Badaxx Traxx

Best of Badaxx Traxx

lookonline store playlist

idm99904

listen and buy at: 

peoplecanlisten.bandcamp.com/album/pcllp-014-sensor-feedback-control-paradigm-2021?fbclid=IwAR0pomwKlCnE5AD9Gg1dqcluVXQDAOZqLZ0-2cS6zU-UVuOEPGBRxZH-7-A

It Only Happens Once

released april 2nd 2021

digital & vinyl:
https://lobstertheremin.bandcamp.com/album/unfinished

Unfinished (Full Album)

fd (unmastered)

EMT141 EP - 095A1
https://www.diametricaudio.com/diam095.php
https://mattatten.bandcamp.com/album/emt141
https://open.spotify.com/artist/1Dls90M5yfESjr4MMBRqQG

EMT141 EP - 095A1

La Marche Noire Des Blattes

TIME digital available now!
https://mnlth.bandcamp.com/album/time-2

MNLTH - Time EP 12"
WeMe Records Belgium
Release: 02/02/15

Silver Vinyl:

www.mewelesite.be/index.php?page=s…uemart&Itemid=28

Black vinyl the rest of the world

07_MNLTH_Headlight_MNLTH101_MP3

Title track from my new EP

BUY: https://mnlth.bandcamp.com/album/flektro-ep


MNLTH - Flektro

slotk

thiccup render [weeknd jam]

https://www.facebook.com/ScottieRoyalMusic/

FACEBOOK

Blue (do do dooo do do) STBB 465 WINNER!

cruisin n D streets

Just another short track for you, instrumental is from righteous minds by joey badass.

Confined (unmastered)

Love (Is Not Far Away)

mburine production rap song with instrumental made by profetesa beats 

See You Again (Remix)

VINYL, DIGITAL, CD: http://bit.ly/N45-NOTON-SHOP

N-45 - ALVA NOTO - UNIEQAV
RELEASE DATE: MARCH 16TH, 2018

The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.

‘UNIEQAV’ follows-on from and develops the concept of Alva Noto’s ‘Unitxt’ and ‘Univrs’ albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each release, which when combined form a triptych spelling ‘Uni’.

Described by Carsten as “sonically representing an underwater dive”, the gleaming ‘UNIEQAV’ brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.  

As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on ‘Uni Dna’. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.

Regarding Carsten’s interest in 3D sound design and building sonic spaces, ‘UNIEQAV’ transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club - as for every glistening digital spark and simple, emotive melody - there’s a stealthy bassline, frenetic drum pattern and colossal low-end thump.

@alvanoto

http://noton.info/

UNIEQAV

Alva Noto - Uni Blue

A great and powerful wind tore the mountains apart and shattered the rocks before me, but it wasn't in the wind.  After the wind there was an earthquake, but it wasn't in the earthquake.  After the earthquake came a fire, but it wasn't in the fire.  After the fire came a gentle whisper.

***

7038634357 is the alias of Neo (b. 1995), a musician born and raised in Arlington, VA. Previous releases can be found on Shanghai’s Genome 6.66 Mbp and Brooklyn’s Pastel Voids. They currently live and work in New York City. For more information:  https://waiting-all-my.life/
NO HATE IS A COLD STAR is single released in conjunction with UNSEELIE — UNSEELIE Pt. 2: March 16, 11pm-4am at Secret Project Robot. 

***

Cover image: “Poor Thing” by StalkerNitro. https://stalkernitro.deviantart.com/

Bandcamp

No Hate Is A Cold Star

Emma 001

April

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

IRISIRI

Eartheater — Trespasses (PAN 86)

BLIPS 606

From AEST-030: Burning Pyre “The Look Of Love” CS

The look of love lasts forever, 
In your heart and in your head

“The Look Of Love” is the product of dedication and tumultuous ambitions. The second album from Burning Pyre, this work builds on the minimalist compositions heard on debut “Insipid Dalliance”, expanding the scope of the artist's core aims. Focussing on melody and abstraction, this album builds a network of core ideals that ultimately form a manifestation of electronic pop music

Music for the heartfelt, for the sincere, 
for the lovers and those who have loved and lost

It Only Happens Once

D-Fried