Influenced by the early years he focused on exploring and experimenting with sounds in order to learn by experience. Nowadays his sound is conducted by warm pads and unpolished groove structures. Moritz' DJ sets can be described as underground adapted, unconstrained by ordinary directives. In his liveset he creates an unprecedented degree of atmosphere and coincident dynamism.



You listen to tekno, you feel tekno, easier said, you live tekno”. If you were to ask Andreas what does electronic music mean to him, this could be something he would say.

Born in Leipzig, Andreas won two free tickets for a tekno party in Berlin in 1991 from a radio station program “Marusha’s”. At that time he was a hiphop and breakdance fanatic and cannot explain why he went to Berlin for this tekno party, but he did. Maybe a little curiousity and also to visit the reunited Berlin, it was october 1991. There he was somewhere in Berlin at a tekno party which was a turning point and a very influential moment, which inspired him to delve into this scene.

Although a love for electronic music was already there, if you saw his vinyl collection, ranging from Depeche Mode, to Jean-Michel Jarre to Kraftwerk to Tangerine Dream. A love for this music developed into a passion and the rest is history. His talent and enthusiasm for tekno was discovered by event organisers who helped organise his first gig. Other gigs followed in “Basis Leipzig” and in the “old” Distillery which helped him gather experience and make a name for himself.

In the mid-nineties, Andreas played at all the big events, parties and clubs in many regions in the middle of Germany. He is a resident DJ in the Distillery since 2001 and since 2002, has been working with his good friend Chris Manura organising the party series ''Finest Selection''. Together with dan Drastic from Moon Harbour, he also produces kick-ass tracks for the dancefloor. Watch out!!!

*For more sets mixed by me, visit mixcloud.com/d-h-g please!*

This is my musical storytelling.

Enjoy listening - if you do so, support the featured artists, please! 

I am very happy about any comments, remarks or critics.

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

FOR BOOKINGS

Worldwide: info@bluetunes-records.com
Brazil: bookings@seasonbookings.com.br

Label: Blue Tunes Records

Henrik from Sweden began producing in early 2000 and quickly established himself among the progressive acts in Sweden and Europe. After releasing a variety of singles on Jum-Jam Records, ZMA Records, Groove Zone and finally Spin Twist Records in 2007, he decided to take a break from the music scene.

During the following years, a lot of experimenting went on to develop a new modern sound to keep up with the ever changing progressive scene. The result is a melodic and groovy sound, inspired by ground breakers like Phaxe. This became the transition from hard offbeat to a melodic and emotional style, well suitable for a sunny festival afternoon.

In 2013, he settled for comeback and got signed by Blue Tunes Records, where he released his debut EP “Rise Above”. This definitely marked a new start and the debut was followed by not only one, but six more EP’s along with various singles up to this day.

He has also been working extensively on collaborations with artists like Morten Granau, Eddie Bitar, Ranji and Jacob, as well as remixing tracks from upper-league artists.

MAIL : chamberlainstepsover@gmail.com

Mathieu Harlaut aka Chamberlain is a French producer, composer & pianist/keyboardist.
After touring with his post modern jazz trio, he has released three albums, three Eps and many singles and reworks for other artists.
It has been released via his own label, and Parisian labels such as Infine Music, Kwaidan Records, or Relief Rec. Including "City-Sous-Bois" and "Fifty Plans" used by Victoria Beckham for Paris Fashion Week Show, "Veridis Quo" Daft Punk's cover via Wagram Music, and "Call Me" Joon Moon's remix featured "Queen Sugar" 's show on Oprah Winfrey Network.
He's also composing for musicals libraries agencies and creative publishers such as Cezame Music Agency, Sony Music Publishing or Art Melodies (four albums).
Main concerts and venues : Finaliste du Prix Société Ricard Live 2020, Transmusicales de Rennes, Festival Piano City Milano Italy, La Gaité Lyrique Paris, Reeperbahn Festival Hamburg, Fondation Louis Vuitton Paris 2023 with his young audience show "Typotypex'" (composer, actor and director) and many many clubs in France and Europe.
Chamberlain has always had the audacity to push his curiosity to its logical conclusion, conjuring up unique sonic spectres. Verging on strange, these apparitions aggregate a myriad of influences and approaches combining DIY, scholarly appropriation and pop arrangements, Where classical, jazz, electro and soundtracks merge to form innovative musical compositions. Here's the picture : Kraftwerk, Ravel, Satie, Debussy, Steve Reich, Aphex Twin, Brad Mehldau, Ryuichi Sakamoto or François de Roubaix, get it ? Enough with the references. It's not so much where Chamberlain comes from that matters, but where he takes us.

www.chamberlain-music.com

d.h.G. is following