventive percussion.

Since 2016, Forest Drive West has been building a rapidly growing catalogue of releases, receiving critical acclaim for records on labels such as Livity Sound, Ilian Tape and Rupture London. His ‘Jungle Crack' and ‘Set free’ EPs show a stunning command of sound design and complex rhythms, and they remain some of Rupture London's most sought-after releases.

LINKS:
https://www.instagram.com/forestdrivewest/
@forest-drive-west

Forest Drive West @ Mostra 2024 🖤

Interfuse 009 w/ Sphera De Noumenon (01.03.25)

Taken from 'Loradeniz - SUN SHONE' (MFM075)
Buy Vinyl: https://www.musicfrommemory.com/
Buy Digital: https://music-from-memory.bandcamp.com/
© 2025 Music From Memory

B3. Loradeniz - Swimmer

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

A recording from Rhythm Büro's first anniversary event back in 2016. Acronym held an opening slot that night, and we're finally presenting a cut from his set to you.

Acronym - Rhythm Büro Podcast 004

The Invisible College

<b>Sounds produced by the machines of the future, for inhabitants of a cloud society.</b> Cyspe paints electronic, deep atmospheres inspired by nature, cybernetics and architecture. Enveloping the listener in a fabric of sound that emerges out of spatial synthesized geometries, dense field recordings and organic resonance. Vibrations from the spaces in between.
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Cyspe is a part of soundcloud.com/artefakt-official and represented by soundcloud.com/insula-records
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For booking live set: 
cyspe@robinkoek.nl

The Invisible College

Cyspe

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