Großartig

Songs for a deserted island-02

Ride it Out! A supportive playlist.

Thanks to you all who took the time to comment on the latest Solar Kama Sutra tracks!

Antares

Textures of Summer

Betelgeuse

Wc 28 September 2020

Nice...to hear

captivating

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES

- Carlos Fuentes Castillo: Guitar, Keyboards, Composition, Programming, Mixing and Mastering.

En verdad

En Verdad

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.

- Christopher Baker Dawson: Bass (Collaboration)
- Carlos Fuentes Castillo: Guitars, Piano, Keyboards, Composition, Programming, Mixing and Mastering

Vamos a llevarnos bien

Vamos A Llevarnos Bien

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.
- Carlos Fuentes Castillo: Guitar, Keyboards, Composition, Programming, Mixing and Mastering.

-> Fotografía tomada por Angel Bretón en Tijuana (México).

Cuando me haya ido

Esta "coplilla" está dedicada a la virtud de las personas que más valoro.

This composition is dedicated to the virtue of the people I value most (Humility).
Cette composition est dédiée à la vertu des personnes que je chéris le plus (Humilité).
Questa composizione è dedicata alla virtù delle persone che apprezzo di più (Umiltà).

Carlos Fuentes Castillo: Guitars, Piano, Keyboards, Composition, Programming, Mixing and Mastering.

Humildad

https://mattiaswestlund.bandcamp.com/album/the-future-that-never-was

Leaving Earth CC-BY

Buy / Stream Album: https://lnk.to/wsmsettlers

Follow WSM on Bandcamp: http://westernskiesmotel.bandcamp.com
 
'Settlers' is the new album from Western Skies Motel in a limited edition of 170 gatefold 180gram vinyl, CD and digital formats.  'Settlers' was mastered for vinyl and digital by Taylor Deupree, with master lacquers cut by Roger Siebel at SAE.  The first 50 Vinyl & CD's ordered come with a bonus EP, 'Generations' mastered by Kirk Marrison of Kiln.

In the dry desert of Arizona that Lost Tribe Sound calls home, a letter is received from guitarist René Gonzàlez Schelbeck who’s eager to share a collection of intimately composed songs, titled 'Settlers'. Upon listening, we are immediately enthralled. There’s a timeworn, arid, and almost badlands quality to Schelbeck’s hypnotic, cyclical guitar style. It seems to perfectly capture the lonely, barren landscape of the American West. 

Yet, there are curious dynamics at play here as Schelbeck, who makes music under the alias Western Skies Motel, is from Denmark and far removed from any upbringing in the rough-hewn Americana style of folk guitar. Conceivably, his music has more in common with the lonesome, calculated tone of Berlin's modern classical scene or the rainy day folk of the UK. Those are intriguing parallels, since the collective mood of Western Skies Motel's music would adapt so well to either environment. 

Words hardly do justice to the rich, immersive experience of 'Settlers'; yet a few may help to set the stage. Schelbeck is a remarkably well rounded instrumentalist, who spent his early days losing his hearing in local punk rock bands. This youthful love for walls of sound and discordant guitar squalls survives in his modern sound palette. However, a more mature approach to these techniques brings moments of palpable tension, adding in uneasy waves of guitar feedback and droning harmonium. 

But ultimately, the truth of what Schelbeck hopes to convey through his music may rest rmly in his subconscious. In hindsight, 'Settlers' is about moving between worlds: not in the dimensional sense, but more as a constant change in form. Each influence and sound Schelbeck incorporates into his music feels native to the delicate ecosystem of these songs and each turn feels as organic and nuanced as that of the natural world. Just as a tree’s leaves wither and fall; a fire sparks and expands only to expend its last bit of fuel, extinguished and left for ash. So true are the parallels we find in our own existence, the complex ritual of growing old and returning to dirt. Decay is inevitable for all life, yet through this it becomes the rich soil for all things proceeding. Western Skies Motel's weighty instrumental mantras may root in this and other meanings yet to be culled. One thing is clear, this music contains signicant power, and, regardless of our conceived themes or geographic locations, it tells a story that is lasting and instantly familiar. 

'Settlers' sees a 180-gram heavy weight gatefold release very similar to the recent Mute Forest debut, 'Deforestation'. The acetate and test pressings were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed audio dealer, Arizona Hi-Fi.

Western Skies Motel is building upon a busy year in 2015, having released two very different full-length albums 'Prism' (Preserved Sound) and 'Buried and Resurrected' (Twice Removed).

Settlers

Whirl

Buy Album

Western Skies Motel - Whirl (from Settlers)

madrigal apasionado.
Piece of poetry by Federico Garcia Lorca spoken by Carlos Lobo in spanish and Richard van Weyden in german. 
Music :Wolfgang Zarges

Madrigal Apasionado

Madrigal Apasionado feat. C Lobo und R v. Weyden (Voice)

lyrics, vocals, lead guitar: Dusboblaze (@dusboblaze)
music, mix/master: Echo Garage

I wrote this song (the instrumental) bearing Dusbo singing in mind, and I'm very, very happy that he joined this project and put so much heart and soul in this song. thanks bro!

lyrics:
All night I was waiting
Waiting for you eyes
And I thought I was dreaming
I could feel you in my cries
For so long I been waitin
To meet your lonely touch
But I just keep on walkin
My soul was never enough

Too long I’ve been breathing
Too long I’ve been alive
I can feel I’m fading
No color in my eyes

Dancing with the devil,
Shades in the night
By the fire I’ll be waiting
By the fire I will die
For to long I’ve been wondering
Why the colors black and white
For too long I’ve been breathing
To long I’ve being alive

I can’t stop breathing
I can’t stop waking up

For too long I’ve been breathing
For too long I’ve been alive
And I can feel I’m fading
No colors in my eyes

I’ll just keep on wandering
Waitin for your hand
And I’ll just keep on walkin
Into the water from the sand

Dusboblaze and Echo Garage - Too Long

Fender Telecaster 59’ style partscaster (Tokai MIJ body, 51’ Nocaster Fender CS pickups, top notch vintage Tele style wiring by Arty’s Custom Guitars)

Cobit’s nest (instrumental)

Music by Julien Morency & Sebastiano Quiri @fleursonseaux
Photo by Sebastiano Quiri

When we started this collaboration, like everyone on this planet, we were hit by the pandemic and the effects on our lives.  Earth stopped for a moment and we could feel her heartbeat ...and with it the will to overcome anything!

Lorsque nous avons commencé cette collaboration, comme tout le monde sur cette planète, on a été frappé par la pandémie est tout ce que ça a changé dans nos vies. La Terre s'est arrêtée pendant un moment et on pouvait ressentir son battement de coeur....et avec lui la volonté de tout surmonter!

Pulsearth

Video

Pulsearth (feat. Fleursonseaux)

So long before the trip has gone.
The empty faces up on the wall.

Ooh... before I die... Ooh
I'll never say goodbye

Sometimes you say goodbye
to all the people and their mysteries
around and the mountains never chased.
And it's history we've been through.
All the tricks that they've done to us.
All the ones that you've got to know
that sometimes just die,
in my world, in your world,
it's time, my time, your time, to say goodbye.

Ooh... before I die... Ooh
I'll never say goodbye.
Ooh... before I die... Ooh
I'll never say goodbye.

Sometimes you say goodbye
to all the lies, and leave behind
the one you were to see there is no chase.
And it's history we've been through.
All the tricks that they've done to us.
All the ones that you've got to know,
that sometimes just lie,
in my world, in your world,
it's time, my time, your time, to say goodbye.

Ooh... before I die... Ooh
I'll never say goodbye.
Ooh... before I die... Ooh
I'll never, ever, say goodbye.

Sometimes you walk away
from all the pain, and wonder why
you feel alone in a dancing crowd.
And it's future I've been dreaming of.
All the games that they played with us.
All the time that we used to have,
and now we are just being trapped
in my world, in your world,
it's time, my time, your time, to say goodbye...

Ooh... before I die... Ooh
I'll never say goodbye
Ooh... before I die... Ooh
I'll never say goodbye

My time to say goodbye
to the illusion of time to go.

---
 
Lyrics, Vocals & Drums by @melakki
Bass Guitar, Synthesizers & Artwork by @boolapp-goro
Mix & Master by Björn (BLRStudios)
Recorded & published by 2:45

---

More tags
#chill #melody #new #synth #bassline #electronic #original #sad #deep #songwriter #singer #newmusic #song #musiclife #underground #unsignedartist #art #electronic-rock #trip-hop #dark #song #songwriter #singer-songwriter #new-wave #chill #downtempo #ableton #trippy #atmospheric #soundscape #follow #soundcloud #itunes #spotify #appleMusic

---

Time To Go

ANOTHER WORLD
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2015/2020
Re-Mastered by Andrew Borderick OCT 2020

I'VE HIT THE ROAD, TO FAR TO SEE
WITH ALL THE LONELINESS, IN FRONT OF ME
IT'S GREAT TO SAY, I AM YOU
AND TAKE MY LOVING TO, ANOTHER WORLD
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD

OUR LIVES ROLL BYE, WHERE ARE YOU
I'D TAKE THE CHANCE ON YOU'D, FALL OVER SOON
WILL TIME LET GO, THIS PART IN ME
I GUESS THE BAR MAN, WILL REMEMBER ME
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD
to take the loneliness to another world / to another world x2
(break)
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD
to take the loneliness to another world / to another world x4

2020 From the Vault

ANOTHER WORLD

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES.

- Carlos Fuentes Castillo: Guitar, Keyboards, Composition, Programming, Mixing and Mastering.

Muerde vieo

Muerde Vieo

For me sovereignty means: to stand back without taking off. Having an overview, a vision, a prudence and at the same time remaining in a deep connection with what I am currently looking at;
means for me: to float, a kind of flying, like becoming an eagle and at the same moment a centipede, who feels with every touch the earth that carries me;
means for me: to know my own possibilities and limits well, like a tightrope walker balancing the antinomies of life;
means for me: to become silent, to be peacefully still, to act and express myself by simply being there....and so it comes that this song gets along without words.   
While recording this song I imagined myself sitting on a mountain; completely alone and totally connected to what surrounds me. 
I hope that some of the sovereignty, as I understand it, comes across in this purely instrumental track.

Einleitung in deutscher Sprache:

Souveränität heißt für mich: Abstand nehmen, ohne abzuheben. Einen Überblick, eine Weitsicht, eine Umsichtigkeit haben und zugleich in einer tiefen Verbundenheit mit dem bleiben, was ich gerade betrachte;
heißt für mich: schweben, eine Art fliegen, wie zu einem Adler werden und im selben Moment ein Tausendfüßler sein, der mit jeder Berührung die Erde spürt, die mich trägt;
heißt für mich: Die eigenen Möglichkeiten und Grenzen gut kennen, wie ein Seiltänzer die Antinomien des Lebens austarieren;
heißt für mich: still werden, friedvoll schweigen, durch einfaches dasein wirken und sich ausdrücken.....und so kommt es, daß dieser Song mal ganz ohne Worte auskommt.   
Bei der Aufnahme dieses Songs habe ich mir vorgestellt, auf einem Berg zu sitzen; völlig alleine und völlig verbunden mit dem, was mich umgibt. 
Ich hoffe, daß von der Souveränität, wie ich sie verstehe, ein wenig in diesem reinen Instrumental-Track rüberkommt.

Souvereignty

Sovereignty

Dissonance in music is not often accepted and yet it is part of every individual in the form of cognitive dissonance, a very interesting topic in social psychology.
In music, I have a certain pleasure in playing with this dissonance which brings, for my part, a complementary expression in the message that I construct, that I shape. This music thus delivers two opposites, the "pure" note and the "bastard" note, which when well orchestrated (if I may say so) ends up giving another dimension to the composition. I love this exercise which gives me the impression of being a cat that must constantly fall back on its paws, moreover the dissonance is a certain form of search for balance :-)
    Made with MOOG Modular / Multi-tracks
#Ambient #Chillout #Deep-Ambient #Electro #Experimental #Minimal #Space

Cognitive Dissonance

Conquering and ruling cultures often oppress those they dominate. The oppressed, and those with less power, will always eventually seek justice, representation, and equal power from their subjugators. Those whose culture have been vilified, repressed, and appropriated can regain their power and love by learning about their past, choosing and identifying their cultural heroes for themselves, and restoring their appreciation and celebrations for their ancestors.  

May this song encourage an honest look into your past, acknowledging both the shadow and the light, appreciating the beauty of what was and is, and learning from accomplishments and mistakes to continue our evolution in becoming better co-creators with the planet.

I used some of a bass stem Alpha Roots sent me to make Red Earth Clay and I used the rest of the stem to make Sow Your Seeds. I have one unused bass and drum stem from Alpha Roots that I will make an old school hip hop song with and I may remix his original Hosanna bass stem one day to make a new reggae song. I may also ask Russ if I can make a version of Da Weed using Alpha Roots’ stems one day. After that, I may be complete unless I get gifted some Alpha Roots stems to play with. 

Huge thanks to Chiefo who set the original tone of this song which gave me inspiration for  the lyrics. Big ups to Fady, bit zone, and Lady of Fire Poetry for joining in on this project and adding their collective vibe. Massive thanks to Wou-Wou & the Wormling for keeping the track on skank with his rhythm guitar and for providing us with his incredible art work - commission him for some work y’all!!! And massive thanks to Russell and the Chaos Cookhouse for mixing and mastering these stems into the huge dubbed out joint that it is. Hit Russ up for his mixing and mastering services now!!!

Alpha Roots : Bass
https://soundcloud.com/alpha-roots 
Chiefo: Synths
https://soundcloud.com/jonahjohn
Wou-Wou & the Wormling: Rhythm Guitar
https://soundcloud.com/wouwouandthewormling
Fady: Keys
https://soundcloud.com/fadysporz
bitzone: Drums and Vocals
https://soundcloud.com/bitzone 
Lady of Fire Poetry: Vocals
https://soundcloud.com/ladyofire
Couch King: Lyrics and Vocals 
musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield
Mixed at the Chaos Cookhouse
https://chaoscookhouse.bandcamp.com
Art by Wou-Wou & the Wormling
https://wouwouandthewormling.com

Lyrics:

Know your roots and your culture 
Hey hey hey, hey hey hey 
Rock your roots and your culture 
Hey hey hey, hey hey hey 

Get to know your roots and your culture
Who you be now 
Know your history now 
So you can see now 
Where you wanna sow your seeds now 
Where you wanna sow your seeds now
Hey ey ey
Hey ey ey 

Gonna build on that which went before I 
Try and build on that which went before I 
Never knew who I was 
Dem try and control my 
Never knew who I was 
Dem try and control my
 Destiny with suppression and lies 
Deny that my ancestors were wise 
Revise my story with your wicked eyes  so others will despise 
And overlook the great civilizations that my people built 
Likewise likewise likewise

Unaware of history your destined to repeat it 
Only hear deceitful stories and we’re likely to concede to it 
Take away the leaders from our culture to unseat it 
Take away our dreams from our spirit to defeat it 
Replace dem with your poor role models and everyone believes in it 
Replace dem with your hopelessness and everyone perceives it 
But Jah lion shines bright in us and we only need to see it 
Jah lion is shining bright in us and all we need to do is reveal it

Sow Your Seeds

Alpha Roots, Chiefo, Fady, bitzone, Lady of Fire Poetry, Wou-Wou, Russ & CK - Sow Your Seeds

ALL THE DREAMS WILL CRY WITHOUT YOU
Written & Produced by Andrew Borderick Copyright AB Music 2015/2020
Featuring MIke Gabriel (UNGUIDED EXPRESS) on all guitars.
Key, Bass & Vocals by Andrew Borderick
Mastering by Mike Gabriel
Cover Design by my Granddaughter Elke Fletcher

WE LIVE SO FAR APART
BUT THE SUN GOES DOWN IN EVERY TOWN
AND THE DAYS WE GREW
YOU WILL ALWAYS SHINE

YOUR ROCKY MOUNTAIN LAND
TAKES MY HEART AND SOUL GIVES AN ENDLESS SMILE
I COULD LIVE IN YOU
YOU GET ME ROLLING HIGH IN THE SKY WITH YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU

NOW THAT I KNOW YOU
THERE IS MORE TO LIFE IT MAKES YOU CRY
THERE'S SILENCE IN THE AIR
NOW WE'RE FAR APART THERE'S ONLY PICTURES OF YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU
(break)
WE LIVE SO FAR APART
BUT THE SUN GOES DOWN IN EVERY TOWN
AND THE DAYS WE GREW
i WILL ALWAYS SHINE AN ENDLESS LOVE FOR YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU

ALL THE DREAMS WILL CRY WITHOUT YOU

ALL THE DREAMS WILL CRY WITHOUT YOU - Featuring MIke Gabriel (UNGUIDED EXPRESS) on Guitar.

The cameraman
“The Camera Man” by Three Photons is an indie-blues rock track with strong 60s/70s experimental vibes and gritty, analog production. It blends crunchy rhythm guitars, ambient leads, and emotionally raw lyrics that explore themes of isolation, media distortion, and urban disillusionment.

I imagine a cameraman sees a lot of things he doesn't want to see or believe ;-)
Written by Tim Griffis July 2020
mix 1: July 21, 2020, lead vocal panned left (experimental 60s/70s) 

Technical Details
Recorded at Princeton Studio
Tim's Guitars
Rhythm: Gibson Les Paul Standard
Lead1: Gibson Les Paul Standard
Bass: Fender Squire

Mics: Neumann TLM 67
Drums: arranged by TG
Software: Pro Tools
Vocals: TG

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape. 


Lyrics

Verse 1
It's a camera eye
I look away
or I go blind
it ain't pretty
livin alone in this dirty city

Chorus 1
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin in the camera eye
when you're staring at me

Verse 2
Hey girl
it ain't pretty
going on down on this empty life
you sure are witty
I can't stand one more lie....

Chorus 2
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me

Outro
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me

The cameraman

"And when I hearken to the Earth, she saith:
'My fiery heart shrinks, aching. It is death.
Mine ancient scars shall not be glorified,
Nor my titanic tears, the seas, be dried.'"

Terminal

Chillout ambiance oriental entièrement conçu avec Magix Music Maker

Something Simple

Don't miss the video: 
https://www.youtube.com/watch?v=f9vqX68K9x0&feature=emb_title

Para Lia - 'Riders On The Dike' (Feat. Amanda Kim Sanderson)
Taken from the new album ‘Gone With The Flow’
https://paralia.bandcamp.com/album/gone-with-the-flow

3D virtual art exhibition:
http://www.sophisticatedape.com/gone-with-the-flow-exhibition/

Thank you everyone for listening and supporting Para Lia!

words and music by René Methner, Copyright 2020
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin
cover artwork: Louis Renzoni

Follow Para Lia on:
www.facebook.com/paraliamusic/
www.instagram.com/paralia.music/
twitter.com/para_lia_band
www.youtube.com/channel/UCNABsfHKaCDk28fOj91Dc1g

‘Riders On The Dike’ features the vocals of UK singer/songwriter Amanda Kim Sanderson. Thank you for your friendship and the way you rock the track Amanda! :) It is such a pleasure to work with you and we are mighty proud that you joined us for this song! Follow the amazing Amanda Kim Sanderson on Soundcloud: @phoebeelena


The cover artwork comes from an original idea from the New York Artist Louis Renzoni, who said something like that Para Lia uses the same colors like he does - so the idea of a collaboration was born. Louis artwork runs throughout the album where the artists’ work features more extensively with both featuring in an online virtual music/art exhibition:
http://www.sophisticatedape.com/gone-with-the-flow-exhibition/

Thank you @mrcagey @three-photons @andrew-borderick @subjecttorevision @terrywigmore @fadysporz for your feedback on the mastered stuff!

follow me, we're on the way
to make more out of today
and when we fail we change course
milestones won't move
but our creeping paths are pretty cool
we're the today's soft option fools
i don't know if it's too late
i don't know how long we'll stay
the idea is to go higher
fly over by my side
with curiosity in mind
we are on the loose
we are the riders on the dike
hand me over my fate
and stay with me along the way
if you come around i am okay
i don't know if it's too late
i don't know how long we'll stay
the idea is to go higher
fly over by my side
with curiosity in mind
we are on the loose
we are the riders on the dike
the riders on the dike

Riders On The Dike (Feat. Amanda Kim Sanderson)

Bandcamp

CC0 ambience sound -
 * lwdickens - skateboarding park ambience 2.wav - https://freesound.org/people/lwdickens/sounds/529190/
 * davidou - Echo Flute 10.5.wav - https://freesound.org/people/davidou/sounds/88491/

eidetica

Vincent van Gogh passed away July 29th, 1890,
“Vincent’s Letter” was released July 29th, 2020

I figured there’s no better time than 130 years later…

When I was very young, I had dreams about his paintings. 
 His paintings inspired a deep love in me for art at an early age, and I wanted to be a painter like him

 Music won me over, but I remember being about 10 or so - when I first started playing music a lot - and I promised this self-portrait painting of Van Gogh that I’d write a song (or several) for him that a lot of people would hear.  Yea I made a verbal promise to a painting.  
It wasn’t the first or last time...  I was a weird kid.

The funny thing is?  This isn't even Van Gogh, as I much later found out.  It's "Dr. Gatchet", who was a physician who was treating Van Gogh.  Vincent painted him, and they actually look a lot alike!  But I made the promise to this painting, so here it is
   I hope you enjoy it
_____________________________

Vincent’s Letter
____________________
home, it’s a little loud
a love breaks me down every day
a little more, she comes & slips away
my love hurts me now
a little more every day
love simply breaks me down, 
a little more every day
I’m hearing you crying inside,
 why don’t you look outside and find yourself?
I’m trying every day, a little more in every way

my heart, my hands are sleepy
my foot is stomping on the paint
a little love, colors break my heart
a little more every day, 
a little love, comes in breaks my heart
a little more every day
a little love, cousin, breaks my heart
a little more every day

my home, will you break me down?
a little more every day
our love, cousin, breaks me too
a little more every day…
a little home, my!…
crazies out of the sky!
it’s a yellow one!
I’m wondering why?
I got my heart beating still
mixed together with the colors that spill
I got my heart cousin
a little more every day
heavens harps, cousin, come to break me down
a little more every day

Vincent's Letter

Amazon

The Shadow Goes

Latest version is remastered but most importantly featuring the talented and lovely Ciroyelle with her stunning vocals!!!! Follow her here: https://soundcloud.com/teufelskreis-net

and on Spotify: https://open.spotify.com/artist/0qJr8xW8shlDdhyfERX4Ol


Let's face it, this has been a rough year. Here is a track that started as a jam track (and still kind of is) that became a blues song. Thanks to Aura for the awesome photos, one of which I used for the song art. If you can hang in for all 7 minutes, that is awesome! 3 humble recommendations for this song:

1. Lights down 
2. Volume up
3. Headphones on
:)


Composed, arranged, performed, and produced by:
Tyler Cressman 

Backup Vocals: Maynard Cressman

Instruments: Gibson Les Paul, Schecter Bass, Drum Machine, Organ, Steinway Piano, Tambourine, Martin Acoustic Guitar, Synth, and I think that is it. 
Here are the lyrics:

When I look at 2020 baby, I see one color. How bout you?
When I look at 2020 baby, I see one color. How bout you? What do you see?

When I look at 2020 baby, my eyes only see blue.
When I look at 2020 baby, my eyes only see blue.

Hear that 2021 train a' comin. Know exactly what I'm gonna do. Got a plan baby?
Hear that 2021 train a' comin. Know exactly what I'm gonna do.

Gonna snatch right up my ticket, might even get me two.
Gonna snatch right up my ticket, might even get me two.

Gonna paint you a picture baby, need one color.....it's blue.
Lemme get my brush! (Very Long solo lol)

Thanks for listening :)

Numbers in Color (Worldwide Version)

Official Video

Numbers In Color (Worldwide Version)

Song by: The Boilerman
Eric created & plays: All acoustic lead & rythm guitar and all distorted lead and rythm guitar
Eric created & mix's: All drum, bass, banjo, cello, vocal & ambient instruments
Master mix by Eric T.

Song is dedicated to all my friends in the Smokey Mountains, God bless you Mountain Folk!

French Fried Taters

“The past is a black hole, cut into the present day like a wound, and if you come too close, you can get sucked in. You have to keep moving.”

“Memories beget memories. Fever being a disease of remembering, the fevered are trapped indefinitely in their memories. But what is the difference between the fevered and us?"

Severance

Trummor & Gitarr Jens-Joel Evaldson
Gitarr & Bas Magnus Lödberg

Honungskruka

MIDNIGHT HOUR
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 1988/2015/2020 AB Music

MIDNIGHT HOUR, YOU SAY THERE'S NO LAW
IN THIS HOUR, YOU GO ALONE

CHANGING YOUR NAME, IT'S NOT REALY YOU
AND IN THIS HOUR, YOU'LL MAKE, YOU'LL PAY
(chorus)
WATCH ME THERE NOW
SO........... REMEMBER SO
SO........... REMEMBER SO CLOSE
SO........... REMEMBER SO CLOSE
AND NOW YOU ARE TORN

THE KIDS ARE ALL SHOUTING, PLAYGROUNDS A SONG
CATCHING THE COLDNESS, I'M ALL ALONE

MIDNIGHT HOUR, YOU'RE UNDER THE LAW
IT'S IN THIS HOUR, YOU ARE ALONE
(chorus)
WATCH ME THERE NOW
SO........... REMEMBER SO
SO........... REMEMBER SO CLOSE
SO........... REMEMBER SO CLOSE
AND NOW YOU ARE TORN
(break)
(chorus)
WATCH ME THERE NOW
SO........... REMEMBER SO
SO........... REMEMBER SO CLOSE
SO........... REMEMBER SO CLOSE
SO........... REMEMBER SO
SO........... REMEMBER SO CLOSE

Another  World

MIDNIGHT HOUR

Like a duck on the pond. On the surface everything looks calm, but beneath the water those little feet are churning a mile a minute.”
— Gene Hackman

Always fun to collaborate with Belial who seems to have discovered the fountain of youth with regard to ambient sounds. 

Rhodes, Bass, Percussion, Synth: Jan Schonander
Ambient sounds, Percussion, Synths: Belial Pelegrim 
https://soundcloud.com/belial-pelegrim

Faux Chill

Faux Chill | Belial Pelegrim & TheGat(s)

So.... finally.... this is it. Andrew Huang's #3. I never thought that i will be able to finish it...... The process for this one is really best to be described as "from HATE to epic FATE".

Number three even destroyed once more the way of how i "usually" and "naturally" proceed with things and do them, when it comes to creating and assembling musical structures. Especially, when there is a "vision" in adding vocals, or even go for a vocal track. I realized, that i did it not exactly, as shown and to be the applied method for this one, as presented in the course. Classic songwriting process from A - Z. Damn you!!!

As the timeline came closer and closer..... i found myself struggling so hard, but still was able , they kinda encouraged us to deliver whatever is ready at that point, to drop a final structure with all the basic core elements as raw as any "diamond" could be, mined deep under the surface in dark caverns....

Then the real struggle began. Course was over, but not this unfinished piece and my natural extremism, which did not allow me to leave it just as it is. At a certain progress you decide - trash it or do it for the sake of learning and finish that damn project! Then i recalled (hehe), and remembered a quote Andrew dropped at a certain stage in the course, which says like "to do something you like, you have to do alot of stuff you dont like".

Keeping this in mind, i took a short break to relax myself and get rid of the pressure -> course over, deadline ended anyway , so why go mad bro? Then the thing developed. I found myself being able to go more and more in the direction i imagined and went down to the rabbit-hole-like tunnel, dug up some more diamonds, back onto the surface, and then processing and grinding and shaping, until they meet the quality you want to have in your jewelry. 

No detailed numbers this time but again, big cred to my fiance for being so supportive and sustaining my sanity, while i still went full psycho mode on this one - but i had to, like for me, personally, this finished song number three is the overall end of this course and the way i shape msyself into music making and trying to make it as entertaining as possible. 

Money is not what I'm after, as this is my hobby, my other love in life, and even if you just don't like stuff sometimes , yet you love it deeply and it deserves that you seriously take care of it....... so here it is... i hope it is a good listen to you - enjoy this little space drama! ;o

Thank you all for tuning in and valuing what i do - again, this community is just so awesome. You all are! <3

####################################################
Intro:
I, didn't see it coming....
I, didn't see you running....

Verse:
You sneaked out of mission control
smoke and fire everywhere
no hesitation, to abandon us all
smell of searing flesh and hair

verse:
believed we will survive this together
dreamed our kingdom will last forever
now hunting you across the galaxy
with the last broken pieces left of me

chorus:
unpredicted, came this downfall
i recall
heavy wounded, but still i crawl
i recall, i recall
your betrayal, i don't want to recall
recall, recall
was to blind to see it all
i recall

verse:
memories now, coming and fading
my screams, they're all in vain
bombs are flying, troops invading
what's left is only pain

verse:
far across, your ships air-frame
gonna end now your last run
fooled me with your vicious game
aiming, and pull the trigger of my gun

Solo

Chorus:
unforeseen, it is now our end
i recall, i recall
closer and closer, ready to ascend
i recall, i recall
visions of our younger selves appear
i recall i recall
a final thought, a bittersweet tear
my last recall
####################################################

Recall

Backing track: Paploviante and Friends
https://soundcloud.com/paploviante-and-friends/boundless-paploviante
Vocal: Special Cecilia
https://soundcloud.com/specialvocals/waiting-for-your-sunshine-standing-in-the-moonlight
https://soundcloud.com/specialececilia
Lillithe adding: Piano, Horns, Strings, Beat, Synth

Waiting for your Sunshine / Standing in the Moonlight / Cecilia, Paploviante & Lillithe

This is the story of my first “eclipse”, experienced alone in the wilderness of Oregon in August, 2017. It’s a long story, but the story behind this song.

I drove to Oregon alone to see the great American total solar eclipse of 2017. In Oregon, there is a famous national park called Crater Lake.  This is the deepest lake in America.   In the middle of Crater Lake is Wizard Island. This lake was formed when a huge volcano blew its top a long time ago.  My plan was to see Wizard Island, get a hotel room, and see the eclipse the next day.

There have been numerous stories of strange occurrences around this area from multiple people over the course of centuries.

The time was around 7 pm when driving up Crater Lake Mountain to see Wizard Island… I wasn’t sure where I was going, or how to get down from the mountain. Finally, I saw Wizard Island just as the sun started to set. I remember there was this misty haze in front of the Island. I could barely see it. I got the chills and a weird feeling... It was very eerie.

I tried to find my way down from the mountain in my car, but it was too late, I was lost, and it was too dangerous. There are areas where you can drive off a ledge and fall a long way. No fun. I had to pull over in the wilderness and spend the night in my car…

Hours passed, and I fell asleep.

What happened next is the strangest thing I’ve experienced in my life. I woke up, it was still night. My phone wasn’t working, my car wouldn’t start or turn on any lights. I didn’t know what time it was. It was disturbing to me they were both "dead", and I was panicked. Then I noticed the area around my car was alternating in brightness, like truck lights... But that wasn't it. I got out of my car to check it out.

But the sky was weird. The moon was weird. It was all weird. The moon was alternating between being clearly visible… And being pitch black. Like it was “blinking”. It would take 5 seconds to get black, then about 5 seconds to get bright again. The stars were barely visible. I stared in disbelief for maybe 30 seconds, it kept happening.  The air around me had a feeling of electric charge to it.   I started hearing a lot more animals, and they seemed to surround me. They were in the bushes and trees, everywhere. It got more troubling quickly when I could discern soft human voices. I couldn't see animals or people. 
I wasn't on any drugs, I was saving my drugs for the following day and the journey home.

Time seemed too slow. I backed up to my car, got in, and locked the doors. I remember a feeling of utter disbelief in my senses. Without any idea what to do, I climbed in the backseat and lied down. I thought any second I could die.

The next thing I remembered, I woke up. It was about 6:30 am. My car worked. My phone worked. And this was the morning of August 21st, 2017… The first day of the total solar eclipse which many of us would see later that day.  

But what I saw was something else.

Something very weird happened to me up there on that mountain that night, and it’s haunted me. I know several people will think "Manufactured lies!" Several others will think "Cool story bro...", well think what you want...

Later that morning when getting breakfast, still shook-up, I asked 2 waitresses if they heard of anything strange last night around Crater Lake. One said "no", the other said, "There's always something strange happening".

I remember one time a girl asked me why my music is so dark...
I’ve seen some sights.

Try to check out Crater Lake, Oregon, if you've never seen it.
Don't get lost.

- John

Crater Lake Eclipse

/sign-from-above/hiphop/instrumental/

Angst Dawning

My humble tribute to Rick Wakeman-

I’m lying on my back
As I watch the clouds
I’m turning down the noise
Because it’s much too loud
It’s easy to get distracted 
From what is real
It’s easy to get confused
About the way you feel
Sometimes you have to
Just slow things down
And remember the joy 
You once found
Sometimes you have to
Just slow things down
And remember the joy 
You once found

clintmusic 10

Cloudchaser

Everything You Are Is Clouds

Desirous Waiting

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

***
Track name: Invasion
Music by Michael Herter
Free Download: 
Video: 

Epic Cinematic Classical Orchestral Music Trailer Track that builds up slowly to a huge climax. The beginning is meant to evoke a feeling of somber reality of what is about to happen (everything going all wrong). The introduction gradually builds up with heavy drums and percussion until the break with choir and high strings.

The 2nd section comes roaring in with almost alien-like huge epic horn blasts, and a percussion/drum section that builds and builds to the climax. 

f-moll; 4/4; 70 bpm

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***
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___
Stay tuned as more tracks will be released in the coming weeks and months.

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Thanks For Listening!

Invasion

WOLF

Saxvalentz 7

All the music I offer is entirely made with musical creation software, Magix Music Maker for the mixes, Magix studio and Sound forge for the arrangements.
It is true that it is easier to make music this way, so I always try to create creative and original mixes, I am quite meticulous and I like a job well done, I need between 30 and 50 hours to create a song !, in fact it must above all reach my degree of satisfaction.
Thank you for your listening, comments and sharing

Toutes les musiques que je proposes sont entièrement réaliser avec des logiciels de créations musicales, Magix Music Maker pour les mix, Magix studio et Sound forge pour les arrangements.
Il est vrai que c'est plus facile de faire de la musique de cette manière, alors j'essaie toujours de créer des mix créatifs et originaux, je suis assez méticuleux et j'aime le travail bien fait, il me faut entre 30 et 50 heures pour créer un morceau!, en fait il faut surtout que cela atteigne mon degré de satisfaction.
Merci pour vos écoutes, commentaires et partages

Something Simple

Dad on the moon