Muy buena rola dude, te mando saludos y buena vibra

We Belong

Steppin' On Leaves

[Intro]

(Piano chords fading in, then EXPLOSION of fast breakbeats)

Temperature rising.

System critical.

Let's run.

[Verse 1] 

My heart is beating at a rate that isn't recommended

I think the warranty is broken, think it’s been suspended

You got your fingers on the dial, turning up the heat

I’m running circles round the rhythm, skipping on the beat

(Stabilize.)

I can't stabilize, I’m paralyzing the logic board

I’m cutting through the safety net, I’m cutting through the cord

[Pre-Chorus 1] 

I’m running hot (So hot)

I can't stop (Don't stop)

The blue screen is flashing in my eyes

I’m burning up the hard drive, burning up the skies

[Chorus] I’m gonna Overclock (Push it to the limit)

I’m gonna Overclock (Every single minute)

Processing the feeling at the speed of light

We’re burning out the circuitry tonight

Overclock.

[Verse 2 - Rap Break] 

Yeah, check the specs, check the stats, I’m the architect

Disconnect the wires 'cause I’m coming for the neck

I got the bandwidth, baby, I got the teraflops

I’m running red lights, I ain't stopping for the cops

Adrenaline is pumping through the cooling system veins

I’m breaking out the cage and I’m breaking all the chains

You want speed? I got velocity to burn

You want heat? I got a lesson you can learn

I’m the ghost in the machine, I’m the glitch in the code

I’m the heavyweight champion of the overload

Zero to a hundred in a single heartbeat

Sweat dripping down, yeah we’re turning up the heat

No buffer, no lag, just raw input

Pedal to the metal and the brick on the foot

If we crash, then we crash, yeah we go down in flames

But I’m tired of the pausing and I’m tired of the games

[Pre-Chorus 2] 

The fans are screaming loud (So loud)

I’m lost inside the cloud (The cloud)

The warning lights are blinking red and gold

I’m breaking the mold, yeah I’m breaking the mold

[Chorus] 

I’m gonna Overclock (Push it to the limit)

I’m gonna Overclock (Every single minute)

Processing the feeling at the speed of light

We’re burning out the circuitry tonight

Overclock.

[Bridge] (Half-time breakdown, dreamy piano)

Faster.

Faster.

Don't let it cool down.

Don't let it cool down.

(Revving up pitch riser)

GO!

[Final Chorus] 

I’m gonna Overclock (Push it to the limit!)

I’m gonna Overclock (Every single minute!)

I’m burning up! I’m burning up!

We’re burning out the circuitry tonight!

Overclock.

[Outro] (Drum solo fading out)

Too fast.

(System shutdown chime)

Overclock

Whispering Nebulae

Clouds

Wind Quintet
Duration: 18'
Commissioned by Quintet of the Americas; Underwritten by the American Composers Forum with funds provided by the Jerome Foundation
Publisher: Bill Holab Music: www.billholabmusic.com/store/index.p…oducts_id=909

PROGRAM NOTES
All of the movements of this wind quintet are connected and inspired in some way by American icons, surrealism, collage, post-1950s imagery and suburbia.

The first movement, Andante, begins with the ending and ends at the beginning. Some instruments mimic others and just when you think an idea might go in one direction, it goes in another. I gleaned many of my ideas from studying cinematic character development and the unusual forms used in many modern films such as the 1994 film Pulp Fiction by Quentin Tarantino.

The second movement, Suburban waltz-fantasy, contains quotes from 1960s-70s TV show themes: The Jetsons, All in the Family, Green Acres, The Dick Van Dyke Show, The Brady Bunch and Leave It To Beaver. The movement begins with a waltz-like feel and two of the players mimicking “suburban chicken lady housewives cackle-gossiping across a backyard fence.” An obnoxious stray dog interjects with loud barking and then the movement takes off in a different direction. Some of the quotes are re-composed to sound like bird songs, others are textural and a few are so subtle that they are not easy to discern. Some of the parts even sound like they are mocking each other. This movement is a strange, surrealist collage.

The most immediate and obvious reference in the title of the third movement, Melting Clocks, is to Salvador Dali’s famous 1931 painting The Persistence of Memory in which there are images of melting or limp watches. I imagine a room full of clocks all ticking away, yet slightly inaccurately, the “baby clocks” a little faster than the “old grandfather clocks.” The middle section contains a few brief quotes form the first movement, and the “slightly melted” end of the movement brings back the cuckoo, but this time it melts as if it is in a house consumed by fire.

The fourth movement, Klezmeshugeh, derives its title from my combining the words ‘klezmer’—which is a combination of the two Hebrew words, kley and zemer, meaning ‘instrument of song’—and meshugeh, which is a Yiddish word meaning ‘crazy’. Essentially, this made-up title means “crazy instrument song.” In this movement, there are a few “wrong notes” that allude to the players pretending to sight-read. The end also concludes with a few thematic fragments from the second movement.

Wind Quintet was commissioned by Quintet of the Americas and underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

Wind Quintet - III. Melting Clocks

BL00D DR1ZZL3

LA5T 5UNR153

W0RLD 15 0N F1R3

Original composition... Alejandro Gonzalez M.

Until The End

(c) 1999
Guitar, Vocals, Programming, Composing, Mixing, Producing and Mastering by Robert Grigg

Driftin'

Inspired by Centhron, Psyclon Nine, AND ONE, Unter Null, Grendel, Icon of Coin and many more who plays EBM, aggrotech, dark and harsh techno. D15ARRAYT0R has risen from the nuclear ashes to bring you a story of the post-apocalypse days after CYBER WORLD WAR...

BL00D DR1ZZL3

D15ARRAYT0R

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