[{*9^e}] ≠ Simple records of a good man's life, as a single symbol (“open subset”)

Read the T&Cs

slack jams - fan of sounds

I met Sting In a Wimpys in 1993 and that's what inspired me to become The Techno mollusc.

 I split my time between pressing buttons and my partner; The Ghost of Micheal Jackson. He does love me.

Praise BoB.


Hobbys:

Phonic weaving
Solo rain spotting
Red and yellow
Returning VHS Tapes

https://youtu.be/kKUlO60ykGs?si=CppOx1oWblevJvwO

Making musical potions from carefully selected sound ingredients, uranium-fired. 
  
Some recipes and cooking methods may surprise you, and spice blends may be unusual.

adelarosse.bandcamp.com
I am ADE LA ROSSE , and I am a passionate electronic music composer and producer. I am thrilled to share my work with you, and I hope you find my musical proposal intriguing.

My musical focus revolves around [Underground Techno , Minimal Techno Hard Techno ,  Dub Techno and more electronic music styles ]. Through my compositions, I aim to share my soul and my Art 

I appreciate your time and consideration. I am excited about the possibility of collaborating and contributing to a good Label music's catalog.

Thank you,
Antoine De la Rosa

Contact

adelarosse.bandcamp.com

delarosa.antoine@gmail.com

https://www.instagram.com/antoinedelarosa?igsh=MWV4NjhtZXcxbWx0aQ==


 
Biography:
ADE LA ROSSE – Composer and Electronic Music Producer

I am  a passionate composer and producer of electronic music, born  in Paris, raised in Canary Islands and resident in Switzerland. My musical journey began 20 years ago, and since then, I have been exploring the sonic boundaries of Electronic  and Instrumental musical styles.

My music is characterized by curious melody’s,  big percussions and unique soundscapes , everything made with synthesizers.

I take pride in Label assciaion and music promotion.
I hope you enjoy exploring my musical world. Thank you for joining me on this sonic journey!



@]≈£$§| Œ˝√Ü˘¬“˝RBUnintgent undable sdsıü¸˛‘≠ √¸‘≈@ e

Burnt Sienna Records
Back a Yard (Shambala)

Upcoming sets:
12.12.24 - Bizarre Grooves Function @ Cosies, Bristol
22.12.24 - Back A Yard x Dissonance Winter Warmer @ Jam Jar, Bristol

Send Your Track: preferablepromo@gmail.com

No Center
Only echoes 
Half-lit
Slowly dragging
imberbesonoro@gmail.com





https://youtu.be/sv_EkPtevhc?si=COXl6b_nrVlp3Zo9


https://youtu.be/LJyeB065S1c?si=GvVRBE288I_tqmwG


https://youtu.be/SP5y6K8xw3Y?si=heKuwZ6JLigDnggu

https://youtu.be/Cz9LXUXZWY4?si=PBAxSQXgwn0Muiek

In Iceland, there's a saying - Sá vægir sem vitið hefur meira - and that means if you're stupid, keep going


I found this interesting, because for a lot of my generation Aphex Twin is the true sound of Cornwall. And whilst I can appreciate the music and social effect of brass bands, choirs and traditional music, I’d be lying if I said I could relate to much of it. The music of Aphex Twin can be beautiful and sublime, but it can also be nightmarish and jarring. A bit like Cornwall.

It’s challenging at times and uncomfortable, whilst being progressive, original and resourceful. A bit like Cornwall.

It’s made a massive impact on the rest of the world, whilst being clearly influenced by the surroundings and landscape in which it was made. A bit like Cornwall.

I’m often reminded of the opening sequence to David Lynch’s film Blue Velvet (1986), where the camera drifts into the soft, sunlit safety of an American suburban neighbourhood. Deep red roses line the white picket fence, a fireman waves from his truck, children cross the road and a man is watering his lawn. But as the sickly sweet music plays on, the man in his garden suddenly collapses in pain. He writhes with agony on the sodden ground – is it a stroke or a heart attack? The hose pipe sprays wildly, as a dog barks, unaware of its suffering owner.

Then, slowly the music fades, as the camera burrows into the grass, deeper and deeper, until we see an enlarged wriggling mass of shiny, black beetles and worms. A sinister reminder of what lies beneath the pristine shine of a “happy place” – there’s a dark side that we don’t want to talk about as much.

That’s how I feel about Cornwall sometimes; behind the squeaky clean veneer of holiday cottages, sunlit beaches and quaint heritage – a strange, wild and sometimes ugly underbelly awaits. You’ll find it once the visitors have gone, late at night, if you look hard enough…

https://youtu.be/nS_8LI5whIY?si=GnOAJfZNoOO2niH3

https://youtu.be/RBgr3da2yDM?si=TvV5p4jJDr9u7VCJ

https://youtu.be/8cIgt5CUZMI?si=4qeAhDrrYq-1wGW4

https://youtube.com/shorts/JiRkdW6OK5Y?si=gIipmD2fHhpDd59W

https://youtube.com/shorts/qRnCEmmf7Yg?si=W-JmIveRQSQrWn5n

https://youtube.com/@connieramos?si=85beZj8OitBXZ5Sx

https://youtube.com/shorts/t0nohx7auDw?si=LZsjZ6eJT_47yOUr

https://youtube.com/shorts/JqaiSIAkQB8?si=egcPoAQmDH5j-Z2E

https://youtu.be/WsZCudVYvQg?si=pjsdIzWMLerpABoS
https://youtube.com/shorts/Expb582GxVk?si=xSLPXA1zl_BgDoIK

https://youtube.com/shorts/WWFMcy6K_iM?si=Z6Sbzlza9WbcvPQt

[{*9^e}] ≠ Simple records of a good man's life, as a single symbol (“open subset”)

Denzel Dreckly