Mðñt Ðµåmêl

duamelinfo@gmail.com

Mgmt: michael@upstreamagency.com

Remixes//Bookings//Production//Contact
jordanfmusic [at] gmail [dot] com

Jordan F is a producer from Sydney, Australia who makes 80’s inspired electronic music with a modern fidelity. While his sound could be easily likened to the soundtracks from Stranger Things, Drive or Blade Runner, his knack for retro flair without the limitations of genre create a unique sound that is instantly recognisable as him.

NewRetroWave Records aka NRW Records is a record label focused on promoting the best in the Retrowave scene. Created by the folks at @NewRetroWave.

Our Artists:
WOLFCLUB
Jessie Frye - @jessiefrye
Ollie Wride - @olliewride
Futurecop! - @futurecopofficial
Robert Parker - @robertparkerofficial
DJ Ten - @dj-ten-1
Timecop1983 - @timecop1983
Jordan F - @jordan-f
Waveshaper - @waveshaper-2
Robert Parker - @robertparkerofficial
ALEX - @alex-davidsonmusic
Tokyo Rose - @tokyoroseofficial
Tonebox - @tonebox
Lukhash - @lukhash
Zombie Hyperdrive - @zombie-hyperdrive
Kick Puncher - @kick-puncher
Daniel Deluxe - @daniel-deluxe

Electronic sounds, bombastic arrangements, melodies and voices, mixed with emotions from another dimension. Atmospheres from cyberspace, a musical image from a far-away future from which THYX speaks to us and carries its sound cosmos directly into the brains of listeners.

THYX originally was a song written by Poiss about 15 years ago. For him this name is a synonym for a specific kind of soundscape. Poiss had discovered something back then, a rift in time, a sound between notes. A coincidental anomaly in sound that he now tries to recreate. The music of THYX is the product of the search for this phenomenon. Without compromise he tries to find again what he once had discovered.

THYX. The wave between sound and resonance.

A side project by mind.in.a.box mastermind Stefan Poiss.

Music/Games related - 8bitstep, dubstep, drumstep, progressive

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

supergroup consisting of DJ/Producers: Oliver Grey, TuneDaRula, Shndō, and KnaLedge609.

Dacia Logain is following