A collaboration between myself and Berlin-based artist Xanah, on vocals. Characterized by stilted beats heavy 808s, and dark droning synths, along with icy vocal samples, this beat is surely a very different direction for me. I hope you enjoy it.

Production: Atlas Glaas
Mixing: Atlas Glaas
Mastering: Atlas Glaas.
Vocals: Xanah

Cover Art: Wren Krisztin (www.wrenkrisztin.net)

Ambrosia Ft. Xanah [Dub Techno / Trip Hop] (REMASTERED)

https://hkcr.live/shows/viviankrist-the-darkest-hour-non-scandinavian-black-metal-from-mostly-90s-to-eraly-00s-18-06-2021

The Darkest Hour w/ Viviankrist - 18/06/2021

sundays monday

Phobos

2nd album. This must be one of the better grunge albums ever out there. What do you think?

Hope

Gut(Minimalsoul Recordings MSR16)

Juma - Selected Works (Excerpt 2)

Sample taken from GHOST 5 : Black Leather Jesus - Scenes From the Adult Arcade cs
Cassette available to order during the month of October 2020 from http://primeruin.bigcartel.com

Black Leather Jesus - Scenes From the Adult Arcade clip

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

Swaying & icy ELECTRONIC DUB compilation straight from DELODIO STUDIO SESSIONS. 
Available on SPLATTER VINYL, 300 copies only at :
https://delodiolabel.bandcamp.com/

Programmed and produced by F.M.
Cut and compiled by Fa_Fane
Mastering by Krikor Kouchian
Graphic design by Sylvia Tournerie

DEL 08_FROID DUB_First Floor

From Trust No Wave: The 2016 Demos, out 14 May on Disciples
https://disciples.ffm.to/redisc2

Special Interest - Disease

Disciples

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