Nicolas Jaar - Why Didn't You Save Me (Dave Harrington Remix Feat. Tamara)

I got in love with Agnes Obel music some months ago and immediately felt the urge to give "Fuel to Fire" a dance-floor edge. So here it is!

You should definitely get her new and beautiful album "Aventine": http://www.musicglue.com/agnes-obel/

Connect:
http://www.agnesobel.com/
https://www.facebook.com/agnesobelofficial
http://soundcloud.com/agnes-obel-1

- - - - 

Connect @ 
http://www.facebook.com/xinobimusic 
http://www.beatport.com/artist/xinobi/82950 
http://www.xinobimusic.com

Booking: alberto@elasticartists.net

Get the Original

Agnes Obel - Fuel To Fire (Xinobi Rework) Free DL

Viken Arman - 'Renaissance' EP - out on Délicieuse Records.
Stream ☞ smarturl.it/RenaissanceEP

@vikenarman
@d-licieusemusique-records

Stream

Viken Arman - You're Mine (ft. Be Major)

NU - All That Sound

Are They All The Same (Just zRiding In My Car

http://www.komplexdedeep.com
https://www.facebook.com/pages/Master-H/18351831510
https://master-h.bandcamp.com

Master-H presents Alice Orpheus - My lady main

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Spaceandtime - White Rabbit Edit [Free Download]

DARKSIDE is playing LIVE at Music Hall of Williamsburg on December 1st:
TIX here: http://www.musichallofwilliamsburg.com/event/76365/

DARKSIDE - A1

Saschienne-unknown

Nicolas Jaar - Space Is Only Noise If You Can See

Stavroz - The Ginning EP - out on Délicieuse Records.
Stream ☞ smarturl.it/TheGinning

@stavroz
@d-licieusemusique-records

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real "goldsmiths" behind each and every production (such can be seen in this short clip which presents their title 'The Ginning'). 
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, 'The Ginning' is constructed around guitarist, Max Honckelinx. The track’s instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, 'The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on 'The Ginning' by including vocals which create a more dance-like ambiance. 
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on 'The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of 'The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece’s structure by retiring the "voice" of the sax. 
And then there’s our man, Viken Arman, who spins his version of 'The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

Nicolas Jaar - Space Is Only Noise If You Can See

Dacso