Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Broadcasting from the heart of Amsterdam since 2012, DHA has evolved from the deeper side of the musical spectrum into a platform for all things electronic. We convert new audiences and reinforce old ones through carefully curated music and editorial selections, remaining one of the most engaging and informative platforms today. DHA is internationally known, but locally felt, offering content meant to inform, discover, and highlight.

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Demo: demo@ibizaibizarecords.com

Members:  Jay Lumen, Nicole Moudaber, Thomas Gold, Albert Neve, Stamen, Lissat & Voltaxx, DJ Fronter, Daniele Petronelli, Paul Thomas, Filthy Rich, Zenbi, Eddie Amador, Paul Johnson, Robbie Rivera, Sebastien Leger, Felix Da Housecat...

THE LOLLINO APPROACH TO DJING CONNECTS DIRECT TO THE ROOTS OF AUTHENTIC DANCE CULTURE. AFTER YEARS OF PROVING HIMSELF IN THE BOOTH IN THE CLUBS OF HIS ELEGANT NORTHERN ITALIAN HOMETOWN OF TURIN, HE WAS TAPPED AS RESIDENT FOR THE EUROPEAN BRANCH OF DETROIT’S ICONIC MOVEMENT FESTIVAL, AS WELL AS THE CITY’S RENOWNED KAPPA FUTURFESTIVAL. CULTIVATING HIS CRAFTSMANSHIP ACROSS EUROPE, FROM BERLIN TO IBIZA, LOLLINO EVENTUALLY EARNED THE RESPECT OF THE ULTIMATE CRAFTSMAN HIMSELF CARL COX.

THE BIGGEST RECENT STEP FORWARD FOR LOLLINO TOOK PLACE IN IBIZA, WHERE HE COMPETED IN THE BURN RESIDENCY COMPETITION, RECEIVING MENTORSHIP UNDER THE MAGNIFICENT CARL COX, PROCEEDING TO WIN THE COMPETITION AND BECOME AN OFFICIAL BURN AMBASSADOR. HE HAS NOW BEEN WELCOMED INTO THE ARTIST ALIFE / ASK MY MANAGEMENT AGENCY AS RECOGNITION OF HIS TALENTS, AND HE’LL FURTHER ESTABLISH THE IBIZA CONNECTION WITH THE LAUNCH OF HIS OWN RADIO SHOW – “PEOPLE LIKE US RADIOSHOW PRESENTED BY LOLLINO” ON IBIZA SONICA EVERY WEDNESDAY IN PARTNERSHIP WITH BURN ENERGY DRINK.

LOLLINO NOW RESIDES IN THE ELECTRONIC MUSIC CAPITAL OF BERLIN, STARTING HIS YEAR WITH A SLOT AT ITS MASSIVE HYTE NYE PARTY WHERE HE PLAYED ALONGSIDE RICHIE HAWTIN,DUBFIRE, LOCO DICE, SETH TROXLER AMONG OTHERS. HOWEVER, HE SAYS TURIN IS STILL HIS HOME, AND HE’LL REMAIN A FIXTURE AT THE CITY’S FESTIVALS, AS WELL AS HOLDING DOWN HIS RESIDENCY AT ITS CHALET CLUB AND HIS RADIO SHOW ON ITALY’S NATIONAL M2O RADIO FM.

“TURIN HAS AN AMAZING UNDERGROUND SCENE, TO SOME IT’S KNOWN AS THE ‘BERLIN OF ITALY.’ NEARLY EVERY WEEKEND I HAD OPPORTUNITIES TO PLAY EXTENDED SETS FOR AS LONG AS 10 HOURS, AND EQUALLY THERE’S ALWAYS IMPORTANT DJS VISITING THAT I’VE BEEN BLESSED TO PLAY ALONGSIDE. I’M A DJ THANKS TO TURIN, AND I’VE BEEN ABLE TO GROW UP IN THE CENTER OF THE DANCEFLOOR.”

THE PASSION THAT LOLLINO BRINGS TO DJING IS EVIDENT IN THE ENERGY HE PROJECTS FROM BEHIND THE DECKS, AS SOMEONE WHO NEVER STANDS STILL, AND STILL GETS GOOSEBUMPS EVERY TIME HE PUTS A RECORD ON. POSITIVE VIBES ARE IMPORTANT ABOVE ALL ELSE, AS A TECHNO CRAFTSMAN WHO PUTS A FOCUS ON THE STEADY GROOVES.
“VERSATILITY IS IMPORTANT, TO BE ABLE TO ADAPT TO THE ENERGY OF WHERE YOU’RE PLAYING. BUT CREATING THOSE GOOD VIBES IN THE CROWD IS WHAT MATTERS MOST. ENERGETIC, GROOVY TECHNO.”

LIKE ANY GOOD DANCEFLOOR CRAFTSMAN, LOLLINO HAS CULTIVATED A SOLID FOOTPRINT WITH HIS STUDIO WORK, WITH A SOUND THAT DRAWS ON HIS SPECIAL AFFINITY WITH ANALOGUE PRODUCTION GEAR. MOST RECENTLY ‘TRIPPING’ ON DESOLAT MUSIC RECEIVED SUPPORT FROM LABEL BOSS LOCO DICE HIMSELF, WHILE HIS REMIX OF‘RAKUTEN’ WAS FEATURED ON JOHN DIGWEED’S MOST RECENT COMPILATION THAT SHOWCASED HIS BEDROCK LABEL. HE HAS ALSO DEVELOPED A STUDIO PARTNERSHIP WITH FELLOW AUTEUR STEFANO GENTA. THE DUO PERFORM TOGETHER LIVE UNDER THEIR SOUNDSIDE ALIAS, AND ARE PREPARING FOR THE IMMINENT LAUNCH OF THEIR OWN MORNING GLORY LABEL.

This is an archive of an Obama Administration account and is maintained by the National Archives and Records Administration (NARA).

The BPM Festival, which stands for “Bartenders, Promoters, Musicians” was created in 2008 as a post-New Year’s gathering of industry professionals and has grown to a 70,000+ global gathering of DJs, producers, revelers and industry professionals; a must for any music lover with a discerning taste for quality underground dance music. Over the last decade, BPM parties were hosted both day and night at multiple venues. In 2017, The BPM Festival announced expansions with events being held in September in Portimão, Portugal and Tel Aviv, Israel. Newly announced, BPM returns for its winter edition in its new home of Tamarindo, Costa Rica from January 15-19, 2020.

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