Music from the future...

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Dean Amo has been crafting his sound for the last two decades, with a unique, hypnotic and elegant approach to Techno music inspired by the some of the pioneers of the genre like Jeff Mills, Oscar Mulero, Carl Craig, Laurent Garnier or James Ruskin.

His surgeon-precise 3 decks mixing skills and his energetic presence while performing has conquered crowds of some prestigious clubs in France, Belgium, Spain, Serbia, Italy, Colombia, Nicaragua in events such as Row 14, Florida 135, Kozzmozz, Kiosk, Nouveau Casino, Klan, Exit festival, Nismonia, Exile boat, Bass Valley, Macarena, Bindy, Itzela… rubbing shoulders with some of the most respected artists of the international scene like Adam Beyer, Alexi Delano, Ben Sims, Chris Liebing, Ken Ishii, Marko Nastic,  Paul Mac, Tiga, Valentino Kanzyani among others.

His work in studio started when he moved to Barcelona releasing on platforms like Audecks, Climax, Collapse, Decoded, Lactik, Gotham Grooves or Exp-Mental, Monark, Modern Minimal records with a powerful crossover from deep & dark grooves to high-octane sounds and frequencies mostly using hardware.

Last but not least, he has a project with his younger brother Eric Fetcher (Pole Group- Children of Tomorrow , Granulart) called « The Obscurs » performing a a unique and spontaneous Techno act using hardware machines alongside a Dj set that absolutely destroy the dancelfoor in the late hours of the night.

Bookings:
Worldwide requests: ben@radiusartists.com  
Italy: erica@oltrebooking.com
Germany/Austria/Switzerland: Andre Quaas, andre.quaas@timesartists.com


Timo Maas is a storyteller. For him, it's never about back-to-back bangers or brainless hits, but 
about crafting, building, teasing and eventually pleasing. From hefty concrete funk to stripped-
back and brain-altering techno via psychedelic synths stronger than any drug, he knows exactly 
what to play and when. He has done so at every major club and festival on the planet from 
Tomorrowland to Kazantip, Creamfields to Coachella, while for 17 years during the golden years 
of Ibiza's Circoloco party at DC10 he was a regular guest, which is a testament to the fact that 
he has always stayed ahead of the times. 
Two-time Grammy Award-nominated Timo has made every shade of electronic music from 
famous remixes of Azzido Da Bass and Depeche Mode, leftfield reworks of Afro-Peruvian group 
Novalima and Indonesian all-female heavy metal band Voice of Baceprot via work with pop 
greats like Paul McCartney, Madonna and Placebo. But his pure love of techno keeps him 
coming back to his most famous sound. It's all united by his ability to craft weighty bass and 
rolling drums that lock you in. To dream up unusual breakdowns, freaky vocal treatments and 
deftly designed details that sound like nothing else. He has released on majors like Warner and 
Virgin and underground staples like Stripped Down Records, Cocoon, Mobilee, Tenampa and 
Last Night On Earth. But whatever he does and wherever he does it, Timo is always 
investigating new musical grounds.

To be a successful house music producer, you have to make tracks that DJs want to play. And, to be a good DJ, you have to play music that inspires people to move their asses. Simple in theory, but not in execution. Wally Callerio’s inherent ability to do both — and to do both well — has served him justly over the last two decades, establishing him as an artist with talent, vision and staying power in a genre that has navigated tumultuous highs, lows and growing pains in between.   

With over 30 years of experience behind the decks and in the studio under his belt, Callerio has put out a remarkable 250 original tracks and remixes on over 50 labels worldwide. Most recently, his music has been released on such respected heavyweights as Defected, Cajual, Farris Wheel Recordings, Grin Music and Sampled Recordings. In addition, Callerio has earned accolades under his alter ego moniker Poncho Warwick, consistently ranking as a top annual pick for best chillout artist on Beatport.  

In his role as Music Supervisor for “Unconscious Therapy,” a documentary released in April 2016 that chronicles the rise and evolution of house music via the lens of Frankie Knuckles and his fellow innovators, Callerio took on the crucial responsibility of​ ​ licensing and curating the film’s soundtrack.​ ​ He is also a featured artist in the documentary, alongside Mark Farina, Derrick Carter, Masters at Work and a bevy of other house icons.   

Possessed of an entrepreneurial spirit and willingness to embrace change, Callerio has earned and enjoyed enduring success as both an artist and label-owner. Los Angeles-based Dufflebag Recordings, which Callerio launched in 1998, has been churning out deep and funky grooves suffused with soulful vocals since its inception, and the label boasts an impressive roster of artists that includes Demarkus Lewis, Manjane, Alysha Kid, Corduroy Mavericks, JT Donaldson, Natural Rhythm, Ryan Truman and R&B legend Jon B. under his moniker Jah Ques.   

For Callerio, house music still holds just as much untapped potential as it did when he first cut his teeth on the genre in the early nineties — and he’s never been one to rest on his laurels when his passion is at stake and opportunity abounds. “I don’t try to predict the future of house, I try to give it my imagination and push with my music,” Callerio says. “I try to inspire people into making and playing the right stuff.” That drive and openness have kept Callerio prolific, relevant and on top of his game — and better still, are a promise of many good things yet to come.   

Electronic Music 
Producing & Mastering.
Lille/Toulouse. 
Ex. Beat Boutik Rec. 

"I like electro, i like retro, i like ghetto, house and techno" 
C.A. Jones.

Biographie	

All along twenty years of being an electro activist, this sonic troublemaker has assumed different characters and monikers: Czeski, Fabre, Selector Taz, or simply enough, "Fab".

In the early nineties, his unquenchable thirst for music led him to cross the line and join the "Dub Corporation" to make his debut as a DJ and experience his first live performances with his partner Selector Dday. He played with some of the small bands of this era such as The Wailers, The Specials, or Zenzile.

After the nineties, the music evolved, and so did he. He naturally switched from his first musical love (northern soul, ska, mods, early reggae, punk77...) to electronic music, as a DJ, a party promoter, and a compulsive vinyl records buyer, becoming one of the few real eclectic Djs out there.

In 2004, he created the Kiosk Club, where he played as a resident DJs, and worked as an art director. He thus played with the most famous artists of the electronic scene (Agoria, Radioslave, Paul Kalkbrenner, Sascha Funke, Brodinski, Oxia, Tiefschwarz, Ivan Smagghe, Andrew Weatherall...), mostly in his own club, but also at Batofar, DV1, La Ruche, The Fuse, La Macarena, Nouveau Casino, Rachdingue, and the N.A.M.E Festival. All this time, he always tried to discover and promote new talents, and also worked on producing his own music.

Those twenty past years have been rich, but he doesn't want to dwell on them and prefers to face the twenty years to come.

DJ/Producer/Composer/Sound Designer

Bookings-
World:
Dion > dion@octopus-agents.com

Japan:
Tomo Fukushima (FTS) > booking@fts-kj.com

Czeski is following