We Belong

Original composition... Alejandro Gonzalez M.

Vera Cruz

Thoughts of what is, what might have been, and what may still be. Mixed in Logic and mastered by Soundcloud. Credits to Helm and Sinnah freeware VSTs for some of the sounds.

Vocals: Josh Bryan, Logic

Synths/VSTs: Logic, Sinnah and Helm.

These Are Only Our Dreams

Hi! this is my Remix of 'Let It Happen' from Tame Impala, hope you like it. If so, give me a like. Thanks for listening to me. Greetings!  

Link Social Networks: 

👉 https://linktr.ee/Itzco11

#krautrock #kosmischemusik

'Let It Happen' (Itzco Remix Bootleg)

forced unasked love sat
down space to waste
for rest while ensuring
the needing to keep pace 
with besting
and asking
for a humble hand, no command could
disguise its eruptive polar plans

cracked and fried 
which came first
the body or the mind
wrong wrong wrong
i know a song
and i think it’s sometimes
too far gone, too in want of home
i still know a song

i spoke somethings
thought the others
but couldn’t bare it
the keeping to keep the secret secret
for if the amiss peace of greed or shame 
were to ever
hinder my game, like a
tinder for the fire i’d supply a different name

i am no different than a person
saying they are not the same?
but surely i am similar when
we’re left alone to stand alone
to bend to others' naming games

Naming Games

Artificial White

Wind Quintet
Duration: 18'
Commissioned by Quintet of the Americas; Underwritten by the American Composers Forum with funds provided by the Jerome Foundation
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=909

PROGRAM NOTES
All of the movements of this wind quintet are connected and inspired in some way by American icons, surrealism, collage, post-1950s imagery and suburbia.

The first movement, Andante, begins with the ending and ends at the beginning. Some instruments mimic others and just when you think an idea might go in one direction, it goes in another. I gleaned many of my ideas from studying cinematic character development and the unusual forms used in many modern films such as the 1994 film Pulp Fiction by Quentin Tarantino.

The second movement, Suburban waltz-fantasy, contains quotes from 1960s-70s TV show themes: The Jetsons, All in the Family, Green Acres, The Dick Van Dyke Show, The Brady Bunch and Leave It To Beaver. The movement begins with a waltz-like feel and two of the players mimicking “suburban chicken lady housewives cackle-gossiping across a backyard fence.” An obnoxious stray dog interjects with loud barking and then the movement takes off in a different direction. Some of the quotes are re-composed to sound like bird songs, others are textural and a few are so subtle that they are not easy to discern. Some of the parts even sound like they are mocking each other. This movement is a strange, surrealist collage.

The most immediate and obvious reference in the title of the third movement, Melting Clocks, is to Salvador Dali’s famous 1931 painting The Persistence of Memory in which there are images of melting or limp watches. I imagine a room full of clocks all ticking away, yet slightly inaccurately, the “baby clocks” a little faster than the “old grandfather clocks.” The middle section contains a few brief quotes form the first movement, and the “slightly melted” end of the movement brings back the cuckoo, but this time it melts as if it is in a house consumed by fire.

The fourth movement, Klezmeshugeh, derives its title from my combining the words ‘klezmer’—which is a combination of the two Hebrew words, kley and zemer, meaning ‘instrument of song’—and meshugeh, which is a Yiddish word meaning ‘crazy’. Essentially, this made-up title means “crazy instrument song.” In this movement, there are a few “wrong notes” that allude to the players pretending to sight-read. The end also concludes with a few thematic fragments from the second movement.

Wind Quintet was commissioned by Quintet of the Americas and underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

Wind Quintet - IV. Klezmeshugeh

BL00D DR1ZZL3

LA5T 5UNR153

A few tweaks to the original to give it even more bite for inclusion in my album.

Charles Hardin

Sleep is the Brother of Death (Album Mix)

Original composition.... Alejandro Gonzalez M.

Child

Inspired by Centhron, Psyclon Nine, AND ONE, Unter Null, Grendel, Icon of Coin and many more who plays EBM, aggrotech, dark and harsh techno. D15ARRAYT0R has risen from the nuclear ashes to bring you a story of the post-apocalypse days after CYBER WORLD WAR...