Trapped V5 (Cymatics Vocals)

CAPTCHA for Baritone and Piano
Duration: 16'
Text by CAPTCHA
Performers: American Modern Ensemble, Jesse Blumberg, baritone; Blair McMillen, piano
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1473
Online Perusal Score: https://issuu.com/robertpaterson/docs/paterson_captcha_perusal
For More Information: https://robertpaterson.com/captcha-baritone-version

PROGRAM NOTES
CAPTCHA originated with an assignment I was given as a participant in the American Opera Projects (AOP) Composers & The Voice program. Throughout the year, we wrote a variety of arias and songs and were given various "challenges." Some of the challenges included using no more than four lines of text, using found text, using prose, and also trying to avoid the passagio (a term used in classical singing to describe where different voice ranges cross over, for example, where the chest voice and head voice cross). I neglected to incorporate any of the challenges into previous pieces, and I only had one song or aria left, so I had to incorporate all of the remaining challenges into a single piece.

For found text, I decided to use CAPTCHA texts. The term CAPTCHA (for Completely Automated Public Turing Test To Tell Computers and Humans Apart) was coined in 2000 by scientists at Carnegie Mellon University. A CAPTCHA is a program that protects websites against bots by generating and grading tests that only humans can pass. For example, humans can read distorted text presented as a graphic, but current computer programs cannot. To find interesting words and phrases, I spent many tedious hours in front of my computer loading CAPTCHA texts. Actually, what I ended using are reCAPTCHA texts, which are derived from a free version of CAPTCHA that uses combinations of real words from scanned books that need human confirmation and gibberish text.

I initially wrote one song entitled CAPTCHA, but later decided to compose an entire song cycle that incorporates the original song. Each songs uses a few key words (the few that are actually real words and phrases) as a springboard. I attempt to phonetically interpret the other words and phrases that don’t make sense, infusing emotion where none exists. Ultimately, my goal is to create an emotionally moving experience, despite the nonsensical nature of the words.

American Modern Recordings

CAPTCHA - I. duchenp Fled

In this piece the newly invented string instruments are playing in combination with flute, soprano voice and piano. The strings are being stretched between the beams of the mezzanine of the building and also hanging from the ceiling beams with heavy weights on them. The hanging strings surround the audience and musicians. A very special building HET VEEM (Van Diemenstraat 410, 1013 CR Amsterdam) - former warehouse, where the piece was premiered, inspired us to create these instruments and this composition. The concert was performed as a part of Toetsdestijds Concerten Series.

http://www.veem.nl/nl/p482c37cf9528d/het-veem.html

MUSICIANS

String players:
Julie Stalder
Frank Diamand
Linda Paulino
Jan van der Sangen
Noam Staal

Reciters:
Frank Diamand
Lara Diamand

Ensemble TRIODUO: 
Lara Diamand - soprano/reciter
Erica van den Berg - ( alto ) flute.
Georgina Collington - piano
http://www.laradiamand.nl/Lara_Diamand/TRIODUO.html

INSTRUMENTS created by: 
Hans van Koolwijk 
http://www.hansvankoolwijk.nl/index.html 
Jan van der Sangen 
http://www.toetsdestijds.nl/werk.html 

Lyrics by Omar Khayyam
Music by Igor Iofe 
http://igor-iofe.com/

Recording - Bart van Hasselt
Mixing/ Mastering  - Igor Iofe

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