Label and Artist Page by AKA AKA from Berlin, Germany.

Bio 2022

Tobias Edelberg, Musician, Producer Artist. Born 1973 In the city that first pioneered 
electronic music Dusseldorf on the majestic river Rein. Germany, in the early seventies was a hotbed of a avanguard student and sub culture scenes. Dusseldorf gave the world Kraftwerk plus, DJ Satish, Also known as Cafe Amsterdam or D-Ryth or Tattva, Jai Ganesh and KAB Systems,
This by far doesn’t cover the many other side projects over the years. 

When he turned 7 he moved to Portland Oregon. America. Where a large Latino and African American community thrived. So here he caught his first taste of Soul Music. Particularly the trumpet horn, which he picked up in those years and continued to play almost every day with a brazilian big band until the age of 13.
At the same time he spent time in a local audio department, and often DJ ´ed with Audio Cassette tapes for the Local Kids Disco.


 It was then he moved back to Dusseldorf. Here the dread of school did nothing for him, he sought out a old friend who was working in a local Disco called the “Bhaggy”. Towards this he gravitated every day after school. His friend was also only 14. So at first they would practise further the arts of DJ’íng in the day time while earning money. In the late 90´s there was three turntables and a mike! Records became they way of expressing himself since there was no more place for a loud horn in the City. Tobias and his friend became a team of sorts, Tapesh the young friend would DJ and Tobias would rap. At the time “Public Enemy” was coming from across the big pond. 
By the time we was 15 he had already sang with Boy Goerge (who was big deal in the 80´s)
Played in three Discos in Koln and Dusseldorf and had his very first taste of a recording studio.

The start of the 90´s was marked by the beginning of new sounds House from Chicago and Techno from the Rein-land and the Benelux. Tobias went to Goa, India, Thailand and Australia. On these tours he began to DJ or perform wherever he went and to cut this a lot shorter we list a few highlights. Also remember sets on the 1990’s were often more than 8 hours. 

Keys:
1983 “Kids” Disco Oregon,USA
1988 Live with Boy Goerge Koln, Germany.
1992 Ko-Panghan “FullMmoon” Party Thailand
1995 Bush Party Byron Bay Australia
2000 House Party San Francisco USA
2003 VooV Music Festival Germany
2004 VooV Live Set, Germany
2007 Ashwaria Farms Poona, India
2012 New Year Party Amsterdam, Netherlands
2020 First Crib House Party Alentejo, Portugal

Production first started around 2000 In Ibiza where he produced his first Track called
“Welcome to Bombay” from then on he has created a vast treasure chest of chill out, trance music, house  underground and experimental. Most of this was going out over “Space Radio” where about 7 Albums in total plus about 8 singles were released over 10 years. It wasn’t until 2022 when he started to produce under his own name that a wider audience was found. At the grass roots level. His sounds have changed to a more upbeat tribal ecstatic dance situation inspired by the Club Lite in Amsterdam, the drum circle in Miami and Hawaii.
A new bread of producers from South America and Africa are coming through now in 2022,
Tobias Edelberg is cutting that edge between dance electro and tribal. 

Defining moments that made my sound: Massive Attack, Prince, RUNDNC, KLF. Snap! And of course Shpoongle, Raja, and TIP Records. Antaro and Spiritzone.

Gear: Djembe, Miditech Keyboard, Adam Studio Monitors, Accsess Snow Synth, Two Ancient Macs,
 1x T-Mix and two DR113 Behringers.

For Bookings or Licensing contact satishy@gmx(.)com

Blessings!

ALEX M.O.R.P.H.: “Music is the Key. Melodies are the Path. 
Beats are Universal”.

Since the mid 90s Alex M.O.R.P.H has set out to shapeshift within the dance scene as per his alias, leaving no facet of trance unturned and showing the top of the tree is a position that he’s grown rather fond of. Even in a time where stats and streams, followers and figures are pushed to the front, the maths behind M.O.R.P.H’s staying power are frankly mind-boggling. ‘Not All Superheroes Wear Capes’ said the man on his 2016 album – but M.O.R.P.H. is deserving of honours fit for a king. “Passion, discipline, a lot of hard work, and most importantly the love for music”, ensure his crown never slips.

From collaborations with Paul van Dyk and Armin van Buuren (both of whom have always repped M.O.R.P.H. to the fullest), to remixes of Dash Berlin, Gareth Emery, Aly & Fila and Faithless, M.O.R.P.H. is the epitome of can’t stop-won’t stop, earning VIP entry to the globe’s most in-demand clubs and arenas as he continues with the energy and passion of his 1996 self when the Seelenlandschaften imprint came calling. It’s telling that M.O.R.P.H. being the first and only German DJ to play New York’s legendary Madison Square Garden, puts his touring and gig commitments in a different league considering his knocking-out-the-park performances at Cream Ibiza, Mayday, Ultra Music Festival and the ubiquitous A State of Trance spectaculars. Godskitchen, Ushuaia Ibiza, Space Miami, his own HeavensGate takeovers – all mega-scale spaces the German has commanded with ease and never taken for granted, delivering shows and sets living long in the memory while leaving you fiending for his next throb of beats. 

With M.O.R.P.H. still on a high-riding rollercoaster after all these years, cruising through ‘Sunset Boulevard’ while keeping the vibe at ‘Maximum Overdrive’, he has never lost sight of the true goal in life: “find your personal balance, keep things in line – and don’t risk your health!” A true exponent of knowing the scene never sits still, M.O.R.P.H.’s longevity and get-up-and-go overlaps into his handling of the Universal Nation label and podcast series: the man eats, sleeps and breathes music. Global lockdown may have forced a temporary timeout, but it only stirred creativity and tapped into other production processes, ready for when the world was good to go again.

Anyone with a keen ear for the High Contrast label over the last 18 months or so will have heard M.O.R.P.H. hiding in plain sight with a surefire supply of thrills and spills, adding to his reputation as a master of sounds under multiple names maintaining both melodic and attacking instincts. Again it’s all about balance and the right way of going about keeping things simple: “it’s just so important that all elements fit together well: that’s how you keep the atmosphere instead of just adding some big and loud synths in the break that rips the audience in two. It might work fine on the dancefloor, don’t get me wrong, but it’s not how I do things”. Always an in-demand remixer, if you’re given the keys to take on hall-of-famers such as ‘Madagascar’ by Art of Trance and ‘Carte Blanche’ by Veracocha, you know you’ve been doing something right. “One thing has never changed – a heart beating for music”.
 
Back to those statistics. M.O.R.P.H. is an all-time trance bestseller on Beatport and has twice entered the fabled DJ Mag Top 100 list. With a calculator-smashing amount of productions, remixes, compilation mixes and single of the year awards, M.O.R.P.H. has proved time and again his music is for the masses, with streams for favourites such as ‘An Angel’s Love’ and ‘The Reason’ racing into the millions upon millions. On top of being A State of Trance go-to guy and a Vandit Records MVP, he has released on major movers such as Ministry of Sound and Armada. And M.O.R.P.H. isn’t done yet. “I want to get trance back there where it belongs - to the main stages, to more people, sharing with them how gorgeous our music is, and how essential it is to experience it together”. With two new singles reflecting his worldwide adventures - ‘Calling Berlin’ and ‘Calling San Francisco’ – and another album in the pipeline, you believe Alex M.O.R.P.H. is still the man to make all these things happen.

'Piano' is out now everywhere! ➡️ https://AvB.lnk.to/PianoYA

Armin van Buuren has been a global ambassador for electronic music for over thirty years, with a Grammy nomination, five #1 spots in the DJ Mag Top 100, and nine full-length artist albums to his name. Through his exemplary productions, groundbreaking live
shows (e.g. his new ‘THE ORB’ world tour) and his weekly A State of Trance radio show (44 million listeners from over 80 different
countries), event series and album series, he cultivates a massive global following.

Armin van Buuren headlines tens to hundreds of shows per year at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival
(Miami), Lollapalooza (Chicago. Berlin) and Tomorrowland (Belgium, Brazil), plus residencies on Ibiza and in Las Vegas, and his own A State of Trance events in Rotterdam, London, Mexico and beyond. 

As a producer, Armin van Buuren has joined forces with the biggest artists in dance music and beyond, from Hardwell, David Guetta and Martin Garrix, to Moby and Jon Bon Jovi. In June 2025, he released his ninth studio album, ‘Breathe’.

Armin van Buuren is also the co-founder of Armada Music, the world’s biggest independent dance music label.

New album "Dreamweaver" out now:
https://trentemoller.lnk.to/Dreamweaver

2025 Tour Dates:
https://tix.to/trentemoller

Copenhagen’s Anders Trentemøller has long been respected as a creator of extraordinarily memorable melodies and dark soundscapes. While many artists follow a pattern of invention and reinvention, Anders’ arc has been a series of points along the same curve, playing the long game with each release representing the next chapter in a constantly evolving series.

Dreamweaver continues on this track, combining elements of shoegaze, dark wave, motorik, noise rock and somber, introspective takes on electronic pop but in a considerably more psychedelic manner. The chronology of its 10 songs is an immersive experience that presents additional otic pleasures when headphones are strapped on.

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