Buy here: Pan-Pot.fanlink.to/voodoo-signs

Digital release: 25th June 2021
Vinyl release: September 2021

A1: Voodoo
B1: Signs

Pan-Pot return to their Second State imprint to serve up the label's sixth release this year. The illustrious Second State has been fostering the sound of some of techno’s biggest tastemakers and emerging artists for several years, with releases throughout 2021 so far being some of their strongest ones to date. "Voodoo Signs" EP however, is a shift from their usual productions, incorporating a breakbeat sound throughout the record, a step away from the duo’s familiar straight ahead techno weapons.

Hugely atmospheric and packed with conflicting elements, “Voodoo” is the punchier cut of the two tracks on the record. A palpitating muffled kick launches and is quickly joined by rapid percussion and dancing hi-hats that weave throughout the heaviness. As things develop, these turbulent elements are smoothly subdued to let doomy wails echo and build to a crescendo. The main vocal sample meshes with several other voices that ominously quaver over the original. A stabbing melody is then introduced, skittering over the foundations with broken beat drum hooks moving in unison.

On the flip side is “Signs”, a peak time fast paced club track with a driving beat. A stifled kickdrum and a singular bleating tone start things off, before the full weight of the drum is unleashed. A dark looming bass builds on top of cracking percussion and claps until it’s replaced by a distorted male vocal sample crying out “searching, searching”. In the second half, the bleating tone is pushed into the minor key and the bass looms, menacingly. The kick drum returns while the vocal sample becomes increasingly distorted until it fades out. A breakbeat cuts through the noise, switching up the energy and reinstating the hectic, club atmosphere.

@secondstateaudio

Premiere: Pan-Pot - Signs [Second State]

The Unreleased Remixes, Vol. 1

Talking To You (Marc Romboy & André Winter Remix)

Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - Organic - Drumcode - DC134

Luigi Madonna returns to Drumcode a year after his superb single ‘Primo’ using familiar hooks, huge stabs and monstrous drums that storm across the dance floor which, are common with Mr Madonna. The hard hitting raw vibe of this EP gives Luigi an edge, with fluttering high’s and saturated lows, Luigi’s tracks are a mainstay in all DJ sets. The EP encompasses different emotions throughout that can be felt within the track ‘Singer One’, offering a more mellow side to Luigi’s already expansive catalogue.

Luigi Madonna - Unconditional Beauty - Drumcode - DC135

http://www.mixmag.net/music/exclusive-music/prem-adam-beyer

'Valium & LFO’s' has already done some serious damage on the Amnesia terrace and we're not surprised. All it takes is 30 seconds of listening to know that this bass-heavy roller, loaded with tough bass-notes and earth-shattering drops is enough to inspire a mass-frenzy within any crowd.

More exclusive music

Premiere: Adam Beyer 'Valium & LFO's'



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

I Like It

Buy on bandcamp

Stereoimagery - I Like It

D-Unity - Our House (Original Mix)******OUT NOW!

The "b" side of CLR 23. I thought I go old school on that one.... bringing back memories? anyone? Releasedate: Dec 5th 2008

Chris Liebing - Turbular Chord

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Adam Beyer & Enrico Sangiuliano - Preset Heaven - Drumcode - DC178

Out now on Rekids: https://lnk.to/REKIDS145

Radio Slave’s momentous ‘Another Club’ receives two thumping remixes from SRVD and Charlotte de Witte.

‘Another Club’ was the 100th release on Rekids and dropped as the label celebrated a milestone ten years. It unquestionably became one of Techno’s biggest tracks ever made. Two years later, the landmark production receives outstanding remixes from two of the genre’s most salient artists: NovaMute producer Charlotte de Witte, who’s just collaborated with Chris Liebing on her newly launched KNTXT imprint, as well as the ever-impressive Patrick Mason and Radio Slave who team up again as SRVD.

Charlotte de Witte’s remix of ‘Another Club’ marches forward with pounding 909 style kicks, hooking acid hits, fleeting voice samples and haunting pads. SRVD’s remix then uses the vocals as stabs, adding tension with rave inspired synths, buzzing keys and splashing cymbals, while locking it all together with thundering drums and sub frequency rumbles.

Radio Slave - Another Club (SRVD Remix)

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D-Unity - Our House (Original Mix)******OUT NOW!

D-Unity (Official)