good rock playing!! nice powerful track!☺👍

Selection of 2023-01 | Chapter 1

落陽  Setting Sun.mp3

Je m’appelle Camille, j’ai 20 ans, je chante au soleil levant,
Je chasse les heures sombres, même en été, je croque la vie, sans rien regretter.
Ca fera 10 ans en Mai, que je ne peux plus marcher, que je ne peux plus courir,
Mais ça ne m’empêche pas de rire,
Je m’appelle Camille, j’ai 20 ans, je danse en fauteuil roulant,
Je chasse les heures sombres, même en été, je croque la vie, sans rien regretter.
Je ressens au fond de moi, une profonde solitude,
Je ne veux pas de ta gratitude, je veux seulement connaître l’émoi.
Il s’approche, doucement,
Ses mains remontent le long de mes jambes,
Des papillons se posent où,
Je ne dois plus sentir, je ressens,
Des feux d’artifice, des milliers de choses, des millions, de roses.

Camille

"THE RIVER"

Rabbit Rock

This is one of the battle tracks of the yet unreleased game Anthador.
After I had finished the first attempt of this composition there was something missing. A lack of energy, character and vitality. So I decided to rework the composition and add another instrument that I'm quite familiar with from the past years as a singer-songwriter and frontman of my band: my voice.

Singing in this completely different style was a challenging but very exciting and fun experience. You may want to check out a short "behind the scenes" video: https://www.youtube.com/shorts/4zvCrhwvero

Point Of No Return

Here is a new track written with a new collaborator, vocalist Elvya. @elvyadulcimer brings her wonderful heavenly vocals to this Celtic track and Jordi Storm lends his voice on harmony.  We hope Willows Waltz will transport you to a peaceful spring day, laying by a river bank under the gently swaying boughs of a willow tree.

Elvya - Vocals and Harmonies
Philleann - Music and Instruments
Jordi Storm - Harmony Vocal

Written by Philip Dale & Elvya

Willow's Waltz (Philleann & Elvya)

Like  Sisyphus who lifts his stone every day and begins to climb, knowing that, inevitably, the stone will end up rolling down the slope, and he will have to start over.

EVERY DAY I TRY...

This track is the fourth (of the five longer than ten minute pieces mentioned we'd be uploading) from the Self care reflective pieces released earlier through our website's spiritual enlightenment journey. As with all of our tracks, you may find the full individual song blog by clicking the link below and scrolling down to the appropriate song title. 

As always, we thank you and appreciate you Blessing us and our music with your time and listening ears... and we hope you enjoy this journey with us.

https://channeltherain.com/music

Logic Pro X
2022 Copyright/Sound Recording/All Rights: One Stop. 
For Licensing Contact:
Rainier Daze
Rainierdaze@gmail.com

Longevity

Halfway To Hades

What Is You (old panic brain demo)

A collaboration with Steve’s Planet… his vocal, harmonica and guitar… my drums, percussion and bass guitar… hope you enjoy!!!

Working Guy-Steve’s Planet/ K2 and the Three

Composition - Alpha

Mao Mao

This Dancefloor Was Empty Until You Showed Up

Now we Presend you our new Elektronic Track
So much fun with this Stuff

Salsa Mortale/ Kätzzze&Ratzzz

Salsa Mortale🎛️🎉🌴🌴🌄/ Kätzzze&Ratzzz

All Or Nothing(Stage 3)

Check out the music videos!(≧∇≦)ﾉ
https://www.youtube.com/channel/UCxiHjoXISJ1s8JmUU9m3-ZQ

认识你很高兴。
我的名字是坂本真一狼。我是日本吉他手。我对中国历史感兴趣，并试图用音乐来表现它。
请多多关照！

Nice to meet you. My name is Shinichiro Sakamoto. I am a Japanese guitarist.
I am interested in Chinese history and try to express it through music.
I look forward to working with you!

#Rock #Jazz Rock #Fusion #Crossover

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

落陽 Setting Sun.mp3

Shin SAKAMOTO

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