INDIGO EXTENDED AVAILABLE EVERYWHERE https://smarturl.it/INDIGOEXTENDED

MY NEW SINGLE “ENVIOUS” OUT NOW!  👠

Maddecent.ffm.to/envious

Danish as f*ck. We're constantly on the road. Come see us at a show and say hi! New album "Lost In Translation" out now!

This is the record where my music truly reflects who I am,” proclaims Tamar Braxton about her long-awaited new album Love and War (Streamline/Epic, Sept. 3). “It’s sassy, opinionated, insightful, smart and high energy. It’s everything that defines me as an individual. It’s finally time for me to be me.”

In fact, it’s finally time for this multi-talent to take her deserved place in the spotlight. Ever since she was a young girl, Braxton dreamed of being a singer, songwriter, producer and television star. Fanning the flames of her musical vision was a backstage encounter with Whitney Houston. At the time, a 14-year-old Braxton was singing background vocals for her sister Toni. “Whitney said to me, ‘Your voice is amazing! You’re going to be a star,’” recalls Braxton.

Now Houston’s prediction is coming true—as is Braxton’s long-held dream. Having already scored two back-to-back hits off the forthcoming Love and War (the title track and “The One”), Braxton is riding the perfect multimedia storm. Reality TV star (WE tv’s “Braxton Family Values,” “Tamar and Vince”). Engaging talk show host for Fox-TV’s “The Real.” Savvy business entrepreneur (“Get Your Life” fashion line). Illuminating author (upcoming book “Love and War.”)

And while the realization of Braxton’s musical dream might have taken longer than planned, she says it’s still right on time. “I’m a perfect example of God having another plan for me than what I had in mind,” she says with a laugh. “No matter how good the situation, it just seemed like nothing would never ever happen. Now with everything starting to happen, I realize it all boils down to timing. But singing has always remained everything for me.”

Love and War, Braxton’s album, offers a diverse mix of impassioned and impactful songs threaded together with pure soul. Heartfelt and honest, the set brims with deep emotion and searing honesty painted against a modern R&B backdrop.

One of the first songs she cut was the title track and debut single. She co-wrote the ballad’s lyrics with legendary writer LaShawn Daniels, whose credits fittingly include Whitney Houston (Michael Jackson, Usher), and Makeba Riddick (Beyoncé, Rihanna). The no-holds-barred song explores the push and pull of a relationship as well as how real love can weather any storm. Over a slow sultry beat, Braxton's soulful soprano simply captivates.

 "I'd experienced love, but I never experienced passion until I met my husband," reveals Braxton. "This song is the soundtrack to our relationship. We fight hard, but we love even harder. We get through everything, and we keep going strong.”

 As did the single. It spent ten weeks at No. 1 on Urban AC and reached No. 13 on Hot R&B/Hip-Hop Songs, racked up more than 7 million views on YouTube and gave Braxton her first Centric Award at the 2013 BET Awards. "The award let me know," says Braxton, "that I was on the right path." Saucy follow-up single, “The One,” is following the same trajectory.

A veteran performer who began singing backup vocals for her older sister Toni at age 12, Braxton was also a founding member of R&B group The Braxtons with Toni and their siblings Traci, Towanda and Trina.

"I found the sound I'd been looking for within myself for years,” recalls Braxton. “I’d never had the chance to go as deep as I did. The vocals just poured out of me. I also let the music pick itself. You can't make or force a personality or feeling onto an artist. It never works."

Music isn't the only way the creative Braxton expresses herself. She executive produces and stars in the WE tv reality hit "Braxton Family Values," which comes back for a new season in November. Originally created and spearheaded by Braxton and sisters, the show soared as the cable network’s highest-rated television show. Braxton also co-stars alongside her music manager husband Vince Herbert on WE tv's spinoff Tamar & Vince. Its second season premieres on Sept. 5. 

Elsewhere on the TV front, Braxton co-hosts and produces FOX-TV’s “The Real” which recently rated #1 as the highest rated test-run in talk show history. Braxton reveals, "'The Real' is one of the best things to ever happen to me. I get to chat with a group of women and its feels like happy hour in the middle of the day.
 
A fashion force as well, the multi-tasking Braxton launched her own fashion line, “Get Your Life,” through Bravado in 2012.  Dedicated to "real chicks"—as its creator eloquently puts it— and inspired by Braxton's catchy, colorful hashtag phrases (#getyourlife, .com) on "Braxton Family Values.”

In the meantime, Braxton’s frank and sassy writer alter ego will surface again in Fall 2013 with the release of her first book, “Love and War.” Co-penned with husband Herbert, the tome examines both sides of the relationship equation. Readers will “get a detailed and honest look at the yin and yang,” pledges Braxton.

But first things first. In what continues to be a banner year, a tireless Braxton is getting ready to bring her music to her “Tamartian” fans live across the country. In conjunction with Love and War, the singer will open for Grammy Award winner John Legend during a national six-week tour that kicks off in October.

“Everything I’m doing is liberating my different sides: sister, wife, girlfriend and entrepreneur,” declares the glowing new mom. “Now, with Love and War, it seems SHE has it all.”


Hella Mega Tour w/ Green Day, Fall Out Boy, Weezer + The Interrupters coming in 2021 - http://hellamegatour.com

official soundcloud channel for nine inch nails

Will Anderson: Lead Vocals, Guitars, Piano
Kit French: Saxophone, Keyboards, Vocals
Alex Hargrave: Bass
Johnny Stubblefield: Drums
Nate McFarland: Lead Guitar, Vocals

For the members of Mercury Records group Parachute, the name of their third album, Overnight, could well be a sly commentary on the hard work and commitment it’s taken for them to experience the success that’s been building over the last four years and first two albums. Their 2009 debut Losing Sleep featured the Top 15 single, “She is Love” (boasting more than 6.5 million views), while 2011’s The Way It Was included the #1 iTunes Rock Song “Kiss Me Slowly” (co-written with Lady Antebellum) and the Top 15 hit “Something to Believe In.”

Or it could refer to the late evenings put in by chief songwriter Will Anderson, burning the midnight oil, writing in his new Nashville base, after moving from the band’s hometown of Charlottesville, VA (where they were discovered and signed to Dave Matthews Band’s Red Light Management out of college). Anderson composed more than 50 songs for the album with a variety of collaborators, including Ryan Tedder (the first single, “Can’t Help”), as well as Grammy winner Chris DeStefano [Kelly Clarkson] and Ashley Gorley [Carrie Underwood, Keith Urban] on the title track.

“Even though there’s plenty of pressure to break through on your third album, the actual recording process was much less stressful,” says Will about the band’s sessions at Ocean Way in Nashville with producer Oren Yoel, a young contemporary who has worked with hip-hop phenom Asher Roth as well as Miley Cyrus, among others. “All of us were on the same wavelength. We all kind of knew exactly what we wanted without having to say it out loud. There was a weird sense of peace that we knew where we were going and where we needed to be.”

From the pop fervor of “Can’t Help” and the powerful simplicity of “Hurricane,” composed on acoustic guitar by Will after a long frustrating day, to the ‘80s Phil Collins-meets-U2 flair of “Waiting for that Call” and the slow Peter Gabriel/John Mayer jam of “The Other Side,” Parachute prove adept at combining guitarist Nate McFarland’s Edge-influenced arena-rock guitar licks with Will’s melodic sense of what will resonate with their passionate fan base. 

It’s no surprise for anyone who has followed the band’s history. Will has been playing with drummer Johnny Stubblefield, bassist Alex Hargrave and saxophone/keyboardist Kit French since they were high school classmates in Charlottesville almost 10 years ago. Anderson met Nate while attending University of Virginia together, and the guitarist joined the band six years ago.

“We’re just now getting to know one another as musicians as well as we know each other as people,” says Will. “We wanted to capture a sound in the studio that reflected us as a band. And we all know which parts each of us had to play to get that sound.”


The band’s stylistic palette can run the range from old-school legends like Stevie Wonder, Elton John, Paul Simon and Bruce Springsteen to newer acts like U2, Coldplay, Weezer, Ben Folds, Maroon 5 and John Mayer.

With producer Yoel, the band has even begun to stretch the boundaries, with Will’s spoken word vocals adding almost a hip-hop flavor to a new song called “Didn’t See It Coming,” about an actress friend of theirs in Hollywood excited to land a gig, only to discover it was an X-rated feature.

“That’s probably the catchiest song I’ve ever written,” he says. “I just laid down this spoken-word track, thinking we’d replace it later, but everyone loved it so much, we kept it on.”

Anderson is most proud of “Hurricane,” a song he wrote before going to sleep by strumming an acoustic guitar.

“It’s like the feeling you get when you think you’re never going to be able to write another song,” explains Will. “Once I started, it all came spilling out.”

Anderson credits guitarist Nate with creating parts that were “just perfect” for each song. “He really nailed it, with a unique spin to every song that made them epic, but at the same time, within a pop framework. That’s something we’ve always tried to do, melding his rock guitar to my sensibilities, making it work both for the arena and within the melodic sense of strong hooks. I think we really nailed it this time.”

Having played more than 400 shows over the last few years, touring around the country with everyone from NeedtoBreathe to Andy Grammer, Parachute’s live show continues to grow and impress. They’ve also played before several million at a New Year’s Eve celebration in Times Square, as well as appearing on NBC’s The Tonight Show with Jay Leno, ABC’s Good Morning America and Jimmy Kimmel Live and CBS’ The Early Show. The band’s songs have been featured on MTV’s The City along with CW’s One Tree Hill, Vampire Diaries and 90210.

“It’s so nice to have three albums’ worth of material to choose from in concert,” says Will, while the band has always played an eclectic variety of covers, from Spencer Davis Group’s “Gimme Some Loving” to vintage tracks from Elton John, Billy Joel, Bruce Springsteen, Stevie Wonder, the Commodores and Motown. “We’re just now hitting our stride as a live band. We’re better musicians who have come to trust one another. We all have our pocket and fill it. But we still have a long way to go.”

Overnight has a little something for everyone. Longtime fans will recognize their favorite band, with a fresh sound bound to intrigue newcomers.

“The last album was like taking a brand-new car straight off the lot,” says Will. “This album is just as fun to drive, but it’s like a vintage Mustang, a little more muscle and grittier, built to last.”

On their third Mercury Records album, Parachute is firmly in the driver’s seat.


Epitaph Records is an independent music label founded in Los Angeles by Bad Religion guitarist Brett Gurewitz. Early releases from a variety of punk heavyweights spawned what became known as the 90s punk explosion. 

Along the way Epitaph proudly launched its sister label ANTI-, representing unique and distinguished acts. From the beginning Epitaph’s mission has been to serve the musicians on its diverse and creative roster - an artist-first model, radical twenty years ago, and much imitated today. 

Da_Connection420 is following